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Robert Bush Movies

1994  
R  
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Hired to help locate a missing author, an insurance investigator discovers to his terror that the nightmarish events depicted in the writer's best-selling horror novels are coming true. Wishing to be both a horror film and a parody of the genre, John Carpenter's In the Mouth of Madness combines supernatural thrills with winking references. For instance, the vanished author, Sutter Cane (Jürgen Prochnow), is modeled on writers like Stephen King and Howard Phillips Lovecraft, from his great popularity to his obsession with small-town New England. Indeed, it is to one such hamlet that investigator John Trent (Sam Neill) and Cane's female editor (Julie Carmen) travel, discovering a town filled with terrifying scenes right out of Cane's books, from random axe murders to far worse. Have Cane's fans gone psychotic and begun imitating his writings, or are Cane's stories of an otherworldly evil invading the earth actually true? In the Mouth of Madness's mix of self-referential satire and real frights anticipates the later Scream (1996). ~ Judd Blaise, Rovi

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Starring:
Sam NeillJulie Carmen, (more)
 
1980  
PG  
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"You a real cowboy?" John Travolta traded disco for a mechanical bull in this adaptation by James Bridges and Aaron Latham of Latham's article on Western nightlife. Texas country boy Bud (Travolta) moves to Houston to work on an oil rig with his Uncle Bob (Barry Corbin), and he swiftly becomes indoctrinated in the nighttime rituals of drinking, dancing, and showing off cowboy duds at Gilley's, the enormous local honkytonk. There he meets and marries the sassy Sissy (Debra Winger), but the honeymoon quickly ends when Sissy starts spending too much time learning the men-only skill of mechanical bull-riding from ex-con Wes (Scott Glenn); Bud throws her out and hooks up with slumming Pam (Madolyn Smith). Under the paternal tutelage of Uncle Bob, Bud then learns not only how to master the bull but also what it takes to be a real man rather than just an ersatz cowboy. With a story, cast, and setting that were essentially Saturday Night Fever country-style, Urban Cowboy was poised to be a summer 1980 hit. Although its box office did not live up to Fever's legacy, Urban Cowboy did spawn a soundtrack album of country-and-western hits and helped spur a Western fashion vogue; people from all regions began sporting cowboy boots, and mechanical bulls started replacing passé disco floors. The first of Travolta's many comebacks, Urban Cowboy provided the star with a more "manly" image after his Moment by Moment (1978) fiasco, but it was neophyte co-star Winger who got even better notices. With its Western milieu and retro view of relationships, Urban Cowboy stands as a sign of the nascent Reagan era, as '70s icon Travolta learned bull-riding himself and replaced his white polyester with a black Stetson. ~ Lucia Bozzola, Rovi

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Starring:
John TravoltaDebra Winger, (more)
 
1980  
PG  
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John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for eight Academy Awards, the film was ultimately shut out in every category. ~ Hal Erickson, Rovi

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Starring:
Anthony HopkinsJohn Hurt, (more)