Kevin Loader Movies

Producer/director Roger Michell teams with screenwriter Richard Nelson to adapt Nelson's BBC radio play chronicling the extramarital affair between President Franklin Delano Roosevelt (Bill Murray) and his distant cousin, Daisy (Laura Linney), which comes to light during a royal visit from the King and Queen of England (Samuel West and Olivia Colman) at his home in Hyde Park. As war engulfs Europe and the king seeks the support of the American government, President Roosevelt struggles to balance his domestic affairs with his international obligations as Commander in Chief. ~ Jason Buchanan, Rovi

The true story of John Lennon's troubled childhood and difficult relationship with his family is brought to the screen in this period drama. Young John (Alex Ambrose) is a bright but sharp-tongued boy living in the coastal town of Liverpool during the 1950s with his aunt Mimi (Kristin Scott Thomas) and uncle George (David Threlfall). John's father walked out on the family when he was four years old, and the boy was given to Mimi to raise, even though his mother, Julia (Anne-Marie Duff), was still alive. While Mimi's straight-laced nature runs counter to John's more reckless personality, they clearly love one another and the household is thrown into chaos when George dies suddenly. At the funeral, teenage John (now played by Aaron Johnson) sees Julia, and learns to his surprise that she lives only a few blocks away from Mimi. John pays her a visit, and Julia gratefully welcomes him back into her life. Julia's personality is a much closer fit to John than Mimi, and she encourages his love for writing and music, teaching him to play the banjo. However, John's renewed relationship with Julia brings up a number of unanswered questions, and causes new tensions between Mimi and John. And as rock & roll becomes the hot new sound of the day, John falls in love with the bold new music and makes a friend who is interested in forming a band, Paul (Thomas Brodie Sangster). The first feature film from artist-turned-director Sam Taylor-Wood, Nowhere Boy was the closing night attraction at the 2009 BFI London Film Festival. ~ Mark Deming, Rovi

Viggo Mortensen and Jason Isaacs star in this period drama set in 1930s-era Germany, and detailing the ways in which an otherwise "good" man can be slowly seduced by dark forces. John Halder is a professor of literature. When he's not teaching, most of John's time is dedicated to looking after his neurotic wife, tending to the couple's two young children, and caring for his elderly mother, who suffers from senile dementia. Disheartened by his mother's downward spiral, John authors a novel supporting euthanasia for the terminally ill. Much to John's surprise, the Nazi party singles out his tome as the "way forward," and soon begins to heap flattery on the author in the form of glowing compliments and extravagant gifts. As a result, John finds himself making a variety of minor moral compromises that soon begin to snowball. As his moral compass becomes less and less reliable and music manifests in John's conscience at the most inopportune moments -- such as the time a Bavarian boy choir bursts in as he's attempting to seduce a young lover -- the author begins to question his own motivations while also taking pause to consult with his best friend, a Jewish psychoanalyst named Maurice (Jason Isaacs). Unfortunately for Maurice, the situation is quickly worsening for the Jews of Germany as John continues his ascent in the party ranks. While John does everything within his power to save Maurice, the risks involved in truly removing his old friend from harm's way may already be too great for the morally compromised author to consider. ~ Jason Buchanan, Rovi

Evelyn Waugh's classic novel of love and the British class system has been given a polished screen adaptation in this film version from director Julian Jarrold. The tale opens during WWII, when Charles Ryder (Matthew Goode), an English military officer, is stationed at a country estate that has been converted into a military base. Jarrold uses this time-frame and setting as a framing device, and then flashes back in time to Charles' days as a scholar in the 1920s. It becomes clear that he was raised in a middle-class household; though he was fortunate enough to have been accepted into Oxford, he doesn't belong to the British upper crust. At Oxford, Charles strikes up a friendship with twentysomething Lord Sebastian (Ben Whishaw). Charles is captivated by the splendor of Sebastian's life at his family's Brideshead Castle, and he finds himself drawn into a web of decadent comfort. For Sebastian, though, the familial estate represents a prison from which he longs to escape, and in desperation, he hits the bottle. Charles develops an infatuation with Sebastian's sister, Julia (Hayley Atwell), but also senses that his bond with Sebastian may be something far deeper than simple friendship. Also present at Brideshead is Sebastian and Julia's mother, Lady Marchmain (Emma Thompson), an ice water-veined woman still reeling from her abandonment some time prior at the hands of her husband. Though bitter, the matriarch perceives Charles as an emotional anchor for the increasingly unstable Sebastian, and therefore suggests that Charles join Sebastian and Julia on a trip to see their father (Michael Gambon) and his mistress (Greta Scacchi) in Venice. Unfortunately, the romantic bond between Charles and Julia deepens, which threatens to destroy Sebastian. This feature constitutes the second major version of Brideshead Revisited to reach viewers; an earlier, 11-hour miniseries adaptation ran on television in 1981. ~ Mark Deming, Rovi

A lavish country party that should have been the best night of their lives unexpectedly begets a shocking cycle of violence for a confident career woman and her handsome young love interest in this brutal and unforgiving thriller starring Gillian Anderson and Danny Dyer. Adam (Dyer) is just getting his career off of the ground, so when the beautiful, older, and much more professionally experienced Alice (Anderson) invites him to a party, he readily accepts. Upon arriving at the classy soirée the pair immediately discover that they share an exhilarating sense of sexual chemistry, eventually wandering off alone for some highly charged sex. Still reeling from their earth-shaking bout of lovemaking, Adam and Alice speed down a quiet country road and suddenly find themselves thrown into the middle of a vicious attack in which both are severely injured. But their physical scars don't run nearly as deep as their emotional scars, and before long Alice becomes overtaken by her drive for vengeance and determined to make her tormentors pay for their violent transgression. ~ Jason Buchanan, Rovi

