Yvonne De Carlo Movies

Soundies: A Musical History collects a number of short musical films that played on a film jukebox called Panoram in the 1940s. Many consider these films to be the very first music videos, and this documentary includes appearances by some of the most beloved musical artists of all time including Louis Armstrong. ~ Perry Seibert, All Movie Guide

This eccentric, amusingly sick Canadian production involves a group of annoying yuppies who charter a plane for a camping getaway, only to find themselves making an emergency landing on an isolated, forest-covered island. They are taken in by the only inhabitants, the rabidly-religious "Ma & Pa" (Yvonne De Carlo and Rod Steiger), who seem trapped in a Norman Rockwellian time-warp and are invited to stay the night. This proves to be every bit as unpleasant as it seems -- especially after the hapless campers are introduced to the psychotic, middle-aged "children" (Michael J. Pollard and Janet Wright) -- who appear to be pushing 50. Before long, it's crazed crackers 1, campers 0 and counting, as the warped, scripture-spouting yokels take sharp objects in hand... until one of the campers (Sarah Torgov) reveals her own homicidal potential and goes completely berserk. Despite delightfully weird performances from a top-drawer cast, this campy romp is slightly spoiled by a poorly-scripted climax that suggests a sudden loss of creative inspiration. ~ Cavett Binion, All Movie Guide

Bob Hope makes his first starring film appearance in 14 years in this made-for-TV movie. Hope stars as a seedy private eye, hoping to get one last good case before calling it quits. Don Ameche, a retired art thief reduced to working as a chauffeur, teams with his old friend Hope to solve the mystery of a missing painting. The unknown criminal has a murderous streak, resulting in a few close calls for the octogenarian heroes. Masterpiece of Murder is murder, all right, but definitely no masterpiece. Bob Hope appears to be sleepwalking, while Don Ameche does his utmost to breathe life in the tiresome proceedings. ~ Hal Erickson, All Movie Guide

This peculiar thriller was directed by Paul Leder (I Dismember Mama) and features the husband-wife team of Greg Mullavey and Meredith MacRae, who appeared in several of his films. Another low-budget shocker concerning the murders of a greedy family gathering around the deathbed of a dying man, Vultures deserves points for its sheer outlandishness and an oddball cast. Female impersonator Jim Bailey appears in half a dozen different roles and does a Barbra Streisand imitation. Stuart Whitman, Aldo Ray, and Yvonne DeCarlo are among the suspects, and such obscure cult figures as Maria Perschy show up as well. Genre buffs are likely to find it amusing, while most other viewers will be left perplexed. ~ Robert Firsching, All Movie Guide

This early-'80s made-for-TV movie includes most of the cast of the original Munsters TV series. An evil scientist creates android replicas of the Munster family in order to frame them for the robbery of an art-gallery. ~ John Bush, All Movie Guide

In this Canadian comedy, a husband sleeps with his ex-wife on a weekly basis. The busy woman also has time to get involved with an aspiring politician whose career is on the rise. ~ Sandra Brennan, All Movie Guide

Don Murray stars as slick network news producer William Martin in The Girl on the Late, Late Show. In addition to his administrative duties, Martin is a news reporter, and it is in this capacity that he investigates a series of Hollywood murders. The unifying link between the killings would seem to be faded movie queen Carolyn Parker (Gloria Grahame). Several Tinseltown veterans show up in key roles in this made-for-TV mystery, including Van Johnson, Cameron Mitchell, John Ireland, Walter Pidgeon and Frankie Darro. First telecast April 1, 1974, Girl on the Late, Late Show was designed as the pilot for a weekly Don Murray TV series. ~ Hal Erickson, All Movie Guide

Producer A.C. Lyles managed to do quite well for himself in the 1960s by making low-budget westerns crammed full of familiar faces whose stock in the film industry had slipped a bit. Starring in Arizona Bushwackers were such celebrities of yesteryear as Howard Keel, Yvonne De Carlo, John Ireland, Marilyn Maxwell, Scott Brady, Brian Donlevy, Barton MacLane and James Craig. Keel is cast as a Confederate POW who is pardoned when he agrees to patrol the West on behalf of the Union. Assigned to a wide-open Arizona town, he stands up to such disreputable types as a crooked sheriff (MacLane) and saloon-owner Ireland. When legal means fail, the ex-POW resorts to six-guns and fists to keep the peace. Yvonne De Carlo's part was to have been played by Betty Hutton, but the latter actress could not adapt to A.C. Lyles' "get it right on the first take" approach. Arizona Bushwackers may be cheaply made, but it is consummately acted by its strong ensemble cast and sturdily directed by Leslie Selander. ~ Hal Erickson, All Movie Guide

Herman Munster and his ghoulish clan leave the confines of their 1960s television series The Munsters to try their luck on the big screen in this feature length comedy that chronicles their adventures in merry England where Herman has inherited a large estate. Unfortunately, the Munsters do not realize that their new home is already inhabited by a ring of counterfeiters determined to frighten the family back to the United States. ~ Sandra Brennan, All Movie Guide

Those creepy-but-lovable residents of 1313 Mockingbird Lane are on deck for 38 hilarious half-hours during season one of The Munsters. Seen throughout the season are Fred Gwynne as Herman Munster, a softhearted replica of the Frankenstein monster; Yvonne de Carlo as Herman's voluptuously vampirish wife, Lily; Al Lewis as Grandpa Munster, a 350-year-old Dracula clone who spends most of his time cooking up mischief in his laboratory; and Butch Patrick as Herman and Lily's young son, Eddie, a budding werewolf. During the season's first 13 episodes, Beverly Owen appears as the Munsters' beautiful niece Marilyn, the only normal-looking member of the family (though she thinks she's a homely freak). Thereafter, and throughout the rest of the series' run, Pat Priest is seen as Marilyn. Some of the season's funniest entries include "Pink's Pique," in which the gas company is in for quite a shock when they accidentally build a pipeline in the Munsters' dungeon -- er, basement; "Low-Cal Munster," featuring Paul Lynde as a nearsighted doctor who puts Herman on a diet (and who, fortunately for his own sanity, can't see what Herman really looks like!); "Autumn Croakus," wherein Grandpa's nearly four-century lifespan may come to an end at the hands of a murderous widow; "Herman the Great," with Herman becoming a pro wrestler to pay for Eddie's education; "Eddie's Nickname," featuring a magical milk shake which, thanks to Grandpa's bungling, grows a thick beard; "Far Out Munsters," a spoof of "bizarre" '60s rock & roll groups featuring future softcore film producer Zalman King and The Standells; and "Herman the Rookie," the one in which Herman gets a tryout with the Los Angeles Dodgers as manager Leo Durocher and former football star Elroy "Crazylegs" Hirsch look on with mouths agape.
Two of the more fascinating first-season Munsters episodes are "Love Comes to Mockingbird Heights," featuring a cameo appearance by another of Universal's copyrighted monsters, the Creature from the Black Lagoon (aka the Munsters' "Cousin Gilbert"); and "Come Back Little Googie," guest starring child actor Bill Mumy, who had been the series producers' first choice for the role of Eddie Munster -- but whose mother did not like the idea of subjecting her boy to a daily two-hour makeup session. ~ Hal Erickson, All Movie Guide

George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract.

McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide