Katherine de Mille Movies

A video about our changing concepts of romantic love and beauty. Through art, we trace the changes from the beginnings of courtly love to love in a time of equality. The tape is from the "Eye to Eye" series. ~ Rovi

The terrible consequences of perverting the legal system are spelled out in The Judge. In one of his rare starring roles, Milburn Stone plays criminal lawyer Martin Strang. Suspecting his wife Lucille (Katherine de Mille) of infidelity, Strang schemes to have her put out of the way. He wangles a not-guilty verdict for murderer William Jackson (Paul Guilfoyle), then blackmails Jackson into participating in his plan to punish Lucille. Things don't quite go off as expected, and before long several lives are needlessly destroyed. The title character of The Judge, played by Jonathan Hale, relates the sordid goings-on in flashback form. Two future "regulars" of the Superman TV series, John Hamilton and Herb Vigran, show up in minor roles. ~ Hal Erickson, Rovi

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, Rovi

Ralph Bellamy made the first of four appearances as fictional sleuth Ellery Queen in Columbia's Ellery Queen, Master Detective. For reasons that defy logic, the studio elected to transform the brilliant, analytical Queen into a hopeless bumbler, who seems incapable of tying his own shoes, much less solving a murder. Set at a posh health resort, the story gets under way when wealthy physical culturalist John Braun (played by former director Fred Niblo) is killed after threatening to cut all his heirs out of his will. Investigating the killing is crime novelist Ellery Queen, his police-inspector father (Charles Grapewin), and another mystery writer, Nikki Porter (Margaret Lindsay). In short order, the body disappears, along with the will, a set of X-rays, and an ambulance! Somehow, Ellery Queen manages to put the pieces together and solve the crime, whereupon Nikki Porter offers to become Ellery's secretary-even though it's clear she's got more brains in her left toe than he has in his whole carcass. ~ Hal Erickson, Rovi

Originally slated for released through Grand National Pictures, Isle of Destiny was redirected to RKO Radio when Grand National folded in late 1939. June Lang stars as Virginia Allerton, a famous aviatrix who crashlands in a remote South Sea Island (a la Amelia Erhardt!) and is promptly kidnapped by gun-runner Barton (Gilbert Roland). Coming to Virginia's rescue are two-fisted US marines Stripes Thornton (William Gargan) and Milly Barnes (Wallace Ford). Also figuring into the storyline are Katherine DeMille as a sultry native with a predilection of disposing of her enemies with poison darts, and septugenarian Etienne Girardot (in his last film appearance) as Barton's semi-comic assistant. Too long by about two reels, Isle of Destiny has the advantage of eye-pleasing Cosmocolor cinematography. ~ Hal Erickson, Rovi

As in all his early westerns, Roy Rogers battles true Old West outlaws in the fine In Old Caliente. He is, as usual, Roy Rogers, but this time a trusted hand at the Olde California ranchero belonging to Don José (Frank Puglia). Unbeknownst to the Don, however, his "half-breed" foreman, Suguaro (Frank La Rue), is in league with Calkins (Harry Woods), the nasty Gringo behind a series of gold-shipment robberies. With Suguaro's help, Calkins manages to pin the crimes on Roy and Gabby (George "Gabby" Hayes) and the Don has them imprisoned. But Rita (Katherine DeMille), Don José's Eastern-bred daughter, believes them to be innocent and secures their release. The ensuing chase leads straight to the Pacific Ocean and the evil Suguaro is killed in the surf. Roy Rogers performs "Sundown on the Range", by Fred Rose, "The Moon, She Will be Shining Tonight" and, in a duet with George "Gabby" Hayes, "We're Not Coming Out Tonight", the latter two penned by Walter Samuels. ~ Hans J. Wollstein, Rovi

In this detective adventure, a young woman is accused of stealing a valuable necklace from her boss and takes off for Spain just before the Civil War. She is trailed by a detective form Scotland Yard. He finds her and soon falls in love and the two try to flee on a British ship. The story does not reveal whether the girl was innocent or not. ~ Sandra Brennan, Rovi

