Deena Goldstone Movies

Based on a true story (and all the more terrifying because of it!), this made for cable movie begins as Michelle Brown (Kimberly Williams-Paisley) fills out an ordinary rental form. Looking on enviously is penniless Connie Volkos (Annabella Sciorra), who can't understand why there are "haves" and "have-nots" in the world (but who has never put in the necessary work to become a "have"). When Michelle briefly lays down her credit card, it is stolen by Connie--who subsequently steals Michelle's identity as well, toting up $50,000 in purchases in Michelle's name. When Michelle tries to have Connie arrested, she finds herself at the mercy of the blind-deaf-dumb American credit system and is herself accused of theft! Desperate to win back her reputation (not to mention her own name!), Michelle pleads her cast before the US Senate in July of 2000, resulting--belatedly in her case--in the passage of bill HR 1731, with imposes stronger penalties for stealing one's identity and puts in tighter safeguards against people being victimized by such thieves. Even so, the film underlines the sobering fact that what happened to Michelle happens to someone else at a rate of once every six minutes! Identity Theft: The Michelle Brown Story debuted November 1, 2004 on the Lifetime channel. ~ Hal Erickson, Rovi

This made-for-TV biographical drama was adapted from William Gibson's sequel to his own play The Miracle Worker. Moira Kelly and Roma Downey are respectively starred as the teenaged Helen Keller and her teacher and closest friend Annie Sullivan. Despite her inability to see or hear, Helen has made such spectacular progress under Sullivan's tutelage that she is able to attend Radcliffe College. Accompanying Helen to the campus, Annie meets handsome journalism professor John Macy (Bill Campbell) and quickly falls in love. Having had her own crush on Macy, and fearing the loss of Annie's friendship, Helen reverts to the anger and jealousy that characterized her childhood years--but soon finds comfort in a romantic relationship of her own. Monday After the Miracle made its CBS network bow on November 15, 1998. ~ Hal Erickson, Rovi

A Bunny's Tale is a TV-movie adaptation of Gloria Steinem's experiences as a Playboy bunny. Engaged by a magazine to write an investigative article on publisher Hugh Hefner's nightclub chain, Ms. Steinem (Kirstie Alley) poses as a young girl named "Marie" and enters the Bunny training program at the New York Playboy club. Outfitted with phony ears, fuzzy tail and revealing costume, Gloria learns the proper method of serving drinks (the "bunny dip") and how to fend off customers who ignore Hefner's "look but don't touch" policy. She also concludes that being a sex object, even a chaste one, is depressingly demeaning -- an "awakening" which, according to this film, leads to Steinem's feminist activism of the 1960s and 1970s. By the time it made its February 25, 1985 debut, it was beating a dead rabbit: the glory days of the Playboy Philosophy had long passed, and most of the once-thriving "bunny clubs" had gone out of business. ~ Hal Erickson, Rovi