Tina Andrews Movies

The life of one of the most famous American women of the last half of the 20th century receives yet another retelling in this made-for-TV drama. Raised by a harsh, domineering mother (Frances Fisher) and a charming but unfaithful (and alcoholic) father (Fred Ward), Jacqueline Bouvier (Joanne Whalley) is born into privileged circumstances but learns early on that wealth and power do not guarantee happiness. Jackie falls in love with John F. Kennedy (Tim Matheson), the son of a family even richer and more influential than her own, and is by his side as he becomes President of the United States -- though she soon discovers that, like her father, his charm and position make him very attractive to other women, a temptation he does little to resist. After the assassination of Kennedy in 1963, Jackie becomes America's best-known widow, and is forced to struggle through her mourning in the glare of the public eye. Alone and with expensive tastes, Jackie eventually becomes the trophy wife of Aristotle Onassis (Philip Baker Hall), yet another wealthy and flamboyant man. Jackie Bouvier Kennedy Onassis was first aired in two parts on November 5 and 8, 2000, by the CBS television network. ~ Mark Deming, Rovi

Gregory Nava directed this biographical drama on the brief but intense life of singer Frankie Lymon who stayed with the popular Frankie Lymon & the Teenagers group only for a year. Lymon was 13 years old when the group erupted from radios and jukeboxes with their 1956 hit, Why Do Fools Fall in Love? and appeared in the movie Rock, Rock, Rock (1956). After Mr. Rock and Roll (1957), Lymon turned solo, but then it all fell to pieces. Lymon's career was over by the time he was 18, and he died of a heroin overdose eight years later. Jumping from the '50s to the '80s, this film traces the rise and fall of Lymon (Larenz Tate) in a series of flashbacks as courtroom claims on Lymon's royalties are outlined by three women: Zola Taylor (Halle Berry) of the Platters R&B group; Elizabeth Waters (Vivica A. Fox), who turned prostitute to cover costs of Lymon's recovery from addiction; and schoolteacher Emira Eagle (Lela Rochon). Little Richard also makes a courtroom appearance, while Miguel A. Nunez Jr. portrays Little Richard in scenes set in the '50s. Shown at the 1998 Urbanworld Film Festival (NY). ~ Bhob Stewart, Rovi

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, Rovi

In Robert Kaylor's Carny, the world of the carnival is an illusion manipulated by the carnies to fleece the suckers. The marks generally deserve what they get, because of their greed, corruption, or just plain stupidity. It's share and share alike for Frankie (Gary Busey) and Patch (Robbie Robertson), partners in a dunk-the-bozo act in a carnival travelling through the American South. At one of the small-town stops, Donna (Jodie Foster), an alienated teenager, dumps her obnoxious boyfriend and, with Frankie's encouragement, joins up and moves into their trailer (and Frankie's bed). Feeling displaced, Patch schemes to get Donna out of the carnival. However, the carnival's owner needs Donna to foil a loathsome pair of local officials who demand payoffs. She plays her part perfectly and is accepted by all, although she moves into another trailer. ~ Steve Press, Rovi

Twenty-year-old LeVar Burton followed up his spectacular television debut in Roots with the made-for-TV film Billy: Portrait of a Street Kid. As can be gathered by the title, Billy (Burton) is a ghetto youth with little chance for a bright future. He gets his chance to escape his dead-end existence when he's hired as an assistant to veterinarian Ossie Davis. Roxie Roker of The Jeffersons fame (and the mother of pop singer Lenny Kravitz) co-stars as Billy's worn-out mom. Based on a novel by Robert C. S. Downs, Billy Portrait of a Street Kid first aired September 12, 1977. ~ Hal Erickson, Rovi

When J.J. (Jimmie Walker) gets a full-time job and starts talking about marriage, the Evanses naturally conclude that he has at last met the girl of his dreams. Eagerly, the family prepares to meet J.J.'s new love, Henrietta (Tina Andrews). Imagine their surprise (if that is a strong enough word) when Henrietta shows up at the apartment -- several months pregnant. ~ Hal Erickson, Rovi

Born Innocent, originally telecast September 9, 1974, concerns the plight of a teenaged reform-school inmate, played by Linda Blair in her first important post-Exorcist role. Committed for being a habitual runaway, Blair is, for all her surface toughness, unworldly and naïve. All this changes in the reformatory, with Blair rapidly becoming as hard, callous, and irredeemable as her fellow detentionees. Even upon her probationary release, she shows no sign of being "cured" by her incarceration. The film's most notorious scene -- Blair's rape by broom-handle -- was all the more horrifying because there was no pre-show warning issued by the network. So disturbing was the sequence that it was removed from all subsequent network telecasts of Born Innocent. ~ Hal Erickson, Rovi

Jon Voight stars in this story, based on fact, about a teacher determined to make a difference in the lives of his students. In the late 1960s, Pat Conroy (Jon Voight) is given a teaching position on a small island off the coast of South Carolina. Conroy discovers that the school is little more than a shack and his students are functionally illiterate, can't count, and don't even know what country they're in. (They also mispronounce his name as "Conrack," a name that sticks.) The school's principal, Mrs. Scott (Madge Sinclair), has taught the students to believe that they're lazy and stupid, and the result is a group of kids who've been ignored and have no useful skills. Conroy responds by throwing out the rule book and teaching lessons that will be useful in their daily lives. The students respond eagerly as Conroy plays classical music, shows them movies, teaches them to swim, and explains the importance of brushing their teeth. However, many local leaders are unhappy with Conroy and his methods, while Conroy is not afraid to say that institutional racism is largely to blame for the neglect heaped on the students. The real Pat Conroy, whose book The Water is Wide was the basis for this picture, later became a respected novelist; his fiction includes The Prince of Tides and The Great Santini, both later made into films. ~ Mark Deming, Rovi