Edward de Souza

Director Franco Zeffirelli stresses emotional realism over gothic chills in this restrained adaptation of Charlotte Bronte's classic. The screenplay, by Zeffirelli and Hugh Whitmore, remains relatively faithful to the original story, beginning with a condensed look at the troubled childhood of young Jane (Anna Paquin) and her mistreatment by a cruel aunt (Fiona Shaw). The bulk of the film centers on Jane as an adult (Charlotte Gainsbourg), a prim governess who accepts a position at Thornfield Hall caring for the young Adele (Josephine Serre). There Jane also must deal with the estate's head, Edward Rochester (William Hurt), a mysteriously brooding yet oddly alluring older man. She finds herself drawn to Rochester, but their potential romance is threatened by Jane's fears and Rochester's internal torment. Rather than the spooky visuals of earlier adaptations, Zeffirelli and cinematographer David Watkins opt for a subdued gloominess, placing emphasis on Gainsbourg's and Hurt's wounded portrayals. Fans of the gothic will likely find Zeffirelli's interpretation anemic in comparison to the passionate 1944 version with Joan Fontaine and Orson Welles, though others may appreciate the more naturalistic and faithful approach. ~ Judd Blaise, All Movie Guide

The returning soldier is amnesia victim Alan Bates, who remembers nothing of his life before suffering shell-shock--not even his long-term marriage to snooty Julie Christie. Spinsterish Ann-Margret, who has long harbored a fondness for Bates, hopes to take advantage of his memory loss. But both Christie and Ann-Margret are challenged by a third woman, Bates' childhood sweetheart Glenda Jackson. Poor Bates deals with all of this by not dealing with it. A fairly faithful rendition of the Rebecca West novel on which it is based, Return of the Soldier ambles along at its own languid pace to a inconclusive conclusion. ~ Hal Erickson, All Movie Guide

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, All Movie Guide

Spell of Evil was videotaped in England, then telecast in the States on the nightly ABC grab-bag The Wide World of Entertainment. The spell of the title is cast by a centuries-old witch. In an effort to avenge herself on the ancestors of those who'd wronged her in medieval times, the witch assumes the form of a beautiful 20th century woman. Diane Cilento is the lovely but lethal wrapping for the vindictive sorceress. Edward de Souza costars in this fitfully moody 90-minute teleplay. ~ Hal Erickson, All Movie Guide

Produced in the wake of the all-star "comedy spectacular" Those Magnificent Men in Their Flying Machines, Fantastic Flying Fools (originally titled Blast-Off, and also released as Those Fantastic Flying Fools) is based very loosely on a Jules Verne novel. A 19th century British newspaper offers a prize to the first scientist who is able to construct and launch a rocket to the moon. Contestants from all over the world compete for the prize, including Those Magnificent Men in Their Flying Machines cast members Terry-Thomas and Gert Frobe. Much of the slapstick is tiresome and derivative, but there is one cute closing gag involving villains Terry-Thomas and Lionel Jeffries and a Siberian chain gang. There's precious little of the spirit of Jules Verne in Fantastic Flying Fools, save for the woodcut illustrations which decorate the opening credits. ~ Hal Erickson, All Movie Guide

Written by Terry Nation, "Mission to the Unknown" (aka "Dalek Cutaway") was one of the few single-episode Doctor Who adventures. None of the series' regulars appear in this story; instead, the action is dominated by Space Agent Marc Cory (Edward de Souza). While investigating the activities of the Doctor's perennial enemies, the Daleks, Cory is put in the unenviable position of saving the universe from the villainous mutants. Originally telecast on October 9, 1965, "Mission to the Unknown" was intended as a preview for the upcoming Doctor Who story arc "The Dalek Masterplan"; alas, no copies of this "teaser" currently exist. ~ Hal Erickson, All Movie Guide

This Gothic melodrama from Hammer Studios is in color, but the plot is basically the same as the two previous efforts. Instead of Paris, the action takes place at the Royal Opera House in London. The Phantom (Herbert Lom) is a facially disfigured musician/composer who had his opera stolen by a conniving composer, the lecherous Lord d'Arcy. The Phantom -- who lives in the sewer beneath the opera house -- has his dwarf assistant (Ian Wilson) kidnap Christine Charles (Heather Sears), the lead actress in Gough's production, with whom he has fallen in love, and trains her to become an opera singer, performing a work he has written. Meanwhile, Christine's fiance, Harry Hunter (Edward de Souza, researches the phantom's history and, after locating his whereabouts and finding him, decides to unmask the mysterious fellow. ~ Dan Pavlides, All Movie Guide