Andrew Eaton Movies

Director Fernando Meirelles (Blindness, The Constant Gardener) teams with screenwriters Peter Morgan and Peter Emmanuel Goldman to expand the scope of Arthur Schnitzler's 1897 play La Ronde, which explored the ways that social boundaries can be shattered by human sexuality. Set in seven cities across the globe, 360 finds a disparate group of characters unknowingly bonded by the sexual choices they make. Consumed by loneliness, a British businessman (Jude Law) ponders a rendezvous with a prostitute. When his colleague catches wind of the plan, blackmail enters the picture. Meanwhile, the businessman's wife (Rachel Weisz) prepares to call it quits with her younger lover; a Brazilian student breaks up with her boyfriend in London and heads back to Rio; a recovering alcoholic (Anthony Hopkins) travels to Phoenix in search of his missing daughter; a freshly paroled sex offender (Ben Foster) struggles to stay composed when propositioned in a Denver airport; and a prominent widower's religious devotion is put to a difficult test. ~ Jason Buchanan, Rovi

Angelina Jolie stars as Mariane Pearl, wife of slain journalist Daniel Pearl, in director Michael Winterbottom's adaptation of Mariane's memoir recounting the abduction and murder of her husband (played in the film by Dan Futterman) by Pakistani militants. It was on January 23, 2002, that Mariane Pearl's life took a grim and unanticipated turn that no one could have seen coming. The South Asia Bureau Chief for the Wall Street Journal, Daniel Pearl, was in Pakistan with his pregnant wife, Mariane, when he set out to conduct one last interview for an upcoming article; the pair were due to fly back home to the U.S. shortly thereafter. By all accounts, it was the same type of interview he had conducted a hundred times before, and though the only concern that Daniel had voiced beforehand was that he might be a bit late for dinner, it would soon become obvious that something had gone horribly awry. Later, in an attempt to rise above the seething vengeance and cycle of violence that the post-9/11 world has fallen into and familiarize her newborn son with the father he will never know, Mariane penned A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl. The remarkable true story behind the murder that shook the entire world, Mariane's deeply personal novel is adapted for the screen by the BAFTA award-winning director of The Road to Guantanamo. ~ Jason Buchanan, Rovi

In the not-so-distant future, a married man investigates a counterfeiter and ends up the perpetrator of an ethical crime in Code 46, the latest film from prolific British director Michael Winterbottom. Set against the backdrop of a technologically advanced Shanghai, where people are only allowed to travel between countries with official passports called "papelles," the film charts the efforts of Seattle native William (Tim Robbins) to get to the bottom of a contraband-papelle operation within the walls of a high-tech company that manufactures them. There he finds Maria (Samantha Morton), an enigmatic young woman who may or may not be selling the passports on the black market. William has a brief affair with Maria, which, despite his attempts to return home, causes him to become embroiled in an even bigger controversy in Shanghai. ~ Michael Hastings, Rovi

In the wake of a family tragedy, an English ex-patriot living in the United States decides to relocate himself and his daughters to Italy, only to discover that grief has followed them overseas when the youngest girl proves unable to move past her acute emotional pain. An Englishman at heart, Joe (Colin Firth) now lives a happy life with his wife and daughters in the United States. Their happy existence is turned upside down in an instant, however, when his wife is driving their daughters home one day and becomes momentarily distracted from the road. Later, as Joe and his daughters attempt to contend with the thick fog of grief hanging over their household, the loving father surmises that a change of scenery may be in order; accepting a teaching job in Italy in hopes that it will help them contend with their bereavement. For teenage daughter Kelly (Willa Holland), at least, the move works miracles: though Kelly was sullen and withdrawn back home, she seems awakened by the endless possibilities that the future may hold in Europe - even entering into a clandestine romance with a handsome Italian boy. Kelly's younger sister Mary (Perla Haney-Jardine), unfortunately, is another case entirely. Despite her father's most valiant efforts to assuage her grief, Mary just doesn't seem capable of shaking the loss. Meanwhile, as Joe rekindles an old friendship with a university colleague (Catherine Keener), his family soaks in the marvelous medley of medieval, Renaissance, and contemporary influences of the scenic, northern Italian city. ~ Jason Buchanan, Rovi

Damien O'Donnell's Heartlands stars Michael Sheen as a man on a mission. Colin (Sheen) is a simple man who is stunned to learn that his wife has taken up with the captain of his dart team. Upon learning that the two are headed to a big dart competition in Blackpool, Colin hops on his moped and pursues her. Along the way he meets an assortment of colorful individuals. Eventually, Colin is given the chance to confront his wife and her lover. Heartlands was screened at the Edinburgh Film Festival. ~ Perry Seibert, Rovi

Prolific British filmmaker Michael Winterbottom adds to his impressively diverse oeuvre with this harrowing account of two Afghan refugees' passage to the West in search of a better life. The movie opens at a refugee camp in Peshawar, Pakistan, where Afghans have sought refuge in the wake of the U.S. military campaign in their country following the September 11, 2001, terrorist attacks. The story follows Jamal, an orphaned teenager, and Enayat, his older companion, as they make their way from Pakistan to London. Traveling in the back of trucks, by bus, and on foot, the two cross Central Asia in an arduous journey punctuated by encounters with hostile border guards and shady smugglers. Even more traumatic is the ocean voyage from Turkey to Italy, during which Jamal and Enayat are forced to hide in a shipping container with other asylum seekers, including a terrified infant. Winterbottom shot the movie vérité-style on digital video, and the smudgy look and quick cutting betray the movie's guerrilla roots. Enhancing its raw veneer is Winterbottom's reliance on improvised dialogue and non-actors. A stirring work of advocacy, this flawed but wrenching film won the Golden Bear at the 2003 Berlin Film Festival. ~ Elbert Ventura, Rovi

