Heather Angel Movies

Allen R. Kerward's flagwaving stage play Proof thro' the Night was vastly improved in its screen adaptation, which was retitled Cry Havoc. Margaret Sullavan (making her first screen appearance in two years), Joan Blondell and Ann Southern are among the appropriately deglamorized actresses playing Red Cross nurses caught up in the Pacific War. As the Japanese army forces most of the American troops to retreat from Bataan, the nurses remain, tending to the miserable wretches left behind to defend a defenseless post. This atypical MGM production is far more successful in depicting the plight of courageous women trapped behind enemy lines than was Paramount's over-touted So Proudly We Hail (and the acting was better to boot). Among the very few male characters in Cry Havoc is young bit player Robert Mitchum, appearing briefly as a mortally wounded soldier. ~ Hal Erickson, All Movie Guide

One of two 20th Century-Fox horror melodramas released in 1942 (Dr. Renault's Secret was the second), The Undying Monster is a well-crafted variation on Universal's "Wolf Man" series. Ever since the suicide of its patriarch, the Hammonds, an old and wealthy English family has seemingly lived under a curse. When a number of murders occur on the Hammond estate, Scotland Yard inspector Bob Curtis (James Ellison) and his garrulous female assistant Christy (Heather Thatcher) are sent out to investigate. Everyone on the premises-Helga Hammond (Heather Angel), her brother Oliver (John Howard), family doctor Geoffrey Covert (Bramwell Fletcher), family servants Mr. and Mrs. Walton (Halliwell Hobbes and Eily Malyon)-seems to know more than he or she is letting on. Only in the final few minutes of the film is the horrible family secret revealed and the murderer dispensed with. Atmospherically directed by John Brahm on several impressive standing sets (that gigantic stained-glass window is a knockout!), The Undying Monster is a model "B" picture, hampered only by Heather Thatcher's intrusive comedy relief. ~ Hal Erickson, All Movie Guide

Shadows on the Stairs is a slimmed-down adaptation of Frank Vosper's stage play Murder on the 2nd Floor. There's dirty work afoot at the London boarding house managed by Mr. and Mrs. Armitage (Miles Mander, Frieda Inescourt): several mysterious murders have occured, and everyone is under suspicion. One of the tenants is Mr. Bromilow (Bruce Lester), who weaves in and out of the proceedings with the all-knowing air of one who's already figured out the solution to the murders. Indeed, Bromilow has done just that, as demonstrated by a twist ending that would have done Alfred Hitchcock or Rod Serling proud. Otherwise, Shadows on the Stairs is standard stuff, standardly produced. ~ Hal Erickson, All Movie Guide

Wealthy, sheltered Joan Fontaine is swept off her feet by charming ne'er-do-well Cary Grant. Though warned that Grant is little more than a fortune-hunter, Fontaine marries him anyway. She remains loyal to her irresponsible husband as he plows his way from one disreputable business scheme to another. Gradually, Fontaine comes to the conclusion that Grant intends to do away with her in order to collect her inheritance...a suspicion confirmed when Grant's likeable business partner Nigel Bruce dies under mysterious circumstances. To his dying day, Hitchcock insisted that he wanted to retain the novelist Francis Iles' original ending, but that the RKO executives intervened. Fontaine won an Academy Award for her work. ~ Hal Erickson, All Movie Guide

Though Ginger Rogers' starring vehicles always turned a profit for RKO Radio, many filmgoers thought of Rogers only in terms of "Fred Astaire's partner." Others considered her a delightful comedienne, but no great shakes as a dramatic actress. Thus it was both a personal and professional triumph when Ms. Rogers walked home with an Oscar for her performance in Kitty Foyle. Based on Christopher Morley's Story of an American Girl, the film, told in flashback, relates the progress of working-girl Kitty Foyle (Ginger Rogers) as she pursues her Cinderella dreams. While employed at a department store, Kitty is wooed by Dennis Morgan, scion of a wealthy Philadelphia family. She flirts with the notion of marrying Morgan for his money, but decides that he's a bit too weak-willed for her tastes. Kitty enters into a romance with poor-but-dedicated doctor James Craig, then does an about-face by accepting Morgan's proposal. She quickly runs afoul of Morgan's snobbish family, who are so tightly bound by centuries-old tradition that Kitty is moved to exclaim "You mean to say you let all those dead people tell you what do?" She walks out on Morgan, then discovers that she's pregnant. Even after the trauma of delivering a stillborn child, Kitty is too proud to go back to Morgan. When true-blue Craig comes back into her life, Kitty, repeating her favorite phrase "By Judas Priest!", decides to forego money for love. Though successful to the tune of an $860,000 profit in 1940, Kitty Foyle seems stilted and over-rehearsed when seen today, save for the refreshing spontaneity of Ginger Rogers' performance. The film's best scene is the opening montage of the American Woman's "progress" once she enters the workplace (an uncredited Heather Angel is the central character in this delightful pantomimic vignette). Featured in the cast of Kitty Foyle is director Sam Wood's daughter Katherine Stevens, better known as K.T. Stevens. ~ Hal Erickson, All Movie Guide

