Alan Martin Movies

This compelling low-budget horror-fantasy from Welsh filmmaker Julian Richards made a splash at several fantasy film festivals, where it often garnered a more favorable reception than Hollywood big-budget product. The plot follows the investigations of English journalist Frazer Truick (Craig Fairbrass) into the disappearance of a colleague's brother in South Wales. His snooping unearths the elaborate political machinations of a long-standing, ultra-conservative faction known as "Regeneration," whose followers, under the leadership of businessman David Keller (Jon Finch), intend to return Wales to its ancient Celtic ways... including the practice of human sacrifices. Insidious plot twists abound, all of which point to Truick's unknowing role in the sect's master plan. Richards' excellent script may draw its thematic inspiration from The Wicker Man, and those familiar with that film may not be entirely surprised by the climax; the story nevertheless contains many unconventional surprises, and it maintains an effective balance between political allegory and pure suspense. Further enhanced by excellent photography and an intense performance from Fairbrass, Darklands represents a remarkable debut from an assured genre talent. ~ Cavett Binion, All Movie Guide

This syrupy British drama stars Ian Hart as an English teacher assigned to a "special needs" school. Faced with a classroom full of angry, unruly children, Hart hopes to bring about order and unity by sharing his love of cross-country running. As is generally the case in films of this ilk, the teacher must wear down the resistance of the class' most difficult and obstreperous kid (Ruaidhri Coroy). Disaster looms on the horizon when the boy's father dies, prompting him to indulge in a series of dangerous running stunts that threaten the wellbeing of all concerned. Wending its way throughout Clockwork Mice is a romantic subplot involving Ian Hart and fellow teacher Catherine Russell. ~ Hal Erickson, All Movie Guide

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, All Movie Guide