Isabel Dean Movies

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Death of a Ghost. Each year, the friends of a deceased painter gather to unveil one of his final 12 paintings. It is during one of these annual unveilings that the lights suddenly go out--and when they go back on again, a rather unpleasant young artist named Dacre (Patrick Bailey) turns up murdered. Before long, Dacre's own painting begin mysteriously vanishing. Campion has a pretty good idea who is the killer and thief, but Inspector Oakes (Andrew Burt) is not so easily persuaded--at least, not until murder rears its ugly head yet again. In America, "eath of a Ghost" was telecast November 9 and 16, 1989, as part of the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

Fred Zinnemann's final film is a meditative examination of an illicit May-December romance, set in the mountain expanse of the Swiss Alps. Sean Connery plays Douglas, a middle-aged Scottish doctor on vacation in the Alps in 1932 with a beautiful and fresh-faced young woman, Kate (Betsy Brantley), whom he introduces as his wife. Douglas has taken Kate to the Alps to introduce her to the invigorating sport of mountain climbing. When Douglas and Kate arrive at the mountain lodge, their happiness is tempered by a knowing melancholy. Through flashbacks, it is revealed that Kate has been madly in love with Douglas since she was a little girl and that she seduced him away from another woman. The flashbacks also reveal that Kate is not his wife, but his niece. But then, in their mountain retreat, young and handsome guide Johann (Lambert Wilson) makes an entrance. Johann immediately develops an attraction for Kate. Now Kate has to worry if the feeling is mutual. ~ Paul Brenner, All Movie Guide

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, All Movie Guide

Originally broadcast by the BBC on January 9, 1971, this adaptation of Jane Austen's beloved tale recounts the events that unfold when Elinor & Marianne Dashwood discover that they may soon be sharing their Norland home with their mother's stepson and his wife. ~ Jason Buchanan, All Movie Guide

Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the "new attraction" at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?). ~ Hal Erickson, All Movie Guide

This late-'60s spy spoof also borrows a page from late-'50s Alfred Hitchcock, with its everyday man becoming embroiled in the violent and baffling world of international espionage. When American businessman William Beddoes (James Garner) is traveling in Lisbon, he's mistaken for an English spy who's thought to possess a cache of industrial diamonds. Soon he is pursued by Aurora-Celeste da Costa (Melina Mercouri), Steve-Antonio (Tony Franciosa), and a host of other colorful troublemakers, all chasing him for something he doesn't have. Note Bert Kaempfert's music, introducing "Strangers In The Night". ~ Nicole Gagne, All Movie Guide

A mother who wants only the best for her challenged daughter faces a number of new and unexpected dilemmas in this romantic drama. Margaret Johnson (Olivia de Havilland) is a wealthy woman taking a tour of Europe with her 26-year-old daughter Clara (Yvette Mimieux). Clara is blonde, beautiful, and charming, but beneath the surface lurks a serious problem -- as a result of a head injury she suffered as a child, Clara is mildly retarded and has the mental capacity of a ten-year-old. While Margaret's husband Noel (Barry Sullivan) has long contended that Clara should be institutionalized, Margaret refuses to hear of it, and she sees to it that her daughter lives as normal a life as possible. While in Italy, Margaret and Clara meet a handsome young man named Fabrizio Naccarelli (George Hamilton), the son of a prosperous local, Signor Naccarelli (Rossano Brazzi). Fabrizio is immediately smitten with Clara, and she seems equally fond of him; since Frabrizio has a spotty command of English and isn't especially perceptive to begin with, he doesn't notice anything unusual about her. Before long, Fabrizio asks Margaret for Clara's hand in marriage; while this would be a big step toward the "normal" life that Margaret has long dreamed of for her daughter, she's not sure if Clara is capable of handling the responsibilities of marriage and parenthood, and she is equally uncertain if she should reveal the nature of Clara's condition to the Naccarellis, even though she knows that it would be terribly unfair for Fabrizio to marry Clara without knowing the truth. Light in the Piazza was beautifully shot on location in Italy by award-winning cinematographer Otto Heller. ~ Mark Deming, All Movie Guide

Corpulent "Goon Show" regular Harry Secombe plays the title role in the British comedy Davy. Set in the rarefied world of the British music halls, the film focuses in on the Mad Morgans, a family song-and-dance act. It is clear that Davy Morgan is the star of the act, but he loyally remains with his family, even though he seems destined to spend the rest of his life in the Small Time. At long last, Davy gets a chance to perform at the Covent Garden--but only as a solo. Will ambition win out over family solidarity, or vice versa? A stellar supporting cast enables Davy to overcome its occasional banalities and cliches. ~ Hal Erickson, All Movie Guide

In this crime drama, a man finds a rare stamp, takes it to an expert for appraisal, and finds that it is a forgery. This discovery leads the man to look for the counterfeiter. After grilling three suspects, he finally learns that the art expert was behind it all the time. ~ Sandra Brennan, All Movie Guide

Robert Morley and Maurice Evans play W.S. Gilbert and Arthur Sullivan, 19th-century composers of such imperishable comic operettas as H.M.S. Pinafore, Pirates of Penzance and The Mikado. Much is made of the inescapable fact that Gilbert and Sullivan grew to dislike each other intensely. Also touched upon is the fact that both men felt they were writing "beneath" their talents, and yearned to do something more serious than their witty frivolities. And of course, we are treated to generous excerpts from several of Gilbert and Sullivan's works, performed by such D'Oyly Carte veterans as Martyn Green. Gilbert and Sullivan was originally titled The Story of Gilbert and Sullivan; its US release title was The Great Gilbert and Sullivan. ~ Hal Erickson, All Movie Guide