Simon de la Brosse Movies

In this surreal comedy, Tonio (Simon de la Brosse) works very hard for every bit of ill-gotten cash he can get his hands on, but he remains a poor criminal in both senses of the word. He and his buddies Bruno (Dominique Pinon) and Hercule (Charles Schneider) think they have the solution to their pocketbook woes. The body of St. Bernadette has been miraculously preserved from decay and is a central object of pilgrimage in the shrine where it is kept. Why not steal that and hold it for ransom? The criminal gang is well able to pull this coup off and are soon in possession of one perfectly preserved corpse and a very fancy coffin. It's too bad for them that the church seems to have a limitless supply of these and doesn't want the one they stole back. Bemused, the lads set the coffin adrift on the river, only to be followed by it as they drive back upriver. In the course of carrying out their criminal designs, these lovable lugs encounter a variety of eccentric characters. ~ Clarke Fountain, Rovi

Ian Bertram (Robert Lindsay) is a mathematical genius who works as an accountant for a multinational firm based in England. When he meets Cary Porter (Molly Ringwald), who recently started working for the same company, Ian immediately falls in love and quickly proposes marriage. Cary accepts, and they plan a modest wedding, but when Ian's accounting skills earn him the admiration of company head Herbert Dreuther (John Geilgud), Herbert offers to pay for a honeymoon in Monte Carlo and give them a ride back on his yacht. But while Mr. Dreuther means well, he has problems with his memory, and once Ian and Cary get to Monte Carlo, Herbert has forgotten all about them. Stuck at the hotel with a large bill that he can't afford, Ian works out a plan to win at roulette; his scheme works, and he earns enough to pay their bill, get them home, and have plenty left over. But his sudden success at the gambling tables makes Ian drunk with power, and Cary discovers that her new husband has turned into a power-hungry tyrant. Strike It Rich was adapted from the novel Loser Takes All by Graham Greene; it has been shown under the novel's title, as well as under the title Money Talks. ~ Mark Deming, Rovi

From time to time a deceased novelist or artist is sufficiently revered that, as a form of homage, his disciples will take one of his unfinished projects and attempt to bring it to completion. The screenplay for La Petite voleuse was written by Claude Miller, Luc Beraud and Anne Miller based on a scenario co-authored by the late French cinema great Francois Truffaut. It brings a respectful, unsentimental, and unflinching eye to bear on the life of Janine Castang (Charlotte Gainsbourg), a 16-year-old girl beset with antisocial drives due in part to an unpleasant home life. After the Second World War, her mother was made an outcast for consorting with the Germans, and she entrusted Janine to the doubtful care of her milquetoast brother and his highly unsympathetic wife. Janine has a vivid fantasy life, and a problem with kleptomania. After she's caught stealing she's forced to go to work as a maid rather than continue in school. Soon afterward, her romantic nature flowers in a number of new relationships which place new obstacles before her. ~ Clarke Fountain, Rovi

The lines between love, sex, and politics become hopelessly blurred in this French drama from director Andre Techine. Jeanne (Sandrine Bonnaire), born and raised in Northern France, is visiting the Mediterranean for the first time, prompted by two events: the wedding of her sister, and the disappearance of her brother. Jeanne's brother is a deaf-mute who supports himself as a pickpocket under the tutelage of Said (Abdel Kechiche), and one of his only friends is Klotz (Jean-Claude Brialy), an older married man with bisexual leanings who has a weakness for young Arab boys. Jeanne meets Klotz and finds herself attracted to his son Stephane (Simon de la Brosse), who like his father is interested in both women and men. However, Jeanne also meets Said, and she finds herself infatuated with him as well, and she's soon torn between the two in a romantic and sexual dilemma that mirrors France's political turmoil regarding the nation's growing Arab population. Jean-Claude Brialy's performance in this film earned him a Best Supporting Actor award from the French Academy of Cinema. ~ Mark Deming, Rovi

After serving his apprenticeship as a screenwriter for director André Techiné, former movie critic Olivier Assayas wrote and directed this film. In the story, a penniless girl and two similarly impoverished boys with ambitions of becoming a successful rock group are sorely in need of some instruments to play on. They decide to break into a music store and manage to get their hands on the instruments they need -- killing the proprietor in the process. Though the police never catch up with them, something else waylays these "tough" kids -- their consciences. Despondent over the killing, one of the young men commits suicide. The others are then confronted with their own feelings about their crimes and each other and cannot easily give themselves over to their quest to become musicians. One of the film's musical highlights is a performance of the Woodentops. This teen drama won the critic's prize at the 1987 Venice Film Festival. ~ Clarke Fountain, Rovi

A notorious, internationally known sex symbol (Phoebe Cates) attempts to track down her birth mother in this glitzy, deliciously trashy melodrama. The mother could be one of three women, all of whom have vowed to never reveal the secret truth behind the child's illegitimate birth. Based on the novel by Shirley Conran. ~ Judd Blaise, Rovi

Pauline a la Plage is the third of French filmmaker Eric Rohmer's "Comedies et Proverbes." Pauline (Amanda Langlet) is the teen-aged cousin of the seemingly more worldly and sensible Marion (Arielle Dombasle). Both girls become entwined in amorous escapades while vacationing at the beach. It gradually develops that Marion is the one least capable of handling herself, while Pauline grows in maturity from her summertime experiences. It is nothing short of amazing how Eric Rohmer can take the most conventional and obvious of material and weave something as charming and profound as Pauline at the Beach. ~ Hal Erickson, Rovi