Frederique Dumas Movies

Star-crossed lovers from two disparate planets fight for love against all odds in this romantic sci-fi adventure starring Kirsten Dunst and Jim Sturgess. Adam (Sturgess) lives on a planet where poverty is the norm. Meanwhile, just overhead, Eden (Dunst) dwells in a world defined by wealth and luxury. Adam and Eden have been in love since they were teenagers, yet the rules that govern both of their worlds make their romance strictly forbidden. Beset by interplanetary border-patrol agents during one of their clandestine meetings on the mountains where their two worlds meet, Adam watches in horror as Eden appears to perish before his eyes. Ten years later, Adam learns that Eden survived the fall on that fateful day, and now works in the towering skyscraper that connects their two planets. Determined to declare his love for Eden even in the face of certain death, Adam hatches a daring plan to enter her world and challenge the unjust laws that regulate both of their lives. ~ Jason Buchanan, Rovi

A group of senior citizens decide to move in together in All Together, a French-language comedy from director Stephanie Robelin. When Claude (Claude Rich) suffers an injury while trying to climb steps in order to meet a woman for a liaison, he and his friends, who are all suffering from some age-related malady, decide to move in together and hire a graduate student to look out for them. Among the new co-tenants are the senile Albert (Pierre Richard) and his wife, the outgoing Jeanne (Jane Fonda) who herself is fighting cancer. Also living with them is Jean (Guy Bedos) a onetime social crusader who enjoys the wealth he's acquired with his wife Annie (Geraldine Chaplin), who wants nothing more than to visit with her children and grandchildren. As they adjust to their new living arrangements, old jealousies and hurts resurface, forcing everyone to reconsider how they want to spend their golden years. ~ Perry Seibert, Rovi

German filmmaker Tom Tykwer helmed this feature, which was adapted from a screenplay co-authored by the late Krzysztof Kieslowski. Philippa (Cate Blanchett) is a British schoolteacher living in Italy, whose husband fell victim to a drug overdose, as have several of her students. Marco Vendice (Stefano Santospago) is a powerful local drug dealer who sold the dope which killed Philippa's husband, as well as a number of neighborhood teens. Disgusted with the inability of the police to bring Vendice to justice, Philippa takes the law into her own hands, planting a bomb which is intended to kill the dealer. However, Philippa's plan goes awry, and instead the bomb kills four innocent bystanders. Philippa is arrested and brought before the police for questioning, not knowing that the interrogating officer in charge of the case, Pini (Mattia Sbragia), is one of Vendice's secret business associates. More comfortable with English than Italian, Philippa requests a translator, and multilingual officer Filippo (Giovanni Ribisi) is brought in to serve as interpreter. Filippo finds himself falling in love with Philippa, and with his help she's able to escape and go into hiding; however, despite her deep regrets about the loss of four lives in the bombing, she is still bound and determined to see Vendice dead. ~ Mark Deming, Rovi

The third feature film of Giacomo Campiotti, previously the assistant director to Mario Monicelli, Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain. In the first episode, we are in South Africa at the turn of the century during the Boer war. Martha (Juliet Aubrey), a forty-year-old English woman, is on her way to visit her brother Thomas (Tam Williams), who is in the army, when the train is attacked by Boers. Peter (Ciaran Hinds), an English soldier, saves her life. This unexpected encounter leads to an impossible love, as Peter happens to be one of Thomas' footsoldiers. In the second story, Paris is under German occupation during the Second World War. Claire (Natacha Regnier), a young French musician, meets Gabriel (Ignazio Oliva), a Russian musician, during a concert performance. Their passionate love affair has limits because of the linguistic barriers, and what begins well ends in tragedy. In the last episode, we are in present-day Italy. Teenager Guiseppe is in a coma following an accident. His classmates take turns by his bedside, but when summer arrives, they all go away. Naty (Natalia Piatti), who is much younger than Guiseppe and somewhat of a tomboy, stays behind and visits him regularly, developing an attachment to the boy even though she knows that, when he recovers, he would not look at her. Il Tempo Dell'Amore tries to create a magical atmosphere in dealing with affairs of the heart, using dreams and nightmares to interpret moods. The first episode is the least successful in terms of building the relationship to its climax. The last episode is the best one, particularly because of excellent acting by Natalia Pitti, who is a natural. Campiotti co-wrote the script with his partner in his previous film, Like Two Crocodiles, the Russian playwright Alexander Adabachian, who has also worked as a screenwriter for Nikita Mikhalkov. Il Tempo Dell'Amore was in competition at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi

Aktan Abdykalykov made his directorial debut with this semi-autobiographical Kirghizian-French drama set in a rural Kirghizian village where young Adyr plays in the brick mudpits, takes an interest in a girl, and attends outdoor movie showings. However, Adyr's pals reject him when it's learned that he's adopted, and more dark clouds hover over Adyr after a death in the family. Filmed in black and white with color inserts, this film played in several 1998 film fests (Locarno, Montreal, Toronto). ~ Bhob Stewart, Rovi

The seedy, pscyho characters from author Joel Houssin's popular 1980s series of hip French crime novels come to vivid life in this rip roaring actioner. The directorial debut of French/Dutch video maker Jan Kounen, the film presents a super violent, drug ladened world ruled by ultramacho men and supported by long-legged, wild-haired, gun-toting beauties. Dobermann (Vincent Cassel) is the leader of a large criminal gang. His lover is Nat la Gitane (Monica Belucci), a deaf-mute gypsy girl. The story begins as Dobermann and company boldly pull off a blood-soaked bank robbery in broad daylight. Their confidence comes from the decoys out distracting the police. After the heist, the gang members hightail it to their lair, located in a remote rural junkyard. When news of their crime reaches police officer Christini, he vows to capture them. Dobermann could not find himself a more ruthless adversary for Christini is evil incarnate and devoid of conscience and decency. When Christini and Dobermann finally meet a terrifying and graphically violent confrontation ensues. ~ Sandra Brennan, Rovi

A childhood friendship becomes something much more in this Italian outing that begins as an off-beat comedy and ends up an exploration of a rocky romance. The story begins near the Baths of Carcalla in Rome where transvestite streetwalker Desideria hangs around begging for someone to love him/her and only ends up robbed and alone. The baths are a notorious hang-out for hookers and one night the police raid the joint causing Desideria to panic and flee with a cop in hot pursuit. Both end up hanging from a precipice and while waiting to be rescued, discover that they were best friends in school. Later Pasquale, the cop, returns to his provincial home village to consult a priest about what Desideria has become. The well-meaning father suggests that Pasquale help Desideria find redemption and resume life as a heterosexual. Unfortunately, things don't go as planned and Desideria ends up seducing Pasquale. They become lovers but trouble ensues when Pasquale's narrow-minded small-town lover Nellina finds out and tries to fight for his love. ~ Sandra Brennan, Rovi