Penelope L. Foster Movies

This five-hour ABC miniseries depicts the events leading up to the terrorist attacks of September 11, 2001, through the scope of a handful of intelligence and counter-terrorism officials in the U.S. government. Harvey Keitel plays John O'Neill, the counter-terrorism chief of the FBI whose belief that Osama bin Laden was planning assaults on U.S. soil fell on deaf ears and failed to gain the traction necessary to stop the events. In a tragic twist, O'Neill later went to work at the World Trade Center and was killed on that fateful day. Also starring Donnie Wahlberg and Stephen Root, The Path to 9/11 garnered controversy for its questionable depiction of the Clinton administration's failings related to the threat. ~ Matthew Tobey, Rovi

After holding up a convenience store, African American petty crook Joseph Grange (Giancarlo Esposito) races to his girlfriend's house to give her the money. Confronted by the girl's current bedmate, he gets into a scuffle and accidentally shoots the man. Now the object of a citywide manhunt, the desperate Grange stumbles onto a remote cabin occupied by Clair Ballard (Sharon Lawrence), a white woman. Though terrified at the prospect of being Joseph's hostage, Clair somehow senses that he is more frightened than she. Drawing upon lessons learned in her own troubled past, Clair tries to get at the root of Joseph's problems, not only hoping to defuse the situation but also to help the man come to peace with himself. And in the course of the next five hours, Clair also learns a lot about handling her own crises from her repentant captor. First telecast by NBC on October 5, 1997, Five Desperate Hours was based on a true story. ~ Hal Erickson, Rovi

A thrill-seeking group of urban explorers sets its sights on Russia in hopes of locating and documenting Stalin's secret metro and unearthing Ivan the Terrible's notorious torture chamber in director David L. Cunningham's tense, globe-trotting adventure. Nate and his friends are adventure seekers who infiltrate the most treacherous man-made structures on the planet for little other reason than the fact that they can. Their latest mission has found them venturing deep into the underground of modern-day Moscow. As it begins to become increasingly obvious that the fearless adventurers may have gotten in over their heads this time, the physical and mental tolls incurred during their excursion will find them fighting for both their lives and their sanity against an all-consuming blackness that threatens to swallow them without a trace. ~ Jason Buchanan, Rovi

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, Rovi

Academy Award winner Richard Dreyfuss and Emmy winner Blythe Danner headline director Daniel Adams' comic romance about a curmudgeonly lighthouse keeper who's sworn off women. Cape Cod: 1912. Shortly after a mysterious stranger washes ashore with no memory of how he got there, a pair of women arrive to spend the summer at a nearby cottage, their mere presence turning the lives of both men topsy-turvy. ~ Jason Buchanan, Rovi

The touching story of a boy and his killer whale made this family drama a surprise box office hit. Jesse (Jason James Richter) is a kid without parents who has bounced from one foster home to another and is living on the streets. One night, he's caught spraying graffiti with his friend Perry (Michael Bacall) in a theme park. Jesse and Perry are caught red handed by Dwight (Mykel T. Williamson), a policeman who thinks that Jesse needs a more stable and disciplined environment. Dwight arranges for Jesse to stay with a new foster family, Glen and Annie Greenwood (Michael Madsen and Jayne Atkinson), with whom Jesse has an initially stormy relationship. Part of Jesse's punishment involves cleaning up the damage he caused at the park, where the new attraction is Willy, a killer whale who is being trained to do tricks. However, Willy was traumatized when he was stolen from his family by mercenary fisherman and does not respond well to the genuine concern of his trainers, Rae (Lori Petty) and Randolph (August Schellenberg). Jesse and Willy, both stranded without families in a place where they don't fit in, develop a close emotional bond, and with Jesse's help, Willy begins to display aptitude as a performer. Thanks to his friendship with Willy, Jesse develops a new sense of responsibility and a healthier relationship with the Greenwoods. However, Dial (Michael Ironside), the owner of the park, doesn't much care for animals and isn't happy with the slower-than-expected progress of Willy's training; having insured the whale for $1 million dollars, he figures that Willy is worth more dead than alive, and Jesse, Rae, and Randolph have to rescue their aquatic friend and return him to the ocean when Dial seems ready to live up to his threats. Free Willy, which featured a star performance by a killer whale named Keiko (who is doubled in some scenes by animatronic models) included the theme song "Will You Be There," a top-ten hit for Michael Jackson, and spawned two sequels. ~ Mark Deming, Rovi