Andrew Eaton

Winner of the Silver Bear at the 2006 Berlin Film Festival, The Road to Guantanamo, directed by Michael Winterbottom and Mat Whitecross, uses interviews, news footage, and reenactments to tell the story of the Tipton Three, young British men of Pakistani descent who were detained for over two years without charges at Guantanamo Bay by the American military. Shafiq (played by Riz Ahmed in the reenactments), Ruhel (Farhad Harun), Asif (Arfan Usman), and Monir (Waqar Siddiqui) traveled to Pakistan to take part in Asif's wedding to a Pakistani girl. Once in Pakistan, they hooked up with Zahid (Shahid Iqbal), Shafiq's cousin, and they all met in Karachi. There, they attended a mosque, where the imam urged worshipers to help those in need in Afghanistan, and where an inexpensive bus trip over the border was organized. Out of a sense of charity, or perhaps a naïve lust for adventure, the young men decided to travel to Afghanistan. The American bombing campaign begins shortly after they arrive. While trying to get back over the border, they find themselves in the Taliban stronghold of Konduz, where they are captured by the Northern Alliance during the Taliban surrender. At this point, Monir is separated from the group, and they never see him again. Shafiq, Ruhel, and Asif are brought to Sheberghan prison, where they are detained under miserable conditions, until the Americans discover that they are British. At that point, their journey to Guantanamo begins. Asif Iqbal, Ruhel Ahmed, and Shafiq Rasul describe their ordeal at the hands of American and British intelligence, who were determined to get them to confess their nonexistent links to Osama bin Laden and al-Qaeda, while the brutal scenes are reenacted onscreen. The Road to Guantanamo was shown at the 2006 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

A group of actors and filmmakers set out to adapt an "unfilmable" classic novel -- but find that their own petty concerns get in the way -- in this satirical comedy. Laurence Sterne's 18th century novel The Life and Opinions of Tristram Shandy, Gentleman told the story of its priggish title character from the moment of conception onward, with a bevy of digressions, distractions, and unfinished anecdotes. In adapting the work for the screen, director Michael Winterbottom chose to stay true to its anarchic spirit: the film begins as a mostly straightforward adaptation of events in Sterne's writings, and then veers into a tale about the making of the film itself. Steve Coogan plays Tristram Shandy, who narrates his own life story, beginning with his slightly botched birth, overseen by an addled doctor (Dylan Moran) and his reticent father, Walter (also played by Coogan). Constantly quarreling with his battle-scarred brother, Toby (Rob Brydon), Walter Shandy has an epiphany when he holds his newborn son; however, before that moment can occur, the film switches into the present day, where Coogan and Brydon, playing themselves, bicker over costuming and the size of their roles in the film. The rest of the film's crew has their own concerns. Director Mark (Jeremy Northam) is trying to figure out how to secure a big Hollywood star for a supporting role and shoot a battle scene on a budget. The film's brainy production assistant Jennie (Naomie Harris) worries that their adaptation is leaving out the best parts of the book, as she nurses a crush on one of the cast members. All the while, Coogan tries to deflect a tabloid reporter's inquiry into his strip-club escapades, and attempts to pacify the concerns of his wife, Jenny (Kelly MacDonald). Tristram Shandy: A Cock and Bull Story had its North American premiere at the 2005 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

British writer/actor Stephen Fry makes his feature-film debut with the witty, sophisticated comedy Bright Young Things, adapted from Evelyn Waugh's 1930 novel Vile Bodies. Set in London during the '30s, this stylish period film follows an ensemble cast of well-dressed and highly literate partygoers. Aspiring writer Adam Fenwick-Symes (stage actor Stephen Campbell Moore) loses the manuscript of his first novel when traveling through customs. He then sets out to raise enough money to marry his sweetheart, Nina Blount (Emily Mortimer), the daughter of a colonel (Peter O'Toole). All in the name of love, Adam seeks funding through a constant stream of parties, meetings, and conversations with eccentric acquaintances. Cameo appearances are made by the likes of Dan Aykroyd, Simon Callow, and Stockard Channing. Bright Young Things was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Prolific British filmmaker Michael Winterbottom adds to his impressively diverse oeuvre with this harrowing account of two Afghan refugees' passage to the West in search of a better life. The movie opens at a refugee camp in Peshawar, Pakistan, where Afghans have sought refuge in the wake of the U.S. military campaign in their country following the September 11, 2001, terrorist attacks. The story follows Jamal, an orphaned teenager, and Enayat, his older companion, as they make their way from Pakistan to London. Traveling in the back of trucks, by bus, and on foot, the two cross Central Asia in an arduous journey punctuated by encounters with hostile border guards and shady smugglers. Even more traumatic is the ocean voyage from Turkey to Italy, during which Jamal and Enayat are forced to hide in a shipping container with other asylum seekers, including a terrified infant. Winterbottom shot the movie vérité-style on digital video, and the smudgy look and quick cutting betray the movie's guerrilla roots. Enhancing its raw veneer is Winterbottom's reliance on improvised dialogue and non-actors. A stirring work of advocacy, this flawed but wrenching film won the Golden Bear at the 2003 Berlin Film Festival. ~ Elbert Ventura, All Movie Guide