An unruly collection of clever but crass Thatcher-era English high-school students seek to earn the scores needed to enroll in Oxford and Cambridge in director Nicholas Hytner and screenwriter Alan Bennett's screen adaptation of Bennett's Tony-winning play. The History Boys focuses on a group of eight students, all of them deemed by their overeager headmaster (Clive Merrison) to be the best and the brightest. Though they've been coddled by their humanities-loving instructor, Hector (Richard Griffiths), and their acerbic history teacher, Mrs. Lintott (Frances de la Tour), the boys are deemed in need of additional tutoring; thus, the brash, young Irwin (Stephen Campbell Moore) is recruited to challenge them further. The subtle power games the boys used to their advantage with their previous tutors are of no use with Irwin, whose wit borders on the callous. Meanwhile, Irwin's presence -- and a hush-hush scandal -- forces all of the faculty members to reassess their position at the school. Hytner shot The History Boys shortly after the play's Broadway run, to capitalize on the enthusiasm and energy exhibited in the live shows. ~ Jason Buchanan, Rovi

Writer/director Paul Morrison, who directed the cross-cultural period drama Solomon and Gaenor, returns to similar ground, though in a lighter vein, with Wondrous Oblivion. Sam Smith stars as David Wiseman, a Jewish boy living in London in 1960 who dreams of being a world-class athlete. David is totally obsessed with cricket, and loves playing, even though he is one of the worst players at his school. His parents, Ruth (Emily Woof of The Full Monty) and Victor (Stanley Townsend), are struggling with the bigoted residents of their working-class neighborhood, but the neighbors get a bit more friendly to the Wisemans when Dennis (Delroy Lindo), a Jamaican laborer, and his family move in next door. David is shocked and delighted when he realizes that Dennis and his daughter, Judy (Leonie Elliott), are installing a cricket pitch in their backyard. Before long, and against the wishes of his worried parents, David is spending a lot of time next door, becoming very friendly with Judy, and becoming a much better cricket player. Ruth gradually warms to Dennis, but the rest of the neighborhood grows increasingly hostile. Wondrous Oblivion was presented by the Jewish Museum and the Film Society of Lincoln Center as part of the 2005 New York Jewish Film Festival. ~ Josh Ralske, Rovi

British filmmaker Mike Barker directs the political costume-drama To Kill a King. Set in 1645 at the end of the English Civil War, General Thomas Fairfax (Dougray Scott) celebrates the victory with his right-hand man Oliver Cromwell (Tim Roth). While, King Charles I (Rupert Everett) is held prisoner, he appeals to the sensibilities of Fairfax's wife, Lady Anne (Olivia Williams). The old friends disagree over what to do about the king; Fairfax is willing to compromise and Cromwell is far more strict. The Speaker of the House, Denzil Holles (James Bolam), leads a group of conspirators to make an illegal deal with the king, but they are discovered and subsequently punished. The king is put on trial and executed, making Cromwell in charge. The conclusion involves a reunion between Fairfax and a dying Cromwell. ~ Andrea LeVasseur, Rovi

A woman looking for the man of her dreams turns to a computer with unexpected results in the British comedy Virtual Sexuality. Justine (Laura Fraser) is 17 year old and a virgin, a situation she's none too happy about. She has her eye on Alex (Kieran O'Brien), one of her classmates, and has been plotting a seduction following the advice of her friends Fran (Marcelle Duprey) and Chas (Luke de Lacey). However, when Alex breaks their date to go out with Hoover (Natasha Bell), Justine is crushed; to take her mind off this turn of events, she goes to a computer show with Chas. Justine notices a virtual-reality makeover machine on display, and after toying with her own image for a while uses the computer to design her ideal man. Something goes wrong with the hall's power supply, and the computer explodes. The dust settles to reveal Jake (Rupert Penry-Jones), who looks like the man Justine was designing -- except he's wearing her clothes and thinks he's her. Justine eventually returns and is introduced to Jake; she finds she likes him quite a bit, not realizing he's merely a manifestation of her own personality. However, Jake also has also attracted the attention of her nemesis Hoover. Virtual Sexuality was based on a novel by British author Chloe Rayban. ~ Mark Deming, Rovi

This three-part BBC adaptation of author Anne Brontë's novel The Tenant of Wildfell Hall features Tara Fitzgerald as Helen Graham, a pensive woman seeking a way out of her miserable marriage to Arthur Huntingdon (Rupert Graves), a rakish alcoholic who tricked Helen into marrying him before his bad behavior became outwardly evident. Meanwhile, farmer Gilbert Markham (Toby Stephens) becomes increasingly attracted to Helen, whom he is led to believe is a widow. ~ Tracie Cooper, Rovi

In the new tradition of "Tales of the City," this long, complex British satire profiles a decade in the life of a British family. The story opens in a South London suburb where main protagonist Karim Amir lives with his Indian father, Haroon, and his English mother during the 1970's. Haroon is a civil servant who makes extra cash, and gains notoriety for teaching "Eastern Philosophies," of which he knows nothing. Still, as Buddhism is in fashion, people pay him a bundle to hear his vapid, happy ramblings. When not preaching, Haroon is trysting with a rich follower, Eva Kay. Karim's mother learns of the affair and leaves with his younger brother. Karim stays with his father and his new love. He begins a career on the stage. The story also follows Charlie, Eva's boy as he aspires to become a rocker. Other plots and subplots abound in this film. ~ Sandra Brennan, Rovi