Michael Deak Movies

A quaint, stagebound little horror film from Charles Band's Empire Pictures, Cellar Dweller stars Jeffrey Combs (fresh off his glorious turn as Herbert West in the Empire-produced Re-Animator) as a '50s horror-comic artist who falls prey to one of his own creations -- a ferocious demon he based on a drawing from an arcane book of spells and curses. The story picks up again in the 1980's, where the late artist's palatial home has been converted into a combination boarding house and art academy led by Yvonne De Carlo. One of the students pursues her obsession with reviving the "Cellar Dweller" comic series herself, delving into Combs' old studio for inspiration, and eventually discovers the same occult manuscript secreted in the basement. History repeats itself (naturally) and the creature emerges to stalk and maul anew. This admittedly cool concept and the rather effective monster are dampened a bit by a flippant, tongue-in-cheek attitude (a more ominous, Lovecraftian tone would have been more effective), but makeup-man-turned-director John Buechler shows a definite flair for imbuing his beast with a suitably sinister personality. Observant fans of Charles Band's body of work (yes, they do exist) should spot the numerous visual references to other Band films. ~ Cavett Binion, All Movie Guide

This pedantic sequel to Empire Pictures' less-than-original Ghoulies was released directly to video and summarily slipped into oblivion. At the outset of this one, the title creatures -- rubbery puppets originally conceived as cut-rate Gremlins lookalikes -- are shanghaied by a priest who intends to exterminate them, but they manage to escape to a low-rent carnival. There they take up residence in "Satan's Den," a foundering, old-fashioned haunted house attraction run by Royal Dano, who fears he may lose ownership of the show due to sagging attendance. The presence of the ghoulies at first gives business a much-needed boost ... until the slimy little buggers start dining on the patrons. Despite some enhancements in the lackluster monster effects (by John Buechler, who's done better work elsewhere) and clever stop-motion animation by David Allen, this film is just as pointless as its predecessor. There is, however, one memorable scene, which makes good on the promise of the first film's ad campaign -- which featured one of the reptilian critters leaping from a toilet bowl, accompanied by the tagline "They'll get you in the end!" ~ Cavett Binion, All Movie Guide

When a movie star's ghost takes to haunting a writer's home on the beach, the two put their heads together to uncover the truth behind her suspicious demise. ~ Iotis Erlewine, All Movie Guide

In this horror thriller, a scary sorcerer opens up his ancient Italian castle and allows the winners of a music contest to enter it and search for a fabulous treasure--provided they can stay alive long enough to enjoy it. ~ Sandra Brennan, All Movie Guide

Paull Hipp plays "Dangerous" Dan O'Dare an entertaining radio host who gets locked up in the station's control room when an alien being takes over the broadcast. The being starts mesmerizing attractive female listeners with jivy tunes and then uses some sort of transmission contraption to shrink the listening lasses and transport them to the station, where they're placed in foot-high bottles. Apparently, he intends to take them back with him to wherever he came from. While all this goes on, the locked up DJ O'Dare is broadcasting the goings-on, but everybody listening thinks its another of the over-the-airwaves pranks that he's famous for. When a TV reporter named Lisa (Martha Quinn) shows up, the alien wants to bottle her up too, but O'Dare sees how the alien does it, and figures out a way to thwart his kidnapping scheme. ~ All Movie Guide

In this gory horror outing, the hellish little self-motivated puppets are back, but this time they working for good to prevent brain-fluid sucking demons from stealing their master's secret. ~ Sandra Brennan, All Movie Guide

What do you get when you combine a Western with a Science Fiction film? You might get this shoot'em up in space. It is set in the distant town of Oblivion (it was actually filmed in Romania). Though it's a high tech town, it has the feel of an old fashioned Western outpost from the 1800's. The town is being terrorized by the snakelike, power-mad Redeye who is also out for the contents of local mines. He shoots the sheriff and disarms Stell Barr, his cyborg deputy. Enter Zack Stone, son of the late Sheriff Stone. Zack is of a rare breed, the empaths. Because he feels the pain of others, he walks a path of non-violence. Can he remain pacifistic in the face of Redeye's terrifying reign? ~ Sandra Brennan, All Movie Guide

