Ellen Kuras Movies

Based on a popular one-man play and filmed in a single day at the theatrical space the Kitchen in 1993, this avant-garde drama contrasts the lives of two famous homosexuals, both of whom died of AIDS in the 1980s. Both men are played by original castmember Ron Vawter. Roy Cohn was a gay-bashing right-wing lawyer and a steadfast protector of the "American Family." He was also a closet homosexual. Jack Smith was an openly gay experimental filmmaker who was credited as one of the fathers of performance art. In this film version of the play, the opposing lives of the two men are woven together, whereas on stage, they were profiled in two separate acts. ~ Sandra Brennan, All Movie Guide

This hour-long Australian coming-of-age film explores the hopes, dreams, and aspirations of two teenage friends. Alex (Elena Mandalis) and Vicki (Dora Kaskanis) escape the brutality of their parents through drugs and petty vandalism. Eventually, they realize that their friendship may have the potential to be something more. ~ Michael Hastings, All Movie Guide

This documentary takes a lighthearted inside look at the fashion industry follows New York designer Isaac Mizrahi as he prepares to stage a fashion show. While the film avoids criticism and in-depth probing into Mizrahi, it does provide insight into the man's creativity as he deftly deals with the chaos. Mizrahi narrates the film and frequently quotes famous lines from the old movies he dearly loves. Film clips from the movies are included. ~ Sandra Brennan, All Movie Guide

The true story of Valerie Solanas, the radical feminist who became notorious after shooting art world icon Andy Warhol, is portrayed in this fact-based drama. In an attempt to present a fair assessment of her actions, writer-director Mary Harron focuses on Solanas' troubled life, from her childhood as an abuse victim to her life as teenage prostitute in New York City. These experiences left Solanas (played by Lili Taylor) deeply scarred, contributing to a hatred of men that later found full flower in her famous "SCUM Manifesto," an extremist tract calling for the establishment of a "Society for Cutting Up Men." Deeply troubled, she nevertheless briefly finds hope after befriending young transvestite Candy Darling (played by Stephen Dorff) and discovering herself on the fringes of the wild, colorful world surrounding the eccentric Warhol. She becomes obsessed with the idea that Warhol's support could change her life, only to become violently enraged when the artist and his friends begin to turn away from her. ~ Judd Blaise, All Movie Guide

The compilation film If These Walls Could Talk consists of three short films that each deal with the controversial issue of abortion. Although each of the stories is set in a different decade, the unifying element (aside from the subject matter) is that all three transpire in the same house. The first story stars Demi Moore as the widow of a soldier killer in combat. She becomes pregnant and does not feel it would be morally appropriate to have the baby. Because it is the '50s, she must attempt to secure an illegal abortion. The second story, set in the '70s, stars Sissy Spacek as a mother of a struggling family. Having successfully raised four children on a meager income, Spacek's character must now decide if she should seek an abortion after finding out she is expecting a fifth. The final story takes place in the '90s. Anne Heche portrays a grad student who crosses protestors' picket lines in order to consult a doctor (Cher) about having an abortion. The first two parts, "1952" and "1974," were directed by Nancy Savoca, and the last part, "1996," was helmed by Cher, in her directorial debut. If These Walls Could Talk aired originally on HBO. ~ Perry Seibert, All Movie Guide

Scratch the Surface is former teen model turned documentary filmmaker Tara Fitzpatrick's examination of experiences in the fashion industry, and those of her friends and family. Fitzpatrick interviews her mother, aunt, and grandmother, and her sister Tracy Fitzpatrick, all of whom were models. She interviews her contemporaries, Phoebe Cates and her sister, Valerie, Whitney Houston, Brooke Shields, Pamela Gidley, and Lisanne Falk. They tell anecdotes about their experiences, offer their impressions of the business, and discuss the impact of growing up in the public eye. Eileen Ford of the Ford Modeling Agency, John Casablancas of Elite Modeling, former Seventeen Magazine editor Midge Richardson, and makeup artist Bonnie Maller also give their perspective, which often differs substantially from that of the former models. Supermodel Bridget Hall, at the height of her career when the film was made, gives a less detached view of that world. Most of these young women decry the powerful influence of beauty magazines and advertisements on American culture, and each seems to have at least one horror story about how she was treated. But almost all of them acknowledge that their exposure to the business at such a young age ended up having some kind of positive impact on their lives. ~ Josh Ralske, All Movie Guide

Director Spike Lee made his first feature-length documentary with this powerful story of the bombing of an African-American church in Birmingham, AL, in 1963, which took the lives of four girls, ages 11 through 14. The shocking incident received national press attention and became a rallying point in the ongoing struggle for civil rights, but while Lee's film examines the crime, the perpetrators, and the long struggle to bring them to justice, it also offers a close look at the four girls themselves as their friends and families recall, in moving detail, who they were and how they lived. A variety of civil rights activists, politicians, journalists, and lawyers are interviewed onscreen, including Walter Cronkite and a brief but disturbing meeting with former Alabama governor George Wallace. ~ Mark Deming, All Movie Guide