In 19th century Britain, a unconventional young man struggles against the limitations of a rigid, restrictive society. Based on Thomas Hardy's Jude the Obscure, this somber period drama stars a suitably intense Christopher Eccleston as Jude, a young man with dreams of receiving a scholarly university education. Circumstances conspire against him, however, forcing him into a job as a stonemason and an unsatisfactory marriage. He remains true to his dream, however, and years later, after his wife's sudden departure, heads for the city. There he encounters his beautiful cousin, Sue (Kate Winslet), who shares his intelligence and disdain for convention, and the two develop a romantic relationship. These unlikely lovers must struggle to keep their relationship secret from a disapproving world, however, or else face the tragic consequences of public scandal. Though purists may object to several liberties taken with the text, director Michael Winterbottom fashions a relatively efficient tale of doomed romance from Hardy's tragedy. ~ Judd Blaise, Rovi

This most unusual film project from Britain - which clocks in at just over 5 ½ hours - actually consists of three separate features, each by a different director and done in a unique style, recounting the search for the notorious Yorkshire Ripper - a serial killer who terrorized the female population of Yorkshire, England on and off between the mid-1970s and the very early 1980s. Screenwriter Tony Grisoni and directors Julian Jarrold (1974), James Marsh (1980) and Anand Tucker (1983) shape the material into an epic chronicle not simply about the Ripper, but about the depravity that lurks on all levels of society, turning up most potently in the interworkings of law enforcement, big business, clergy and organized crime. The trilogy originally aired on Britain's Channel Four network, but received a theatrical and on-demand release in the United States courtesy of IFC Films. ~ Nathan Southern, Rovi

The Red Riding Trilogy continues in this sequel that picks up six years after the events of the first film. The Yorkshire Ripper is continuing to prey on the young women of a dead-end town, and the local police have proven completely ineffective in solving the crimes. When Manchester detective Peter Hunter (Paddy Considine) arrives in Yorkshire to investigate, he discovers a number of inconsistencies in the official report, and begins to suspect foul play. Unfortunately for both Detective Hunter and the growing list of victims, the local police seem unusually tight-lipped about the case. Perhaps their refusal to aid Detective Hunter in his investigation has something to do with his previous visit to Yorkshire in 1974, when he rubbed the local authorities the wrong way while investigating a shooting. As Detective Hunter delves deeper into the case, it becomes increasingly obvious that incompetence isn't likely to blame for the lack of progress made by Yorkshire police. ~ Jason Buchanan, Rovi

Eoin McNamee based the screenplay for this drama on his own novel, which was itself based on real-life Protestant paramilitaries known as "The Shankill Butchers," who used the cover of sectarian violence in Northern Ireland to mask their often homicidal crimes. Set in Northern Ireland of 1975, the story opens with a killing by young psycho Victor Kelly (Stuart Townsend) and his gang, known as the Resurrection Men. The city lives in fear, and TV coverage perks the interest of journalist Ryan (James Nesbitt) and his associate Coppinger (James Ellis). Older hood McLure (Sean McGinley) hires Victor and his gang to do some dirty work, but local cop Herbie (Derek Thompson) enters the picture to put pressure on gang member Hascksaw (B.J. Hogg). As Victor's wildness escalates, Ryan uses words to weave a media myth around Victor's behavior. Meanwhile, McLure makes plans to destroy Victor. The Irish settings for this film actually were shot in Manchester, Warringon, and Liverpool. ~ Bhob Stewart, Rovi

An ex-convict is mysteriously drawn to two intriguing women after becoming involved in a car accident while passing through a sleepy Ontario town in director Marc Evans' enigmatic drama. Invited into the home of high-functioning autistic Linda (Sigourney Weaver) after getting into a car accident that involved Linda's daughter, ex-con Alex Hughes (Alan Rickman) does his best to gracefully accept Linda's selfless generosity. His situation grows increasingly complicated, however, when Alex finds the seductive allure of town sexpot Maggie (Carrie-Anne Moss) too powerful to resist. ~ Jason Buchanan, Rovi

The family that steals together stays together in this satiric British comedy. After a fire destroys her home, Bernadette James (Helen McCrory) gathers up her four children and leaves Edinburgh for London, hoping to locate her not-especially-responsible and currently-absent husband, Spendlove (John Hannah). Spendlove, as usual, turns out to be in no position to help them and is prepared to give up the marriage when Bernadette, in a fit of pique, robs a jewelry store, using her children as decoys. While the James family is now on the run, Bernadette has finally discovered a skill that can be used to support her children; she soon moves up to stealing cars and pulling daring (and lucrative) robberies in broad daylight, with hubby and the kids helping out. However, Spendlove doesn't have the stomach for a life of crime and wants to bail out, while police detective Julia Armstrong (Toni Collette) is determined to put the criminal family behind bars. Spendlove's brother (Jason Flemyng) soon joins in the James family's life of crime as the police's web tightens around them. ~ Mark Deming, Rovi