Mildred Cramm Movies

Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, Rovi

Leo McCarey's classic tale of romance stars Irene Dunne and Charles Boyer as two strangers who fall in love on an ocean voyage. Charles Boyer is Michel Marnet, engaged to be married to Lois Clarke (Astrid Allwyn). Irene Dunne is Terry McKay, also engaged to be married, in this case to Kenneth Bradley (Lee Bowman). But when Michel and Terry meet aboard a ship, they fall instantly in love. In order to prove to themselves their love affair is not just a shipboard romance, they agree to meet six months hence on the top of the Empire State Building. If they still feel the same way about each other, they will bid adieu to their fiancees and start their affair anew. Six months later, they are still thinking about each other and proceed to their meeting at the Empire State Building. Michel awaits Terry's arrival, but Terry, on the way to their meeting, is involved in a terrible car accident, leaving her a cripple. Later, by a twist of fate, they are reunited and Michel vows to stay with Terry to help her walk again. ~ Paul Brenner, Rovi

With a blonde wigged Joan Crawford offering one of her more high-handed performances, and veteran silent star Pauline Frederick doing her best to keep up, audiences are in for MGM soap-opera at its 1931 zenith. Reunited with her long-lost mother in Paris, Crawford fails to realize that the loving and dignified woman is actually kept by a Parisian roué Albert Conti. Although she briefly falls in with a fast crowd, headed by the alcoholic Monroe Owsley), Crawford, a good girl at heart, falls in love with visiting Harvard graduate Neil Hamilton, and he with her. But Hamilton's stern, puritanical parents (Hobart Bosworth and Emma Dunn) frown upon Crawford's Parisian friends, who rudely spoil a dignified but deadly dull evening of superficial conversation and bridge. When a disgusted Hamilton informs his upcoming bride about her mother's true metier, Crawford is at first disbelieving and then huffily breaks the engagement. A penitent Frederick agrees to leave her life as a kept woman, but when she realizes that her daughter still carries a torch for the stuffy Hamilton, she pretends to willingly return to Conti. Denouncing her mother, Crawford goes on a tryst with Owsley, but is returned by Hamilton, who reunites her with the self-sacrificing Miss Frederick. ~ Hans J. Wollstein, Rovi