Stanley de Santis Movies

Larry (Larry David) is spending a lot of time taking care of Michael (Patrick Kerr), who broke up with his girlfriend after Larry told him she was not attractive. Later, when he has a problem with his car, Ben Stiller and Christine Taylor give him a ride. Larry and Stiller get into a shouting match after Stiller drops Taylor off, because Larry refuses to move to the front seat for the rest of their short drive, which Stiller thinks makes him seem like Larry's chauffeur. "You know what makes you a baby?" Stiller screams at Larry. "The fact that you're a big, stupid baby!" Jeff (Jeff Garlin) upsets Larry by telling him that he had a vision of Cheryl (Cheryl Hines) while pleasuring himself. When Larry expresses his disgust, Jeff protests, "You can't control who pops in!" Mel Brooks later calls Larry in to tell him that Stiller has given him an ultimatum, and that he's decided to stick with Larry in the show and let Stiller go. After Larry leaves, Norm (Paul Mazursky) and Rudy (Rudy De Luca) question Brooks' decision, and Norm suggests that Larry might be mentally challenged. After Larry has Cheryl's car washed at a charity car wash operated by four mentally challenged men, he runs out of gas. Desperate to use the bathroom, he goes door-to-door in a well-to-do neighborhood, asking strangers to use their bathroom. Finally, a friendly Muslim woman (Moon Unit Zappa) wearing a burka lets Larry in, and Larry decides to fix her up with Michael. ~ Josh Ralske, All Movie Guide

Four women reflect on their lowly place in the corporate caste system in this dryly satiric comedy. Iris (Toni Collette) is a college graduate who hasn't decided what she wants to do with her life, except that she doesn't want the job her father has lined up for her at a frozen food company. While pretending to look for other work, she signs on with a temp agency, which sends her out to do office work for Global Credit, a particularly faceless corporation where the permanent employees go out of their way to avoid the temps. Iris is very much aware that she's at the bottom rung at Global, and she bonds with three other women in the temp pool. Paula (Lisa Kudrow) talks about her career as an actress and insists that she will only temp until one of her auditions pans out. Jane (Alanna Ubach) prattles on about her wealthy fiancé, although her friends are convinced that he's cheating on her. And Margaret (Parker Posey) is at once the rebel of the group, regarding her job and general office procedure with a barely disguised contempt, and the one who most desperately wants a "real" job with Global. When office supplies and various personal items start to disappear, all signs point to one of the temp workers (most likely Margaret), though none will own up to any wrongdoing. Clockwatchers was the directorial debut for filmmaker Jill Sprecher, who co-wrote the screenplay with her sister Karen Sprecher. ~ Mark Deming, All Movie Guide

Tom Selleck stars in this made-for-television movie about a judicial sting operation. Selleck stars as Judge Timothy Nash, a respected judge who's approached by special agents to take part in an undercover sting to expose a fellow judge's corrupt activities. At first Judge Nash is willing, but as the investigation grows, he gets cold feet and wants out -- only to find that it's too late to back out. ~ Bernadette McCallion, All Movie Guide

His face ruined by plastic surgeon Dr. Simon Brill (Nicholas Pryor), wealthy recluse Leslie Hunzinger (Andrew Robinson) wants to sue Brill for malpractice, and hires David (Bruce Willis) and Maddie (Cybill Shepherd) to gather the necessary investigation. Their investigation leads the detectives down a long and winding trail of broken hearts and vengeful females. In fact, things get so complicated that at one point, the comment is made that Moonlighting probably won't be able to get 22 episodes in the can this season after all! ~ Hal Erickson, All Movie Guide

The landmark 1978 courtroom prosecution which determined that a married man can by law be brought up on charges of raping his wife, was meticulously--and tastefully--detailed in this made-for-TV movie. Linda Hamilton stars as Oregon housewife Greta Rideout, who after years of abuse at the hands her husband John (Mickey Rourke) (it is the sort of marriage described by one observer as "usually [winding] up as suicide or homicide") finally takes him to court, accusing him of forcing her to have sex against her will. Among those involved in the case are feminist activists Helen (Conchata Ferrell) and Jean (Gail Strickland) and opposing attorneys Gary Gortmaker (Eugene Roche) and Charles Burt (Rip Torn). Rape and Marriage: The Rideout Case originally aired October 30, 1980 on CBS. ~ Hal Erickson, All Movie Guide

Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, All Movie Guide

Bernard Rose followed his moody fantasy-thriller Paperhouse (1988) with this modern horror tale, based on Clive Barker's short story "The Forbidden". Compiling a thesis on urban legends, University of Illinois in Chicago graduate student Helen Lyle (Virginia Madsen) becomes aware of the prevalent superstition surrounding the legend of "Candyman" (Tony Todd)--a hook-wielding phantom who will appear if his name is recited five times into a mirror--among the tenants of Chicago's Cabrini Green project. A senior professor, hearing of Helen's research, explains the historical basis for the legend, detailing how Candyman is believed to be the vengeful spirit of a former slave who, though initially respected in academia, was set upon and mutilated by an angry mob when accused of taking a white mistress. When the clinically-detached Helen flaunts her intellectual confidence by reciting Candyman's name five times, she sets in motion an inevitable series of supernatural events -- culminating in a series of grisly killings, after which Helen is invariably found holding the bloody murder weapon. Though she is captured by the police, it becomes evident to Helen that Candyman is guiding her fate every step of the way. ~ Cavett Binion, All Movie Guide