In the summer of 1977, a serial killer who called himself Son of Sam (real name David Berkowitz) held New York City in terror as he went on a killing spree, periodically writing letters to New York's media in which he took full responsibility for the murders and made clear that he intended to kill again. Spike Lee's Summer of Sam deals in part with this crime spree, but it mostly looks back at the fearful impact of his crimes on New York's collective consciousness. Vinny and Dionna (John Leguizamo and Mira Sorvino) are an unhappy young married couple living in the Bronx; Vinny often cheats on Dionna but is wracked with guilt about it, while Dionna fears she lacks the looks or allure to hold onto a man. Ritchie (Adrien Brody) is a neighborhood kid turned punk rocker (complete with a fake British accent); he has a band and a girlfriend (Jennifer Esposito) but also makes money as an exotic dancer at a gay club. And Luigi (Ben Gazzara), a longtime leader of organized crime in the Bronx, is approached by the police, with whom he generally has a less cordial relationship, to help them find the killer, as the citizens of some neighborhoods barricade their streets in fear that he will strike there next. Meanwhile, a tortured psychopath named David Berkowitz (Michael Badalucco) seethes with rage in his gloomy apartment and receives messages from a demonic dog who commands him to kill and kill again. Spike Lee's first film without a primarily African-American cast (though bearing the unmistakable New York stamp that's one of his hallmarks), Summer of Sam was shown as part of the Directors Fortnight series at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Police Capt. Adam Greer (Dennis Farina) needs some new cops who can go where other cops can't. Greer finds three young people on their way to jail: Lincoln Hayes (Omar Epps), the black one, is up for arson; Pete Cochrane (Giovanni Ribisi), the white one, is up for robbery; and Julie Barnes (Claire Danes), the blonde one, is up for assault. The three are given a choice: go to jail, or become a special undercover unit that will infiltrate L.A.'s underbelly and bring down the drug dealers and parasites that are preying on the young. Their only rules: no badges, no guns, and no turning in other kids. This "mod squad" encounters a major problem when a cache of drugs disappears from the police evidence locker. All clues point to dirty cops, while the cops want to close ranks and blame the new kids. With their first big case, the squad realize they'll receive no help from the L.A.P.D. and must solve it their own way. ~ Ron Wells, All Movie Guide

Three women whose lives have followed very different paths ponder their pasts and their futures in this omnibus film from second-time director Rebecca Miller, adapted from her acclaimed short story collection of the same name. Delia (Kyra Sedgwick) grew up in a fractured household; her mother abandoned the family when Delia was a child, and her father (Brian Tarantina) was a drug-addled loser who could barely be prodded off the couch. When she entered adolescence, Delia realized that she could use her body to get men to do as she pleased. While this gained her a feeling of power and self-sufficiency, it also earned her a reputation as the "class slut," and the end product was her marriage to Kurt (David Warshofsky). Greta (Parker Posey) is the daughter of a successful lawyer (Ron Leibman) who left her mother when she was young and offered Greta criticism rather than affection. Plagued with self-doubt, Greta is squandering her literary talents editing cookbooks and is married to Lee (Tim Guinee. When Thavi (Joel de la Fuente), a respected and successful young novelist, asks Greta to edit his next novel, it forces her to reassess herself on a number of levels. Finally, Paula (Fairuza Balk), yet another product of a fractured family, ran away from her mother and was homeless until she met Vincent (Seth Gilliam), who took her in and became her boyfriend. A year later, Paula is uncertain in her feelings about Vincent, unsettled to learn that she's pregnant, and startled after witnessing a murder while out clubbing with a friend; she hits the road again, and soon picks up a fellow alienated teen, Kevin (Lou Taylor Pucci), who bears the scars of a recent -- and very brutal -- beating. Personal Velocity: Three Portraits was honored with the Grand Jury Prize at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Following the life of cocaine-trafficking pioneer George Jung in a way that recalls Martin Scorsese's Casino, Blow recounts the man's days from his 1950s childhood in Boston to his downfall in the 1980s. George (played by Johnny Depp) begins his life as the son of Fred (Ray Liotta), an earnest breadwinner, and Ermine (Rachel Griffiths), who frequently walks out on them in pursuit of a more fulfilling life. When George moves west to California in the late '60s, accompanied by best pal Tuna (Ethan Suplee), he becomes an entrepreneur in the marijuana business, which soon spreads to the East Coast as well, with girlfriend Barbara (Franka Potente) smuggling the product during her stewardess shifts. George is arrested in 1972 -- at which time Barbara dies of cancer -- but George finds a new ally in Diego (Jordi Molla), who proposes the idea that he become the American conduit for Colombian kingpin Pablo Escobar (Cliff Curtis). George flourishes in the heyday of the disco era, and falls for Mirtha (Penelope Cruz), a self-serving bombshell who eventually has a daughter with him. Trouble escalates as the FBI threatens to bring George and his crew down, while he desperately tries to be a stable parent to his young offspring. Blow also features Paul Reubens and Max Perlich in featured roles. ~ Jason Clark, All Movie Guide

A man has one day to put his life in order before a long stretch in prison in this drama directed by Spike Lee. Monty Brogan (Edward Norton) is a man who came from a working class family in New York. Monty's best friends Jacob (Philip Seymour Hoffman) and Slaughtery (Barry Pepper) went on to distinguished careers as, respectively, a high school teacher and a bonds trader, but Monty took a different path and began dealing drugs. While Monty's trade has made him plenty of money, it hasn't brought him much respect from his family and friends, and while Jacob and Slaughtery have stayed in touch, Monty's lifestyle has led them to keep their distance. One night, Monty is relaxing at home with his girlfriend Naturelle (Rosario Dawson) when the police show up; Monty is arrested, and after a trial he's sentenced to seven years in prison. On his last day of freedom before he goes to jail, Monty tries to make amends with his father (Brian Cox) and goes out on the town with Jacob and Slaughtery. With both of his friends facing emotional crises of their own, Monty finds himself wondering where his life took a wrong turn and if there's any way left to redeem himself. Along the way, Monty begins to suspect that Naturelle may have turned him in, and he has to deal with Kostya Novotny (Tony Siragusa), an ill-tempered drug supplier who has unfinished business with him. 25th Hour was scripted by David Benioff, who adapted the story from his novel of the same name. ~ Mark Deming, All Movie Guide