Long before 19th-century novelist Jane Austen became a hot property in Hollywood, MGM produced this opulent and entertaining adaptation of one of Austen's best-known novels. The elegant and slyly satirical comedy of manners gets under way when socially conscious Mrs. Bennet (Mary Boland), with the begrudging assistance of her husband (Edmund Gwenn), begins seeking out suitable (and suitably wealthy) husbands for her five daughters: Elizabeth (Greer Garson), Jane (Maureen O'Sullivan), Lydia (Ann Rutherford), Kitty (Heather Angel), and Mary (Marsha Hunt). One of the least likely matrimonial prospects is Mr. Darcy (Laurence Olivier), a rich, handsome, but cynical and boorish young man. Naturally, Elizabeth Bennet, the strongest-willed of the Bennet girls, is immediately fascinated by him, and she sets out to land him -- but only on her own terms, and only after she has exacted a bit of genteel revenge for his calculated indifference to her. Though Austen's novel was set in 1813, the year of its publication, the film version takes place in 1835, reportedly so as to take advantage of the more attractive costume designs of that period. Not surprisingly, a few changes had to be made to mollify the Hollywood censors (eager to find offense in the most innocent of material): the most notable is the character of Mr. Collins (Melville Cooper), transformed from the book's hypocritical clergyman to the film's standard-issue opportunist. ~ Hal Erickson, All Movie Guide

Bulldog Drummond's Bride is the next-to-last entry in Paramount's series of "Drummond" B-pictures. It goes without saying that the oft-postponed wedding of Bulldog Drummond (John Howard) and Phyllis Clavering (Heather Angel) is interrupted yet one more time. The reason is a Parisian crime wave, instigated by master crook Eduardo Ciannelli. ~ Hal Erickson, All Movie Guide

This typically wild-and-wooly entry in Paramount's "Bulldog Drummond" series gets under way when stiff-upper-lip Scotland Yard inspector Nielsen is kidnapped by master criminal Richard Lane (J. Carroll Naish). Ensconsed in his lavish jungle hideout somewhere in Africa, Lane wines and dines his captive as a prelude for his intended revenge against the good Inspector. As Bulldog Drummond (John Howard), his fiancee Phyllis (Heather Angel), his best friend Algy (Reginald Denny) and his valet Tenny (E. E. Clive) hack their way through the African foliage in search of Nielsen, Lane carries out his evil scheme by strapping the inspector to a pillar and preparing to release a ferocious, ill-fed pack of lions. Even if Nielsen should escape this peril, Lane has covered his bets by planting a time bomb in Drummond's private plane. Were it not for the fact that there were still three films to go in the "Drummond" series, one would be inclined to start worrying. ~ Hal Erickson, All Movie Guide

Arrest Bulldog Drummond was the last of Paramount's "B" film series based on Sapper's two-fisted soldier of fortune, and also the final appearance by John Howard as Drummond. In this one, Drummond's honeymoon with his beloved Phyllis (Heather Angel) is postponed for the umpteenth time when Drummond is framed for the theft of a new ray-gun device (which looks like a reconditioned movie projector). Though designed for "the good of mankind", the gun will be a deadly force if it falls into "the wrong hands"--which in this case belong to goggle-eyed reprobate George Zucco and his gang. Still a fugitive, Drummond gives chase to the real crooks, with the help of several friends and associates, as well as the unofficial approval of Scotland Yard inspector Nielsen (H.B. Warner). Drummond narrowly escapes being dunked into a slime pit before he brings the crooks to justice. ~ Hal Erickson, All Movie Guide

Paramount's "Bulldog Drummond" series got off to a start with 1937's Bulldog Drummond Escapes. Up-and-coming Ray Milland stars as soldier-of-fortune Hugh "Bulldog" Drummond, who on this occasion comes to the aid of pretty heiress Phyllis Clavering (Heather Angel). The heroine is being held against her will by scheming "family friend" Merridew (Porter Hall), who hopes to get his mitts on her inheritance. With the help of his silly friend Algy (Reginald Denny) and Scotland Yard inspector Nielsen (Sir Guy Standing), Drummond manages to rescue Phyllis several times -- and, reciprocally, is rescued by her on one occasion. ~ Hal Erickson, All Movie Guide

In this melodrama a championship boxer retires and marries a rich, aristocratic woman. The woman's father is furious, but comes to accept the situation. When the father gets in trouble for making a major business mistake, the dutiful boxer returns to the ring and wins the money his father-in-law needs. ~ Sandra Brennan, All Movie Guide

Randolph Scott has one of his best roles as Hawkeye in this exciting film adaptation of James Fenimore Cooper's often filmed novel. During the brutal French and Indian War, Hawkeye is prevailed upon to escort Major Duncan Heyward (Henry Wilcoxon), and the two daughters of Fort William Henry commander Colonel Munro (Hugh Buckler) -- Alice (Binnie Barnes) and Cora (Heather Angel) -- to safety through enemy lines. Hawkeye is assisted by his Indian friend Chingachgook (Robert Barrat), and Uncas (Philip Reed), Chingachgook's son; the two are the last survivors of the Mohican tribe. During their travels to the fort, Alice falls in love with Hawkeye, while Cora falls in love with Uncas. But along the way, the band is continually harassed by the demonic Huron Indian Magua (Bruce Cabot). Magua causes the deaths of Cora and Uncas, while the British are attacked by the Hurons and the French and forced to flee Fort William Henry. Hawkeye is taken prisoner by the brutal Hurons and Maj. Heyward must organize a band to rescue Hawkeye before he is tortured to death. ~ Paul Brenner, All Movie Guide