Allan Graf Movies

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft. ~ Paul Brenner, All Movie Guide

A yuppie and a hippie are the offbeat pairing of this character comedy in the tradition of earlier mismatched buddy films such as Midnight Run (1988). Kiefer Sutherland is uptight, 26-year-old FBI agent John Buckner, who's been assigned to escort an aging counterculture radical named Huey Walker (Dennis Hopper) to Oregon for trial on a charge that's decades old. Buckner finds Huey's lifestyle and beliefs irresponsible. Once the two are bound for their Pacific Northwest destination, Huey begins to play psychological mind games with the straight-arrow Buckner, convincing him that he's tripping on hallucinogenic drugs, getting him drunk, and setting him up with a hooker named Sparkle (Kathleen York). Huey trades places with his captor and soon a game of cat-and-mouse is afoot as the agent pursues the one-time radical, with surprising revelations abounding regarding Buckner's childhood and Huey's motivations for allowing himself to be captured. Flashback also stars Carol Kane, Cliff De Young, Richard Masur, Michael McKean, and Paul Dooley. ~ Karl Williams, All Movie Guide

One of the few American films to deal with the tragic story of the internment of Asian-Americans during World War II, Come See the Paradise opens in the late 1930s, as Jack McGurn (Dennis Quaid) is working as a union organizer in New York City. Jack finds himself on the wrong side of the law after he gets involved in an ill-advised bombing of a scab shop, and he flees to Los Angeles, where Hiroshi Kawamura (Sab Shimono) gives him a job as a projectionist in L.A.'s Little Tokyo. Jack soon meets Hiroshi's beautiful daughter Lily (Tamlyn Tomita) and it's love at first sight. Jack and Lily decide to get married, but Hiroshi opposes the match and California law prevents mixed-race couples from obtaining a marriage license. Jack and Lily move to Seattle, where they are wed and soon have a daughter. Jack, however, begins working with the union again, which puts a strain on their marriage; Lily takes their child and returns to Los Angeles. But before long the United States enters World War II, and the Kawamura family is sent (along with all other Americans of Japanese descent living in California) to an internment camp, as it is believed they will become traitors against America if left to their own devices. Jack, ironically, is drafted into the Army and soon goes AWOL to return to California, where he tries to find his wife in the camps. ~ Mark Deming, All Movie Guide

Julia Duffy is the cover girl and Dinah Manoff the cop in this made-for-TV contrivance. When dim-witted model Duffy witnesses a murder, short-fused officer Manhoff is assigned to protect her. Would you be shocked if we informed you that the ladies drive each other crazy? But never fear: they forget their differences long enough to jointly nab the killer at the end. Filmed on location in Washington DC, Cover Girl and the Cop trounced in the ratings by the vastly superior The Ryan White Story when it first aired on January 16, 1989. ~ Hal Erickson, All Movie Guide

Arnold Schwarzenegger plays a taciturn law-enforcement officer from Russia. James Belushi co-stars as a wise-lipped Chicago cop. Though they go together like caviar and White Castles, they are forced to team up to collar the Soviet Union's most notorious drug lord. Thus does director Walter Hill recycle his 48 Hours formula for another unlikely star team. Unfortunately, Red Heat isn't half as enjoyable as the earlier film, owing to a lack of rapport between the two leading men and an overall lack of inspiration infecting the whole project. The one notable aspect of Red Heat is that it was the first commercial American film to stage scenes in Moscow's Red Square. Watch for Laurence Fishburne (still billed as "Larry") in a secondary role. ~ Hal Erickson, All Movie Guide

Modern-day Texas Ranger Jack Benteen (Nick Nolte) was once the best friend of local drug kingpin Cash Bailey (Powers Boothe). At present, however, the only element linking them together is Jack's lover Sarita (Maria Conchita Alonso), Cash's former mistress. When Sarita tires of Jack's Spartan lifestyle, she returns to Cash as a voluntary hostage to make certain that Jack keeps his hands off Cash's operation. The film comes to a head during a meticulously planned drug bust, in which both Jack and Cash butt heads with CIA-funded paramilitary Maj. Paul Hackett (Michael Ironside, who isn't all he seems to be). ~ Hal Erickson, All Movie Guide