Marisa Silver helmed this tightly directed hospital drama reminiscent of David Swift's 1962 The Interns. Jimmy Smits plays Dr. David Redding, who guides seven student doctors through their third year of residency at Los Angeles Central's medical school. The cast includes Laura San Giacomo as Lauren Rose, a hard-working waitress putting her uncaring husband Kenny (Jack Gwaltney) through medical school; Kenny eventually breaks down the resistance of cool fellow student Gena Wyler (Diane Lane). Kenny is also competing with doctor's son Michael Chatham (Adrian Pasdar), who wants to become the best surgeon at L.A. Central; Michael, however, has to reconsider his goals when he realizes that he also needs Gena's love. Bobby Hayes (Tim Ransom) and Suzanne Maloney (Jane Adams) are also struggling with medical school, but they are a support team who study, work, and even sleep together. Through all the competitions and love affairs it eventually takes the wisdom of a dying cancer patient (Norma Aleandro) to make the medical students realize the important things in life. ~ Paul Brenner, All Movie Guide

Martin Scorsese directed this fast-moving, epic-scale biopic documenting the life and loves one of the most colorful Americans of the 20th century, Howard Hughes. The Aviator follows Hughes (played by Leonardo DiCaprio) as the twentysomething millionaire, having already made a fortune improving the design of oil-drilling bits, comes to Hollywood with an interest in getting into the picture business. It doesn't take long for Hughes, with his passion for airplanes, to jump from producer to director of his first major film project, a World War I air epic called Hell's Angels, which took three years to complete thanks to the shift from silent to sound filming and Hughes' relentless perfectionism. However, the film was a massive hit, and the eccentric inventor became a mogul in Hollywood, making Jean Harlow (Gwen Stefani) a star and enjoying a romance with Katharine Hepburn (Cate Blanchett). But Hollywood's old-boy network never fully accepted Hughes, and in time his passion for flying began to reclaim his attentions as he began designing new planes, setting air speed records, flying around the world, and risking his life testing aircraft. Hughes also found time to romance Ava Gardner (Kate Beckinsale) and founded his own airline, Trans-World Airlines, though as his ideas became bolder, his approach became more eccentric, and he gained many powerful enemies, including the head of Pan-American Airlines, Juan Trippe (Alec Baldwin), and Senator Ralph Owen Brewster (Alan Alda), who attempted to prove that Hughes' radical design ideas were actually part of an effort to bilk taxpayers for millions of dollars through government contracts. The Aviator's star-studded cast also includes John C. Reilly, Jude Law, Willem Dafoe, Ian Holm, and Frances Conroy. ~ Mark Deming, All Movie Guide

Sean Penn stars in this drama as Sam Dawson, a developmentally disabled adult who has been working at a coffee shop and raising his daughter Lucy (Dakota Fanning) for seven years. Sam receives help in his parenting duties from a circle of trusted confidantes, including his ADD-afflicted best friend Ifty (Doug Hutchison), the paranoid Robert (Stanley DeSantis), an agoraphobic neighbor (Dianne Wiest), and his other disabled pals, Brad and Joe (played by real-life developmentally challenged actors Brad Silverman and Joseph Rosenberg). Although he provides a structured and loving environment for Lucy that includes regular visits to IHOP, video nights, and karaoke, Sam's daughter is beginning to surpass him in mental acuity. When Lucy begins intentionally stunting her own growth so as not to hurt her beloved father, social worker Margaret (Loretta Devine) takes action, removing the girl from her home and placing her in the temporary care of a foster mother, Randy (Laura Dern). As the day of his hearing looms, Sam seeks out the aid of driven, obsessive lawyer Rita Harrison (Michelle Pfeiffer), who takes the case only to prove to her colleagues that she is willing to accept pro bono work. Opposed by county lawyer Turner (Richard Schiff) in court, Rita gradually comes to care for her client and his daughter, even as they force her to consider the limitations of her own abilities as a parent. The soundtrack for I Am Sam (2001) gained considerable critical attention, consisting entirely of Beatles cover songs by such contemporary artists as The Black Crowes, Eddie Vedder, the Wallflowers, and Aimee Mann, among others. ~ Karl Williams, All Movie Guide

In this updated and gender-reversed variation on Cyrano de Bergerac, Janeane Garofalo stars as Abby, the host of a radio talk show for people who have problems with pets. One day, she gets a call from Brian (Ben Chaplin) who is having trouble with his Great Dane (who enjoys roller skating). After a few minutes on the phone, Brian is immediately taken with Abby, and she's certainly interested in him. However, while Abby is not unattractive, she's terribly self-conscious about her appearance. When he asks her for a description, instead of telling him she's a diminutive brunette with big brown eyes, she describes her neighbor Noelle (Uma Thurman), a tall, rail-thin, blue eyed blonde. When Ben sets up a date, Abby is frantic and convinces Noelle to take her place. However, while Abby sounds smart, witty and charming over the radio (or the telephone), Noelle speaks like -- well, I think the phrase dumb blonde is called for here. Brian becomes puzzled -- why is it Abby is so great on the phone but so inarticulate in person? And what's the story with her friend, the cute brunette who sounds so smart? Noelle is even more confused; she wants to help her friend, but she's finding herself falling for Brian as well. The Truth About Cats and Dogs gave Ben Chaplin his first role in an American film and Janeane Garofalo's first starring turn after several notable supporting performances. ~ Mark Deming, All Movie Guide