Val de Vargas Movies

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, All Movie Guide

This adventure chronicles two boys' search for a treasure buried somewhere in the Florida Keys during the mid 1800s. The children are assisted by three adults, who each have the their own agendas for finding the cache. The hunters are followed by a greedy gang of villains. ~ Sandra Brennan, All Movie Guide

Stone (Karl Malden) and Keller (Michael Douglas) cover the length and breadth of the Bay Area to track down three escaped convicts. The escapees have embarked on a murder spree, wiping out anyone who gets in their way at the behest of the sadistic outlaw leader who kills for the thrill of it. The detectives' mission is made doubly difficult by a potential witness who refuses to get involved--and whose silence costs the lives of a helpless elderly couple. ~ Hal Erickson, All Movie Guide

While Stone (Karl Malden) is on disability leave, Keller (Michael Douglas) is partnered with Inspector Jim Martin (played by future Starsky and Hutch costar David Soul), a man notorious for his short temper and strongarm tactics. Conducting a manhunt in the Barrio, Keller is taken aback by the intensity of Martin's conviction that the Latino murder suspect they are searching for is guilty beyond all doubt--and all redemption. Though sidelined by injury, Stone does some investigating on his own to determine the source of Martin's personal demons. ~ Hal Erickson, All Movie Guide

With no pressing assignments at hand, Phelps and Barney head to the Caribbean for a long-overdue vacation. Falling in love with gorgeous artist Alma Ross (Cicely Tyson), Barney finds himself framed for the murder of Alma's ex-boyfriend. The instigator of the frame-up is crooked police chief Manuel Corba (Pernell Roberts), the head of a private death squad that has already claimed some 70 victims. Summoning the rest of the IMF team to come to Barney's rescue, Phelps intends to put the sadistic Corba out of business for keeps. The impressive supporting cast includes such familiar faces as Leon Askin and John Schuck. Written by Laurence Heath, "Death Squad" was originally broadcast on March 15, 1970. ~ Hal Erickson, All Movie Guide

In the second episode of a three part story, the family is still in Spain, where Bill (Brian Keith) has fallen for attractive senorita Ana (Anna Navarro) and Cissy (Kathy Garver) has been swept off her feet by a lad named Ricardo (John Aladdin). Meanwhile, Mr. French (Sebastian Cabot) conducts a frantic search for Buffy (Annisa Jones) and Jody (Johnnie Whitaker), who have somehow gotten on the wrong bus during a sightseeing tour. After an encounter with a nun and some Spanish schoolchildren, and a spooky experience in an empty church, the worn-out twins seek refuge in an old barn, hoping against hope that somewhere, somehow, they'll come across someone who speaks English! ~ Hal Erickson, All Movie Guide

Chance Buckman (John Wayne) heads a team of international trouble shooters who travel around the world to put out oil fires. The dangerous profession has taken a toll on the marriage between Chance and Madelyn (Vera Miles), who leaves when she can no longer endure the stress of saying goodbye and fearing she will never see him again. With his faithful assistant Greg (Jim Hutton), the team is ready at a moments notice to race anywhere to extinguish the flames of oil fires raging out of control. Greg eventually falls for Chance's daughter, Tish (Katherine Ross), who shares her mother's concern over the dangers the men endure. Hellfighters received technical advising from famed oil-well fighter Red Adair and his assistants who provided excellent and credible information for the film and the pyrotechnic team headed by legendary special-effects expert Fred Knoth. ~ Dan Pavlides, All Movie Guide

Barbara Luna plays the title role in the Mission: Impossible episode "Elena." A longtime IMF agent, Eleana Del Barra has endangered several assignments with her inexplicably bizarre and erratic behavior. With the cold detachment of a true professional, Briggs must decide if Elena can be rehabilitated: If not, he will have to kill her. One of the few episodes in which Dan Briggs appears without the rest of the regular IMF team, "Elena" was written by Ellis Marcus, and was first telecast on December 10 1966. ~ Hal Erickson, All Movie Guide

Impoverished and terminally ill Mexican peasant Juan Diaz (Alejandro Rey) makes a deal with gravedigger Alejandro (Frank Silvera) that will enable Juan to provide for his wife, Maria (Pina Pellecier), and their children after his death. When Maria discovers that her late husband had promised to allow Alejandro to mummify his body and display it as a tourist attraction, she takes it upon herself to break into Alejandro's crypt and steal Juan's corpse. An ironic ending caps this ghoulishly poignant Ray Bradbury story, which also boasts a typically superb Bernard Herrmann musical score. ~ Hal Erickson, All Movie Guide

Set in the mid-19th century during the California Gold Rush when the long-time Spanish residents of the territory found themselves being pushed off their ancestral lands by the avaricious prospectors, this exciting historical adventure tells of the exploits of a daring Spanish outlaw who plays Robin Hood to help his people. When prospectors ambush some of his band, the Firebrand rides out for bloody revenge against the killers and the one who betrayed him. ~ Sandra Brennan, All Movie Guide

This baroque nightmare of a south-of-the-border mystery is considered to be one of the great movies of Orson Welles, who both directed and starred in it. On honeymoon with his new bride, Susan (Janet Leigh), Mexican-born policeman Mike Vargas (Charlton Heston) agrees to investigate a bomb explosion. In so doing, he incurs the wrath of local police chief Hank Quinlan (Welles), a corrupt, bullying behemoth with a perfect arrest record. Vargas suspects that Quinlan has planted evidence to win his past convictions, and he isn't about to let the suspect in the current case be railroaded. Quinlan, whose obsession with his own brand of justice is motivated by the long-ago murder of his wife, is equally determined to get Vargas out of his hair, and he makes a deal with local crime boss Uncle Joe Grandi (Akim Tamiroff) to frame Susan on a drug rap, leading to one of the movie's many truly harrowing sequences. Touch of Evil dissects the nature of good and evil in a hallucinatory, nightmarish ambience, helped by the shadow-laden cinematography of Russell Metty and by the cast, which, along with Tamiroff and Welles includes Charlton Heston as a Mexican; Marlene Dietrich, in a brunette wig, as a brittle madam who delivers the movie's unforgettable closing words; Mercedes McCambridge as a junkie; and Dennis Weaver as a tremulous motel clerk. Touch of Evil has been released with four different running times -- 95 minutes for the 1958 original, which was taken away from Welles and brutally cut by the studio; 108 minutes and 114 minutes in later versions; and 111 minutes in the 1998 restoration. Based on a 58-page memo written by Welles after he was barred from the editing room during the film's original post-production, this restoration, among numerous other changes, removed the opening titles and Henry Mancini's music from the opening crane shot, which in either version ranks as one of the most remarkably extended long takes in movie history. ~ Hal Erickson, All Movie Guide