Frank Cottrell Boyce Movies

A group of actors and filmmakers set out to adapt an "unfilmable" classic novel -- but find that their own petty concerns get in the way -- in this satirical comedy. Laurence Sterne's 18th century novel The Life and Opinions of Tristram Shandy, Gentleman told the story of its priggish title character from the moment of conception onward, with a bevy of digressions, distractions, and unfinished anecdotes. In adapting the work for the screen, director Michael Winterbottom chose to stay true to its anarchic spirit: the film begins as a mostly straightforward adaptation of events in Sterne's writings, and then veers into a tale about the making of the film itself. Steve Coogan plays Tristram Shandy, who narrates his own life story, beginning with his slightly botched birth, overseen by an addled doctor (Dylan Moran) and his reticent father, Walter (also played by Coogan). Constantly quarreling with his battle-scarred brother, Toby (Rob Brydon), Walter Shandy has an epiphany when he holds his newborn son; however, before that moment can occur, the film switches into the present day, where Coogan and Brydon, playing themselves, bicker over costuming and the size of their roles in the film. The rest of the film's crew has their own concerns. Director Mark (Jeremy Northam) is trying to figure out how to secure a big Hollywood star for a supporting role and shoot a battle scene on a budget. The film's brainy production assistant Jennie (Naomie Harris) worries that their adaptation is leaving out the best parts of the book, as she nurses a crush on one of the cast members. All the while, Coogan tries to deflect a tabloid reporter's inquiry into his strip-club escapades, and attempts to pacify the concerns of his wife, Jenny (Kelly MacDonald). Tristram Shandy: A Cock and Bull Story had its North American premiere at the 2005 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

In the not-so-distant future, a married man investigates a counterfeiter and ends up the perpetrator of an ethical crime in Code 46, the latest film from prolific British director Michael Winterbottom. Set against the backdrop of a technologically advanced Shanghai, where people are only allowed to travel between countries with official passports called "papelles," the film charts the efforts of Seattle native William (Tim Robbins) to get to the bottom of a contraband-papelle operation within the walls of a high-tech company that manufactures them. There he finds Maria (Samantha Morton), an enigmatic young woman who may or may not be selling the passports on the black market. William has a brief affair with Maria, which, despite his attempts to return home, causes him to become embroiled in an even bigger controversy in Shanghai. ~ Michael Hastings, All Movie Guide

Revenge, obsession, and the morally ambiguous aristocracy are targets of this adaptation by director Alex Cox of the 17th century dark comic play Revengers Tragedy, written by Shakespeare contemporary Thomas Middleton. The vindictive and mentally unstable Vindici (Christopher Eccleston) has returned to the grimy streets of a post-apocalyptic Liverpool in order to attempt to bring ruin to the ruling family led by the Duke (Derek Jacobi). The Duke was personally responsible for the death of Vindici's fiancée ten years previously when the woman would not yield to the Duke's sexual advances. An opportunity arises for Vindici's vengeance when the Duke's youngest son is accused of raping the wife (Sophie Dahl) of Lord Antonio (Anthony Booth) -- one of the Duke's courtiers. When the Duke's son is acquitted of the rape charges, Lord Antonio's wife dies a mysterious death, which leads to even more havoc in the court of the Duke. Seizing the opportunity, Vindici acts swiftly and violently but the morality of his cause is just as questionable as the aristocracy he is ousting. Revengers Tragedy was a competing film at the 2002 Locarno Film Festival. ~ Ryan Shriver, All Movie Guide

The troubled friendship and occasional rivalry between two of England's greatest poets, Samuel Taylor Coleridge and William Wordsworth, is explored in an unorthodox light in this historical drama from renegade director Julian Temple. As Coleridge (Linus Roache), Wordsworth (John Hannah), and Lord Byron (Guy Lankester) await the news of who will be Great Britain's new poet laureate in 1816, Coleridge finds himself thinking back to 1795, when he and Wordsworth were two struggling writers involved in radical politics. Embracing the ideal of an agrarian society, Coleridge moves to the country, accompanied by his wife Sarah (Samantha Morton) and their infant son. Wordsworth soon follows, joined by his often argumentative sister Dorothy (Emily Woof). However, the two writers discover the hard work of maintaining a farm is not as conducive to their literary endeavors as they might have imagined, despite taking most available opportunities to shock the local bourgeoisie. It's not until Coleridge discovers laudanum (a tincture of alcohol and opium) that he finds the inspiration to create his first masterpiece, The Rime of the Ancient Mariner. Wordsworth soon finds his friend's fame is far surpassing his own, which brings an uncomfortable jealousy into their relationship; Coleridge, meanwhile, has developed a dangerous fondness for opium, which threatens to drown the creative spirit that it once sparked within him. Pandaemonium received its North American premiere at the 2000 Toronto Film Festival. ~ Mark Deming, All Movie Guide

A startling examination of the Bosnian war of the mid-1990s and the role of journalists in covering it, this film was based on real-life journalist Michael Nicholson's book Natasha's Story. Like Nicholson, cynical journalist Henderson (Stephen Dillane) is one of the rat pack of reporters looking for gore in the streets of besieged Sarajevo. He is outraged when grandstanding reporter Flynn (Woody Harrelson) helps local citizens remove the corpse of a mother gunned down on a family outing. But the next day, Henderson is among the journalist vultures at a grisly scene, and he has to tell a little girl that both her parents were killed. When his story is demoted by his television network in favor of a celebrity puff piece, Henderson is angry. At the behest of his producer, Jane Carson (Kerry Fox), he visits a local orphanage. Henderson becomes deeply involved with the plight of the children and starts documenting their individual stories even as his employers express increasing disinterest. Henderson campaigns to get the kids out of Yugoslavia, with the help of an American aid worker, Nina (Marisa Tomei). He promises a girl named Emira (Emira Nusevic) that he'll take her back to his home in England. To make good on his vow, he must risk both his career and his life. He adopts the child and she is happy in England. But he must return to war-torn Sarajevo when her birth mother, who had abandoned her, demands her daughter back. ~ Michael Betzold, All Movie Guide

Based on a novel by Carol Clewlow, the three-part British miniseries A Woman's Guide to Adultery chronicled the sexual interrelations between three married couples. Only Rose (Theresa Russell), the nominal heroine, abstained from extramarital hanky-panky. However, the siren song of Temptation proved strong indeed, and Rose's resistance was worn down bit by bit as those around her seemed to be having such a jolly good time. Remarkably frank in its dialogue and depiction of contemporary carnality, A Woman's Guide to Adultery first aired in 1993. ~ Hal Erickson, All Movie Guide

Officially a "Schools Production" for the BBC, South was designed with younger viewers in mind. In terms of ratings, by rights it should have been beneficial that the program was a spin-off of the spectacularly successful daily serial Brookside, featuring two of that series' most popular recurring characters: Sean McKee as Jamie and Justine Kerrigan as Tracy. Unfortunately, the new series never got past its first two 25-minute episodes. South was aired by Britain's Channel 4 in 1988. ~ Hal Erickson, All Movie Guide