Damien O'Donnell's Heartlands stars Michael Sheen as a man on a mission. Colin (Sheen) is a simple man who is stunned to learn that his wife has taken up with the captain of his dart team. Upon learning that the two are headed to a big dart competition in Blackpool, Colin hops on his moped and pursues her. Along the way he meets an assortment of colorful individuals. Eventually, Colin is given the chance to confront his wife and her lover. Heartlands was screened at the Edinburgh Film Festival. ~ Perry Seibert, All Movie Guide

The members of a British working-class family see their lives starting to come apart as the Nation prepares to celebrate Guy Fawkes Day (named for an anarchist who tried to blow up Parliament) in Michael Winterbottom's drama Wonderland. Eileen (Kika Markham) and Bill (Jack Shepherd) are a married couple with four grown children. Bill has lost his job and is drifting through life, unsure of what to do. He's also having sexual problems with Eileen, who is being driven insane by their noisy neighbors. Neither Bill nor Eileen have seen their son Darren (Enzo Cilenti) for a long time, and his birthday is a heartbreaking experience for them. (Darren, on the other hand, would prefer to celebrate his birthday by spending the night in a hotel with his girlfriend rather than seeing his parents.) Bill and Eileen also have three daughters, Nadia (Gina McKee), Debbie (Shirley Henderson) and Molly (Molly Parker). Nadia works in a cafe and has trouble meeting men; she's signed up with a dating agency, but has yet to meet anyone she likes. Debbie is suddenly a single mother after separating from her drunken lout of a husband. Debbie drowns her sorrows in a series of meaningless one-night-stands, while her husband flies into uncontrollable rages and their son is left with no one to turn to on either side. And while Molly's story seems happy on the surface -- she's soon to give birth to her first child and her husband has done well in kitchen sales -- she's suddenly thrown into instability when she finds her husband has quit his job, without telling her, to follow his dream of becoming a chef. Wonderland received enthusiastic reviews for its ensemble cast when shown at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Old New Borrowed Blue is a bittersweet love story of modern times. Rosie and Vincent are desperately trying to have a baby, but this is causing an unavoidable stress on their sex life. When Benoit, a French postal worker and teenage pen pal of Rosie's, arrives on their doorstep with romantic intentions, Vincent is not as thrilled as Rosie. Having found out that his over-the-channel sweetheart is now married, Benoit settles in as her houseguest. Vincent is unhappy with the arrangement and tries to cure his wounded ego in an affair with his old flame, the local hairdresser, Cathy. Rosie and Vincent find themselves facing choices they had never imagined they would have to make. ~ Gönül Dönmez-Colin, All Movie Guide

The family that steals together stays together in this satiric British comedy. After a fire destroys her home, Bernadette James (Helen McCrory) gathers up her four children and leaves Edinburgh for London, hoping to locate her not-especially-responsible and currently-absent husband, Spendlove (John Hannah). Spendlove, as usual, turns out to be in no position to help them and is prepared to give up the marriage when Bernadette, in a fit of pique, robs a jewelry store, using her children as decoys. While the James family is now on the run, Bernadette has finally discovered a skill that can be used to support her children; she soon moves up to stealing cars and pulling daring (and lucrative) robberies in broad daylight, with hubby and the kids helping out. However, Spendlove doesn't have the stomach for a life of crime and wants to bail out, while police detective Julia Armstrong (Toni Collette) is determined to put the criminal family behind bars. Spendlove's brother (Jason Flemyng) soon joins in the James family's life of crime as the police's web tightens around them. ~ Mark Deming, All Movie Guide

This provocative British comedy-drama provides an unsentimental chronicle of a vibrant young man who discovers that he is suffering from multiple sclerosis, and of the woman who loves and supports him. The afflicted man is Nick who loves life and spends his free time playing soccer and hanging out with his pals. One day he meets Karen and they end up moving in together. Their happiness is interrupted by a series of puzzling symptoms that begin to plague Nick. Karen, who has had more education, begins to fear that he has MS, but she says nothing to him. He goes in for rigorous medical tests and Karen's private diagnosis is confirmed. The disease gradually destroys the central nervous system and soon Nick is unable to pursue the things he most enjoys. He begins to retreat into himself and become increasingly bitter and irritable. Despite his anger and pain, Karen stays beside him. At one point, after he is no longer able to have sex, he accuses her of sleeping with her boss. But still the loyal Karen remains until the story's surprising conclusion. ~ Sandra Brennan, All Movie Guide

This quirky British film is the self-portrait of director Lindsay Anderson. It is part of "The Director's Place" series that is sponsored by the BBC Scotland and represents several self-portraits of popular directors. The film, set within the director's north London apartment, begins with a quote from the Cinema Manifesto of 1956: "Perfection is not an aim." In his apartment, Anderson is visited by his peers and friends who come to talk about life, their work, and socio-political concerns. A typical day for Anderson is chronicled. He is seen getting up, taking a leisurely bath surrounded by ideas for his movies, seeing visitors, and using his pensioner's travel pass to utilize public transportation (Anderson is in his '70s). The film's climax is a boat ride on the Thames where the ashes of actresses Jill Bennet and Rachel Roberts are finally cast upon the waters. ~ Sandra Brennan, All Movie Guide