Taking his cue from such 1970s horror classics as The Texas Chainsaw Massacre (1974) and The Hills Have Eyes (1977), animated rocker Rob Zombie goes celluloid with the throwback shocker House of 1000 Corpses. Running low on gas as they travel the highways of America in search of the ultimate roadside attraction, a group of teens pull into Captain Spaulding's (Sid Haig) museum of oddities (which also offers fried chicken and gasoline) only to become obsessed with uncovering the mystery of a legendary local maniac known only as Dr. Satan. When an attractive and mysterious hitchhiker subsequently offers to give the thrill seekers a personal tour of Dr. Satan's old stabbing grounds, a breakdown forces them to take refuge with a group of menacing oddballs as a fearsome storm rages outside. As the evening progresses and the backwoods hosts' Halloween festivities become ever more threatening, the teens soon realize that the legend of Dr. Satan may hold a bit more contemporary weight than any of them had previously thought. ~ Jason Buchanan, All Movie Guide

Adrenaline loving director Tony Scott teams with iconic action producer Jerry Bruckheimer for this high flung sci-fi action thriller concerning a New Orleans based maverick ATF agent named Doug Carlin (Denzel Washington) who is brought in on a top secret government program to catch the terrorist (Jim Caviezel) responsible for a ferry bombing that kills hundreds. Able to do what most law enforcement officers only dream of, Carlin is now able to look back in time at the perpetrator's movements, and at the life of the innocent woman whose death would set the events into motion. Carlin's instincts tell him that something is amiss, however, and while the government agent who tapped him for the job (Val Kilmer) and the team of ultra-cool scientists who run the project (Adam Goldberg, Erika Alexander) tell him one story about the quantum physics behind this marvel of technology, the hotshot agent suspects that there is a greater power at their fingertips--one that might not just solve the crime at hand, but prevent it. ~ Jason Buchanan, All Movie Guide

Drawing inspiration from the true story of a temperamental debate coach who molded the students of a small East Texas college into a formidable team that gave even Harvard's elite squad a run for their money, Denzel Washington's The Great Debaters features the director himself as the ambitious educator, and Forest Whitaker as the resentful father of a student whose loyalties now lie almost exclusively with his coach. Melvin B. Tolson (Washington) is the kind of educator who truly recognizes the remarkable power of knowledge. An outspoken Wiley College professor who boldly challenged the discriminatory Jim Crow laws of the 1930s, Tolson's recognizes that his young debate students possess the spark of a new generation. Convinced that they could invoke great change if given the confidence and tools needed to do so, the tireless educator implores his students to take responsibility for the future while furtively attempting to protect them from his clandestine role as an organizer for the Southern Tenant Farmers Union. Chief among Tolson's promising young students is a 14-year-old prodigy named James Farmer, Jr. (Denzel Whitaker). Farmer's father, James Sr. (Forest Whitaker), is a renowned scholar and an important presence in the emerging student's life. Yet despite his formidable reputation, James Sr. has not yet learned how to truly harness the power of knowledge through action and assertion. James Jr. has seen the raving effects of racism all around him, and longs to live in a future where no one must be in fear simply because of the color of their skin. Other talented debaters on Tolson's team include fiercely independent student Henry Lowe (Nate Parker), and Samantha Brooke (Jurnee Smollett) -- the first ever female ever to join the Wiley College debate team. While most educators may not have recognized the remarkable potential of assembling such a disparate team, Tolson's unique vision truly set him apart from the pack as the team begins to experience a series of consecutive victories on their road to challenging Harvard at the National Championships. ~ Jason Buchanan, All Movie Guide