Jack Holt stars as Robert Bailey, a Henry Ford-like auto industrialist who decides to give his millions away to various charitable causes. Naturally, this arouses hostility amongst Bailey's friends, relatives and associates, some of whom have murder on their minds. When he elects to give away his company stock to his faithful employees, Bailey's intimates converge upon him, making a last-ditch effort to make him change his mind. When the inevitable murder attempt finally comes to pass, Bailey is shocked to discover that the culprit is his oldest and most trusted friend. Like most Columbia "B"'s of the period, Under Suspicion boasts a top-rank cast, including three former Marx Brothers foils: Margaret Irving, Esther Muir and Purnell Pratt. ~ Hal Erickson, Rovi

In this airborne adventure, three pals from WW I team up to run a commercial airline. They have also been working on a new design for a plane and unbeknownst to them, enemy agents are watching them. Later a good-guy is assigned to stop the spies. During the exciting climax, the hero accomplishes his task in mid-air. ~ Sandra Brennan, Rovi

First filmed in 1910, the venerable Helen Hunt Jackson novel Ramona was remade in 1936 in full Technicolor (20th Century-Fox's first such production). Loretta Young plays Ramona, a half-Indian girl raised by a white family in Spanish California. She falls in love with the young man of the household (Kent Taylor), but her joy turns to sorrow when the matriarch of the household expresses disgust at "race-mixing." Ramona turns instead to the family's Native American servant (Don Ameche), a relationship that proves fatal for him. Ramona is rare for a 1930s film in that it depicts its racist characters as being totally in the wrong, rather than treating them compassionately so as not to offend the bigots in the audience. ~ Hal Erickson, Rovi

Although Larry "Buster" Crabbe earns top billing, the hero of Drift Fence is former Western star Tom Keene as Jim Travis, who, at a rodeo, meets city dweller Jim Traft (Benny Baker), who has come west to erect a fence that will prevent Clay Jackson (Stanley Andrews) from continuing his cattle rustling business. A tough Western type, Travis suggests that he impersonate Traft and the building of the fence soon begins. But Travis is opposed by Slinger Dunn (Crabbe) and his family, whose small ranch will suffer from the division of the land. A romance between Travis and Slinger's sister, Paula (Katherine DeMille), paves the way for a meeting of the minds, however, and Slinger switches sides completely upon learning that Travis is a Texas Ranger in disguise. An in-house production (as opposed to Harry Sherman's Hopalong Cassidy Westerns), Drift Fence was the closest Paramount came to a B-Western in the mid-'30s. Zane Grey's original novel was published in 1932. ~ Hans J. Wollstein, Rovi

Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful. ~ Hal Erickson, Rovi

The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD, when Jerusalem falls into the hands of the Saracens, and the Christians are slaughtered or sold into slavery. A holy man known as The Hermit (C. Aubrey Smith) rallies the rulers of England and Europe to launch a Crusade to reclaim Jerusalem in the name of Christianity. Among those embarking upon this massive undertaking is England's King Richard the Lion-Hearted (played as a swaggering roughneck by Henry Wilcoxon), who finances his knights by marrying wealthy French princess Berengaria (Loretta Young) sight unseen. Saladin (Ian Keith), the elegant and well-spoken ruler of the Saracens, attempts to stave off the crusaders by kidnapping Berengaria and holding her hostage. Sensing that he can never win against so formidable a collection of foes, Saladin eventually opens the gates of Jerusalem to all but Richard the Lion-Hearted, with whom he has a personal score to settle. In the film's most memorable scene, the fundamental difference between the boorish Richard and the cultured Saladin is demonstrated when the Saracen ruler delicately cleaves Berengaria's silk scarf in twain with his gleaming sword. It took a great deal of nerve to depict the film's hero as a thuggish brute and the nominal villain as the most sympathetic character in the story, but DeMille gets away with it in The Crusades, and still has time left over to deliver his usual quota of thrills, pageantry, convoluted history and campy dialogue. And yes, that is Ann Sheridan as a Christian captive in the opening scenes. ~ Hal Erickson, Rovi