Julia Dean Movies

In this romance, an industrial designer is bitterly disappointed when he discovers that upon graduation his daughter decides to elope with her psychology professor rather than pursue a career. The professor's family is also not pleased by the union. Both families, who despise each other, try to get the newlyweds to annul their marriage. This quest unites the families and they become friends. When they finally catch up to the couple, both sides are appalled to discover that marital strife threatens to rip the couple apart. The families rally together and the marriage remains intact. ~ Sandra Brennan, All Movie Guide

At Sword's Point is about the sons of Dumas' Three Musketeers--one of those "sons" being of the female persuasion, played by Maureen O'Hara. As the swash-buckling daughter of Athos, O'Hara joins the offspring of Aramis and Porthos, portrayed respectively by Dan O'Herlihy and Alan Hale Jr., as well as the bouncing boy of D'Artagnan, played by Cornel Wilde. These second-generation Musketeers are reunited by the ageing Queen Anne (Gladys Cooper), who wants to stem the villainy of her treacherous nephew, the Duc de Lavalle (Robert Douglas). Lunging and parrying throughout the French countryside, the new Musketeers save the day by preventing a marriage of state between the princess (Nancy Gates) and Lavalle, restoring the girl to her true love, prince Peter Miles. Technicolor is the only decided plus in the favor of the lazy and derivative At Sword's Point, which was completed in 1949 but remained unseen in RKO's vaults for three years. ~ Hal Erickson, All Movie Guide

No relation to the 1937 screwball comedy of the same name, Easy Living is a film about the world of professional sports. Victor Mature plays Pete Wilson, star halfback of the New York Chiefs. Well past his prime, Wilson would like to retire to a coaching job, but his rival Tim McCarr (Sonny Tufts) beats him to it. Financially, Wilson is really in no position to retire; unfortunately, he has learned that he suffers from a potentially deadly heart condition. To make matters worse, he's on the outs with his wife Liza (Lizabeth Scott), who has become disillusioned with the status of "team wife." A brief dalliance with team secretary Anne (an excellent performance from Lucille Ball) results in Anne's selfless efforts to help Wilson put his marriage -- and his life -- back together. Though he was ignored by contemporary reviewers, future talk-show host Jack Paar has an amusing supporting role. Most of the football players seen in Easy Living were drawn from the ranks of the real-life L.A. Rams. The film was based on a story by novelist Irwin Shaw. ~ Hal Erickson, All Movie Guide

If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide

That new-fangled swing music is the focus of this musical comedy. The trouble begins when a music school dean boards a train to meet her husband the symphony conductor. En route she meets Harry James, the big band leader. She is deeply impressed by the swingin' beat of the new music. It becomes her newest passion. Unfortunately, back at her school, her superiors do not share her enthusiasm and she is fired. She remains determined to introduce the kids to the new sound. She and James team up to perform the music on campus. Songs include: "As If I Didn't Have Enough on My Mind," "I Didn't Mean a Word I Said," "Moonlight Propaganda," and "Do You Love Me?" ~ Sandra Brennan, All Movie Guide

Officially a sequel to Val Lewton's psychological-horror classic Cat People (1942), Curse of the Cat People is in fact an engrossing and oftimes charming fantasy, told from a child's point of view. Six-year-old Ann Carter plays Amy Reed, the lonely daughter of eternally preoccupied Oliver Reed (Kent Smith). Amy's vivid imagination and inability to get along with her schoolmates leads Oliver to worry that the girl will start exhibiting the psychopathic tendencies of his long-deceased first wife Irena (Simone Simon), the obsessive "Cat Woman" in the earlier film. Oliver's second wife Alice (Jane Randolph) and Amy's sympathetic schoolteacher (Eve March) try to help, but Amy prefers the company of elderly Julia Farren (Julia Dean), a harmlessly crazy ex-actress who lives in a forbidding mansion with her neurotic daughter Barbara (Elizabeth Russell). Insanely jealous of Amy, Barbara ultimately tries to do the girl harm, but she is thwarted in this effort by the ghost of Irena, Amy's self-appointed guardian angel. Advertised as a horror picture, Curse of the Cat People has only one genuine "shock" scene; otherwise, the most frightening moment in the film is Julia Farren's spirited rendition of "The Midnight Ride of Paul Revere." Saddled with a lurid title, producer Lewton and screenwriter DeWitt Bodeen chose to offer a fascinating glimpse into the wonderfully boundless realm of a child's imagination, and in this respect the film is an unqualified success. ~ Hal Erickson, All Movie Guide

Perhaps to differentiate the 6-reel Universal drama Judge Not from the other two 1915 films bearing that title, the producers tacked on the subtitle The Woman of Mona Diggings. Only by checking the film's credits would anyone have been able to figure out that it was based on Renunciation, a story by Peter B. Kyne. Julia Dean plays Molly, a naïve young woman who is tricked into a marriage with Montana saloon proprietor Kirk (Harry Carter). When Molly befriends Miles Rand (Harry Carey Sr.), the black-sheep son of a prominent New York lawyer, she decides to help him turn over a new leaf, and to that end lends him enough money to start his own law practice. Years later, Rand has become an influential Manhattan judge. At a society function, he is reacquainted with Molly, who has been led to believe that her husband was killed in a fire. Unfortunately, Molly's "dead" hubby shows up to give her grief, whereupon she kills him in self-defense. By now deeply in love with Molly, Rand defends her in court, using the Biblical "Judge Not" quote as the foundation of his defense. Molly is acquitted, leaving her free to marry the adoring Rand. ~ Hal Erickson, All Movie Guide