Jonathan Bates Movies

In this religious drama concerning the struggle between science and faith, Olivia Williams plays Sharon Golban, an Israeli archeologist who discovers a skeleton within a tomb in Jerusalem. After an intensive study and the accumulation of more information, the bones begin to resemble the remains of Jesus Christ. At this news, the Vatican decides to send a young priest, Rev. Matt Gutierrez (Antonio Banderas), to investigate the problem and make sure the scientist's findings do not cause a stir. Meanwhile, a Palestinian shopkeeper (Makram J. Khoury) is caught between the church and Israeli society due to his finding of the bones: His basement led to the discovery. All of this poses a dilemma for the young reverend, who is forced to re-evaluate his own religion due to this new development's rewriting of the story of Jesus, which states that when his followers arrived at the tomb after crucifixion, it was empty. Written and directed by Jonas McCord, The Body is based on a novel by Richard Ben Sapir. ~ Jason Clark, All Movie Guide

This romantic historical drama is based on the diaries of Agnes Von Kurowsky, who while serving as a nurse during World War I had a love affair with a young man who would later become one of the great literary figures of the 20th century, Ernest Hemingway. In 1918, 18-year-old Hemingway has volunteered to fight in the great war; while he goes into battle imagining it to be a lark, he soon discovers that the realities of warfare are far more grim, and during a shelling attack in Italy, his leg is severely wounded. Hemingway has taken a great deal of shrapnel, and the doctors at the field hospital decide that amputation would be the quickest and most effective way to deal with the injury. However, the idea of losing a leg horrifies Hemingway, and he pleads with Agnes (Sandra Bullock), the Austrian nurse looking after him, not to let the doctors cut off his limb. Moved by Hemingway's concern, Agnes convinces the doctors to pursue other treatments, and she looks after him during his long and difficult convalescence. Love and passion bloom between the young and naive soldier and the 26-year-old nurse, but while he's eager for her to return home with him as he follows his muse as a writer, she regards him not as the love of her life but as a passing fling and thinks that he's too young to marry. Agnes eventually sends Hemingway a "Dear John" letter; later Hemingway would use her as the basis for several characters in his novels and short stories, not always flatteringly. In Love and War was directed by Richard Attenborough, previously an Academy Award winner for Gandhi. ~ Mark Deming, All Movie Guide

Are you ready for a new kind of superhero -- a thirty-something virgin in long underwear? Darryl Walker (Damon Wayans) is a bright but socially inept man with a gift for inventing things but little skill for functioning in the real world. His brother Kevin (David Alan Grier) works on a low-class tabloid news show featuring beautiful anchorwoman Kimberley Jonz (Robin Givens), whom he secretly loves. The Walkers live in Metro City, Illinois, a city that's been hit with a massive crime wave after the mayor is kidnapped by gangsters. After his grandmother is killed, Darryl builds a collection of crime-fighting robots from household junk, invents bullet-proof long underwear (made from his grandmother's old housecoat), and becomes Metro City's newest crime fighter, Blankman. Blankman's escapades put fear into the heart of mob boss Michael Minelli (Jon Polito), and when Kevin turns out to have an inside track on Blankman's activities, it brings him closer to Kimberley. But how long can a superhero with no superpowers last against the forces of organized crime? Damon Wayans wrote the original story for Blankman as well as co-writing the screenplay and playing the title role, which was based in part on his "Handi-Man" character from the TV comedy series In Living Color. ~ Mark Deming, All Movie Guide

Partly based on Charlie Chaplin's My Autobiography, this humorous and dramatic biopic features an all-star cast including Oscar nominee Robert Downey Jr., Dan Aykroyd, Anthony Hopkins, Kevin Kline, Diane Lane, and Chaplin's real-life daughter, Geraldine Chaplin, who portrays his mentally ill mother. With the use of flashback, an elderly Chaplin discusses his autobiography with his editor (Hopkins), who urges him to be more vulnerable and emotionally honest with his memoirs while journeying through his poverty-stricken childhood, closest friendships, many marriages, merciless pursuit by J. Edgar Hoover (Kevin Dunn), and ingenious invention of "The Little Tramp." Highlighted works such as The Gold Rush (1925) and The Great Dictator (1940) illustrate significant turning points in Chaplin's prolific filmography. Director Richard Attenborough's film also explores the circumstances surrounding Chaplin's exile from America and his eventual return to receive an honorary Academy Award. ~ Lisa Kropiewnicki, All Movie Guide

Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, All Movie Guide

Night Watch a suspenseful, under-rated thriller tells the story of a lonely, unhappily married woman who believes that she sees a murder committed in the deserted house across her courtyard. Ellen Wheeler (Elizabeth Taylor) spends her nights alone, drinking, wandering around her living room, and looking out the window. One night she witnesses a murder. She calls the police, who investigate, but find nothing. Her husband John (Laurence Harvey) believes that she has imagined the entire thing, but her friend Sarah (Billie Whitelaw), while skeptical, is sympathetic to her deeply troubled friend. Director Brian G. Hutton fills the film with a number of distracting red-herrings and directs with a leisurely pace which tends to lessen the suspense. However, Taylor is splendid in the central role of a woman who seems to be on the verge of a nervous breakdown, and she creates a sympathetic believable character. Laurence Harvey, in his final performance, is less effective but is believable as the neglectful, emotionally abusive husband. Night Watch has a bloody, surprise ending, which while stretching credibility, is perfectly in keeping with the melodramatic intensity created by Taylor. Night Watch, reminiscent in some respect of Gaslight will be of interest to fans of Elizabeth Taylor and should entertain any fan of psychological thrillers. ~ Linda Rasmussen, All Movie Guide

Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude -- it was this X-rated scene and the film's much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski's 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski's version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare's play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on "the witches of Cawdor." The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects. ~ Hal Erickson, All Movie Guide

Based on the mystery novel by Marryam Modell (using the pseudonym Evelyn Piper), Bunny Lake Is Missing is a bizarre study in motherhood, kindness, enigma, and insanity. Ann Lake (Carol Lynley), an American freshly relocated to England, wishes to drop off her daughter Bunny for the girl's first day at a new nursery school. Oddly, Ann cannot locate any teachers or administrators, only the school's disgruntled cook (Lucie Mannheim). She is forced to leave Bunny unsupervised in the building's "first day" room, under the reassurance that the cook will be responsible for the child. When Ann returns in the afternoon, the cook has quit and Bunny Lake is missing. The school's remaining employees vehemently deny ever seeing the child, and Ann desperately calls her older brother Stephen (Keir Dullea) for help. Ann was raised fatherless and never married; she and Bunny have lived under Stephen's care and protection for the majority of both their lives. Stephen is enraged by the irresponsibility of the staff, but as Scotland Yard begins its investigation, it comes to light that he had never officially enrolled a child at the school. When Police Superintendent Newhouse (Laurence Olivier) begins to unravel the Lakes' lives and search their belongings, he discovers that not only did Ann once have an imaginary childhood daughter named "Bunny," but that the young Bunny seemed to have no tangible possessions at the Lake apartment. Bunny Lake (whom we have yet to see onscreen) may not be missing: she may not even be real. Terrified that Newhouse will now abandon the search for the girl, the hysterical Ann sets out to prove her sanity and, in the process, surprisingly uncovers the true psychosis behind the disappearance of her little Bunny Lake. ~ Aubry Anne D'Arminio, All Movie Guide

American audiences were disappointed when the nude scenes featuring sexy Baby Doll (1956) star Carroll Baker were excised from this potboiler for its exhibition on U.S. shores. At an isolated oil pumping station deep in the African desert, workers Kramer (Peter Van Eyck), Fletcher (Ian Bannen), Macey (Denholm Elliott), Martin (Hansjorg Felmy), and Santos (Mario Adorf) are tense, lonely, and love-starved. A little excitement unexpectedly comes into their lives when they rescue a couple, Jimmy (Biff McGuire) and Catherine (Baker), from a wreck. While Jimmy is bed-ridden with his injuries, Catherine flirtatiously arouses passions and inflames simmering resentments among the oil crew. An amusing dalliance goes too far when Catherine sleeps first with Kramer and then Martin. Based on the play Men Without a Past by Jacques Maret, Station Six-Sahara (1963) played as the B-slot picture on a double bill with Topkapi (1964). ~ Karl Williams, All Movie Guide