Believing that her father plans to sell a briefcase full of government secrets to the KGB, Paula Anderson (Moya Kordick) steals the briefcase herself and hides out at Silver Creek Retirement Home, where she has befriended a sprightly senior citizen named Bernie Greene (Lew Ayres). It is up to the A-Team to convince Paula that her father isn't a traitor and to retrieve the briefcase before the Russians catch up to the girl. As it turns out, it is Bernie and his fellow "Grey Team" oldsters who save the day. Although this was intended to be The A-Team's final episode, it was ultimately telecast in the next-to-last slot, followed several months later by "Without Reservations". ~ Hal Erickson, All Movie Guide

When prodigal son Billy Turner (Judd Nelson) returns to his Florida home town, he's caught in a brawl and thrown in jail. He tells the guards to call his father, the mayor, who will have him released; however, he soon discovers his father has been killed. After Turner finally gets out of jail, he starts to hunt down his father's murderer, with the eventual help of Annie Rayford (Ally Sheedy) and her brother Joey (David Caruso). Their nemesis is the nasty crime boss Perry Kerch (Scott Wilson) and his henchmen, though the slow-witted police chief (Paul Winfield) is not much help, either. ~ Eleanor Mannikka, All Movie Guide

In this sci-fi/western film set two hundred years from now, a bank robber, Grange is captured and sentenced to the penal colony on the mining planet Proxima Centauri 3 where he meets bounty-hunter Walker, and the Colonel, a retired policeman from LA who was considered the best of his kind. Grange is a dangerous lunatic and Walker and the Colonel must team up to keep him from escaping. ~ Sandra Brennan, All Movie Guide

It was perhaps inevitable that, somewhere along the line in Magnum, P.I.,Higgins (John Hillerman) would end up emulating his namesake Professor Henry Higgins, the hero of Shaw's "Pygmalion"--which of course was the source material for the musical hit "My Fair Lady." In this episode, Higgins takes on the job of transforming his punk-rocker cousin Sally Ponting (played by Jillie Mack, future wife of series star Tom Selleck) into a proper lady in time for her marriage to wealthy young Timothy Finch (David Traylor). Meanwhile, Magnum (Tom Selleck) is kept busy tracking down the con artist who caused Higgins' friend Agatha (Gillian Dobb) to lose her life savings in a crooked investment scheme. ~ Hal Erickson, All Movie Guide

The seventh cinema adaptation of the venerable stage farce Brewster's Millions stars Richard Pryor as Montgomery Brewster, a third-rate baseball player. Much to his amazement, Brewster discovers that he is related to deceased millionaire Rupert Horn (Hume Cronyn, who appears only in a videotaped "living will"). Even more amazing is the fact that Horn has left Brewster his entire $300 million fortune. The catch? Brewster must spend $30 million within 30 days, or he'll be left with nothing (in the earlier incarnations of Brewster's Millions, the hero was required to spend only a million, but this was, after all, the inflationary '80s). Aiding and abetting Brewster in his efforts to divest himself of his money are his catcher pal (John Candy) and an erstwhile lady friend (Lonette McKee), while his principal antagonist is a snotty attorney (Stephen Collins). ~ Hal Erickson, All Movie Guide

Bad behavior turns deadly in this science-fiction drama. Jennifer (Meg Tilly) is a woman who grew up in the small town of Sutcliffe, which much of her family still calls home. One day, Sutcliffe is hit with a minor earthquake, which doesn't appear to do much damage, but a strange and disquieting turn in the city's collective behavior soon becomes apparent. Jennifer receives a phone call from her mother (Lorinne Vozoff), but while they've always had a cordial relationship, her mother loudly and hysterically berates her, and the call comes to a disturbing conclusion when her mother shoots herself. Jennifer and her husband Stuart (Tim Matheson) rush to Sutcliffe to discover that her mother is seriously injured by still alive. However, it seems as if all boundaries of civility and etiquette have broken down, as violence, crime, and rabid anger rule the usually quiet streets of Sutcliffe. It seems that the earthquake caused the town's milk supply to be contaminated by toxic waste which has an unusual psychoactive effect -- it makes it impossible for people to resist the common anti-social impulses that all people have, but most keep closely in check. Hume Cronyn plays the town's doctor; Bill Paxton, Claude Earl Jones, and Amy Stryker also appear. ~ Mark Deming, All Movie Guide

With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide