Lester Cohen Movies

A teenager is torn between her desire to please her mother and following her own ambitions in this family-friendly comedy drama. Casey Carlyle (Michelle Trachtenberg) is a high-school student who has a keen mind for math and looks to be on the fast track to Harvard, which is just the way her mother (Joan Cusack) wants it. However, Casey also has a dream of becoming a competitive ice skater, which is not a popular notion with either Casey's mom or her school's clique of aspiring skaters, led by the egocentric Gen (Hayden Panettiere). However, one day at the rink Casey wins the attention of Tina (Kim Cattrall), a former skating champion who now trains her daughter and is trying to live down an incident that grounded her career on the ice. Tina thinks Casey has what it takes to be a champ, but neither Gen nor Casey's mother are happy with this news, leaving Casey and Tina to go it alone, though Casey soon wins the emotional support of Teddy (Trevor Blumas), Gen's handsome older brother. Ice Princess also features champion skater Michelle Kwan in a small role as herself, doing television commentary at a skating event. ~ Mark Deming, All Movie Guide

Actor David Duchovny made his debut as a director and screenwriter with this coming-of-age drama, in which a grown man looks back at his adolescence. It's 1973, and Tommy (Anton Yelchin) is a 13-year-old boy living in New York's Greenwich Village with his mother (Téa Leoni), who is still coming to terms with the death of her husband. Tommy's best friend is Pappass (Robin Williams), a mentally challenged man who is in his thirties, but is at the same emotional age as Tommy; Pappass delivers meat for a local butcher, and Tommy helps him out. Tommy has discovered women, and has a crush on Melissa (Zelda Williams), a cute girl in his class, but Pappass isn't much interested in the opposite sex, and can offer little advice on the subject. Tommy's lone confidante on this issue is Lady Bernadette (Erykah Badu), a woman locked up in the nearby Women's House of Detention who offers advice shouted from her window. When Pappass begins to realize that Tommy is falling for Melissa, he's convinced he's losing his best friend, and in a moment of anger he steals a bicycle. Tommy tries to protect Pappas by claiming he was the thief, leading to a series of serious repercussions. Years later, Tommy (now played by Duchovny) is a grown man who leaves his home in Paris, France, to pay a visit to the old neighborhood and come to terms with the life he left behind. ~ Mark Deming, All Movie Guide

A big score goes wrong in a big way for a bunch of aspiring gangsters in this crime comedy. Matty Demaret (Barry Pepper) is the son of a mid-level Brooklyn mob boss, Benny "Chains" Demaret (Dennis Hopper). When Matty was 12 years old, Benny and Uncle Teddy (John Malkovich) decided to see if Matty had what it took to be in the mob; they gave the boy a gun and ordered him to shoot a longtime enemy of the family. Matty lacked the nerve to do it, and ever since, Benny has been convinced his son is a coward. As an adult, Matty is stuck between a rock and a hard place; he'd like to work as a sports agent, but his family's criminal ties make that all but impossible, and his dad won't give him a chance in the family's operations. Uncle Teddy decides to give Matty a chance to make good by asking him to pick up a payment of $500,000 in Spokane, WA. Matty puts together a crew of three friends, all sons of mob guys, to help him out: muscle bound Taylor (Vin Diesel), ladies' man Chris (Andrew Davoli), and cocaine-addled would-be pilot Johnny (Seth Green). Getting the money goes just fine, but during a refueling stop in Montana, Johnny has to hide the money to keep it from being discovered. It's then promptly stolen by a pair of burnouts. When Matty and his crew discover the money is missing, they head back to Montana, but before long, they find out that the sheriff (Tom Noonan) is onto them, and that he has his own plans for the cash; they also learn that Uncle Teddy has some plans he didn't tell them about. Knockaround Guys marked the directorial debut for the screenwriting team of Brian Koppelman and David Levien. ~ Mark Deming, All Movie Guide

The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray "Superboy" Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon. ~ Jason Ankeny, All Movie Guide

An unflinching drama of frustrated ambition and troubled siblings, Georgia examines the relationship between a self-destructive, would-be rock singer and her sister, a successful folk musician. Sadie (Jennifer Jason Leigh) is the younger, more troubled sister, a wild child with a taste for reckless behavior, from her dangerous romances to her attachments to drugs and alcohol. Hopping between low-rent clubs, Sadie struggles to make it from gig to gig, delivering rawly emotional performances that lack technical skill. Her repeated career failures drive her further into addiction, sending her life into a downward spiral. Ultimately, she is forced to seek help from her sister Georgia (Mare Winningham), who is everything Sadie is not: married, financially secure, and blessed with a smooth voice that has won her popular success. A clash of seemingly opposite personalities follows, as Georgia attempts to help Sadie without becoming damaged herself. ~ Judd Blaise, All Movie Guide

This German film consists of six separate vignettes each created by a different international director, each challenged to create brief erotic scenarios. The first, named "Wet," was directed by Bob Rafelson and involves an encounter between a bathroom fixtures salesman and a customer who comes after hours to sample the hot tubs. The next, "The Dutch Master," directed by Susan Seidelman, follows a modern woman's obsession with 17th century Dutch painting and who eventually enters it to fulfill her dreams. The third, "The Insatiable Mrs. Kirsch," is Ken Russell's entry and tells the story of a young novelist who becomes obsessed with a highly-sexed woman addicted to auto-erotic pursuits. A young man gets what he wants after a voodoo woman grants his wish involving a hot woman and a motorcycle in the fourth episode directed by Melvin Van Peebles. Number five, "Touch Me," by Paul Cox follows the amorous friendships of women. Finally the sixth episode, "The Cloud Door," from Mani Kaul, involves a beautiful princess locked in a palace by a religious fanatic, a lascivious parrot, and a handsome young man. ~ Sandra Brennan, All Movie Guide

A pre-Twister Jami Gertz heads the cast in the independently produced Jersey Girl. Born and bred in the Garden State, Gertz is overwhelmed by a desire to taste life in the Big City across the river. Once she lands in New York City, Gertz instantly meets Dylan McDermott, the man of her dreams-nearly totalling his Mercedes in the process. Likewise a refugee from New Jersey, the well-heeled McDermott feels both gratified and uncomfortable by Gertz's attentions; after all, she represents everything that he's fought long and hard to forget. Your enjoyment of Jersey Girl is utterly dependent upon your feelings towards Jami Gertz, since she's pretty much the whole show in this unpretentious PG-rated romance. ~ Hal Erickson, All Movie Guide

Cinematographer Ernest R. Dickerson directed and co-wrote this crime drama about a group of friends who get involved in a robbery. Bishop (Tupac Shakur), Q (Omar Epps), Raheem (Khalil Kain), and Steel (Jermaine Hopkins) are four Harlem friends who spend their days skipping school, getting in fights, and casually shoplifting. The only member of the group who has plans for the future is Q, who dreams of becoming a deejay. But one day Bishop happens to see James Cagney in White Heat and the film inspires him to buy a gun. His plan is to rob a corner store and split the money. Everyone goes along with the plan except for Q, who is competing that night in a deejay contest. At the club, Q is a rousing success, but he spies the stern faces of his friends through the cheering crowd and realizes that he has to go along with the robbery, which goes completely wrong. ~ Paul Brenner, All Movie Guide

This paranoid thriller begins as Eric Roberts' girlfriend (Janine Turner) is taken away in an ambulance and he can't find her. She's been taken prisoner by Eric Braeden, a crazed doctor who kidnaps people and sells their bodies for spare parts. Roberts hooks up with pretty cop Megan Gallagher to solve the mystery. A campy, action-packed thriller from cult director Larry Cohen (It's Alive), The Ambulance features a cameo by Marvel Comics prez Stan Lee and lots of tongue-in-cheek humor. It's as quirky as Cohen's other genre forays, and is entertaining enough for a rainy day rental, with clever photography by Jacques Haitkin and a tense score by Jay Chattaway. ~ Robert Firsching, All Movie Guide

Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, All Movie Guide

Anna's early scenes concentrate upon Czech refugee Krystyna (Paulina Porizkova), who arrives in New York in search of her idol, famed actress Anna (Sally Kirkland), who was denied reentry to her native country after the 1968 communist invasion. Unable to recapture her celebrity in New York, Anna is forced to go through a series of humiliating auditions conducted by insensitive directors who have no inkling who she is. She must also endure marriage to a self-involved music video director (Robert Fields). When Krystyna and Anna finally meet, each draws strength from the other, enabling both women to survive whatever indignities life has to offer. ~ Hal Erickson, All Movie Guide

Focusing on idiosyncratic characters and culture-clash comedy, rather than on the high-tech action its title might suggest, writer-director Peter Wang's The Laserman dramatizes the personal and professional struggles faced by a young Chinese-American scientist. When a bungled experiment leads to the death of his lab assistant, laser specialist Arthur Weiss (Marc Hayashi) is forced to reevaluate his life. His family provides little solace, as his attempts to deal with his mother (Joan Copeland), a Jewish woman obsessed with Chinese culture, and his brother (Tony Leung), a petty thief, lead only to more stress. Things begin to look up for Arthur when he receives a offer from a mysterious company to resume his research, but he soon discovers that his employers hope to use his developments for questionable ends, placing him in a disturbing moral crisis. Wang crowds the film with oddball personalities, opting for a quirkier sort of comedy than in his earlier A Great Wall, a more realistic look at the Chinese-American experience. Although the sheer number of these supporting characters and subplots often threatens to overwhelm the film, it attracted positive critical response for its offbeat humor. ~ Judd Blaise, All Movie Guide