George de Normand Movies

The Money Jungle is an innovative mystery concerning some greedy oil companies in competition to secure off-shore drilling rights. Detective Blake Heller (John Ericson) is the hard drinking sleuth hired by the oil companies to try and keep the proceedings above board. He contends with a group that opposes the proposal and later finds there are elements against him in the very organization that hired him. Blake goes to local police lieutenant Dow Reeves (Nehemiah Persoff) when geologists start dropping like flies after being gunned down. Comedian Don Rickles stars in the straight role of crooked oilman Harry Darkwater in this offbeat detective story. Lola Albright croons two songs in her role as a gold-digging nightclub singer who turns out to be the ex-wife of one of the oil barons and owns lots of stock in the company. ~ Dan Pavlides, Rovi

This sci-fi melodrama about housing construction in the murky deep sea is as clear as the muddied water itself. Enterprising individuals have decided that if humans are going to blow themselves sky-high at some point in the future then it might be a good idea to have an escape hatch down at the bottom of the ocean. And so a series of underwater living units are carefully created and tested until it seems like they are ready for residents to move in. What no one considers is that the sea floor and the sea itself may not be as stable as they first seem. ~ Eleanor Mannikka, Rovi

While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, Rovi

Kim Novak is clearly out of her depth as legendary Broadway actress Jeanne Eagels, but one can't fault her for trying very hard. As this filmed biography gets under way, wide-eyed Eagels finds herself stranded in a tank town by a smooth-talking traveling salesman. Carnival operator Sal Satori hires Eagels as a kootch dancer, but her ambition is to become a serious dramatic actress. When she and Sal reach New York, she signs up for acting lessons under the tutelage of a Mme. Neilson (Agnes Moorehead). Before long, Jeanne is understudying on Broadway, and in 1922 she takes audiences and critics by storm with her unforgettable portrayal of Sadie Thompson in Rain, a role she landed by ruthlessly double-crossing the actress originally slated for the part (Virginia Grey). When her rival commits suicide, the chastened Jeanne turns to booze and drugs to assuage her conscience. The real-life Jeanne Eagels died of narcotics addiction in 1929, a fact that the Hollywood version skims over. Eagels' family sued Columbia Pictures over the "distortions" offered in Jeanne Eagels. ~ Hal Erickson, Rovi

Johnny Mack Brown was a bit on the chunky side by the time he starred in Canyon Ambush, though his excess poundage never impedes his performance. This time Brown comes to the rescue of imperiled Phyllis Coates (who'd just spent 26 weeks as Lois Lane on the TV series Superman). The bad guys just plain haven't got a chance against the slow-talking, fast-triggered Mr. Brown from Alabama. Brown's Monogram westerns of the early 1950s were hampered by severe economical limitations, and Canyon Ambush is hardly an exception. The film manages to coast on the sheer star power of its veteran leading man. ~ Hal Erickson, Rovi

Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap. With the aid of grizzled old Clyde, Wilson escapes to mete out justice. One question: how does one ride a fence? (Ouch!) ~ Hal Erickson, Rovi

Johnny Mack Brown stars in the Monogram oater Outlaw Gold. The plot is motivated by revenge: sentenced to five years in prison, vicious gunman Sonny Lang (Myron Healey) vows to "get" Dave Willis (Brown) the moment he's released. Our Hero, however, can't be bothered by such trivialities. He's too busy trying to prevent the hijacking of a gold shipment on the Mexican border. Inevitably, Willis and Lang's paths cross, but not before Willis exposes the mastermind behind the robbery. The film's romantic element is handled by Marshall Reed (cast as a crusading newspaperman) and Jane Adams. ~ Hal Erickson, Rovi

Johnny Mack Brown stars in the rubber-stamp western Over the Border. Bringing Bart Calhoun (Marshall Reed) to justice for his complicity in a robbery/murder, Johnny assumes that his job is over. Not by a long shot! Calhoun's arrest leads to the uncovering of a wide-ranging conspiracy to smuggle silver from Mexico to the United States. With Calhoun's cooperation, Johnny exposes the "Mister Big" behind the whole operation. There isn't much action in Over the Border; the screenwriters seem more concerned with mystery and intrigue. Johnny Mack Brown is obviously getting too old for this sort of thing, but he carries his years -- and excess poundage -- quite well. ~ Hal Erickson, Rovi

Monogram's Outlaws of Texas is surprisingly bereft of the action highlights one might expect from star Whip Wilson. This time, the Whip and his saddle pal Andy Clyde play heroes Tom and Hungry who work undercover to break up a gang of bank robbers. As a novelty, the crooks are headed by the beauteous Anne (Phyllis Coates). Inevitably, Tom and Hungry are found out, leading to a long-overdue slam-bang finale. Outlaws of Texas was the last of Whip Wilson's vehicles to feature veteran funster Andy Clyde; Clyde's replacements over the next year would include Fuzzy Knight, Tommy Farrell, and Lee Roberts. ~ Hal Erickson, Rovi

The Gay Amigo was the second "Cisco Kid" theatrical entry produced for United Artists release by Philip N. Krasne. Duncan Renaldo, who would go on to portray Cisco in the popular 1950s TV series, stars in this outing, together with Leo Carrillo as his comical sidekick Pancho. Cisco and Pancho are wrongfully identified as bandits by a U.S. Cavalry sergeant (Joe Sawyer). Realizing that no one believes their innocence, the boys decide to pose as criminals in order to get the goods on the real crooks. Pancho has some wonderful moments as he holds up a stagecoach and fends off the amorous advances of a spinsterish passenger (Helen Servis), while Cisco enjoys a brief liaison with barmaid Rosita (Armida), the girl friend of the flustered cavalry sergeant. One of the better Krasne-produced "Cisco Kid" efforts, Gay Amigo tells its story in a brisk 62 minutes. ~ Hal Erickson, Rovi

The Lost Tribe was the 2nd entry in Columbia's "Jungle Jim" series. Johnny Weissmuller stars as Jungle Jim, the comic-strip adventurer created by Alex Raymond way back in 1934. The plot is motivated by a lost treasure, located somewhere in the faraway land of Dzamm. Villains Calhoun (Joseph Vitale) and Rawling (Ralph Dunn) scheme to steal the treasure, but Jungle Jim won't let that happen. Our hero summons forth an army of gorillas to fight off the bad guys. Many of the animal-fight sequences in The Lost Tribe would pop up as stock footage in future "Jungle Jim" entries. The film is graced with the presence of two exotic leading ladies, Myrna Dell and Elena Verdugo. ~ Hal Erickson, Rovi