Yvonne De Carlo Movies

Soundies: A Musical History collects a number of short musical films that played on a film jukebox called Panoram in the 1940s. Many consider these films to be the very first music videos, and this documentary includes appearances by some of the most beloved musical artists of all time including Louis Armstrong. ~ Perry Seibert, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

A quaint, stagebound little horror film from Charles Band's Empire Pictures, Cellar Dweller stars Jeffrey Combs (fresh off his glorious turn as Herbert West in the Empire-produced Re-Animator) as a '50s horror-comic artist who falls prey to one of his own creations -- a ferocious demon he based on a drawing from an arcane book of spells and curses. The story picks up again in the 1980's, where the late artist's palatial home has been converted into a combination boarding house and art academy led by Yvonne De Carlo. One of the students pursues her obsession with reviving the "Cellar Dweller" comic series herself, delving into Combs' old studio for inspiration, and eventually discovers the same occult manuscript secreted in the basement. History repeats itself (naturally) and the creature emerges to stalk and maul anew. This admittedly cool concept and the rather effective monster are dampened a bit by a flippant, tongue-in-cheek attitude (a more ominous, Lovecraftian tone would have been more effective), but makeup-man-turned-director John Buechler shows a definite flair for imbuing his beast with a suitably sinister personality. Observant fans of Charles Band's body of work (yes, they do exist) should spot the numerous visual references to other Band films. ~ Cavett Binion, All Movie Guide

This breezy compilation highlights the great villainesses, trollops and femme fatales of the American cinema. Special attention is given the film noir genre, as typified by Gloria Grahame, Lizabeth Scott, and Jane Greer. There are also generous dollops from the "women's prison" flicks of the 1940s, 1950s, 1960s and 1970s. The vignettes from more recent films are decidedly steamy, so you might want to preview this film before letting the kids watch. David Carradine, Gene Autry, and Yvonne DeCarlo appear in bridging sequences, offering their reminiscences of the good old days of the bad old gals. ~ Hal Erickson, All Movie Guide

The scene is the West Barrington Institute for Women, where warden Elizabeth Gates (Vera Miles) invites Jessica (Angela Lansbury) to lecture on creative writing. Of course, wherever Jessica goes, murder follows, and this time the victim is the prison's doctor Irene Matthews (Janet McLachlan). Believing that an innocent woman has been accused of the crime, the inmates stage a riot, taking several hostages--including Jessica--in the process. In order to save Warden Gates from being killed in the mistaken belief that she is the "real" culprit, Jessica races against time to solve the murder herself. This is the only Murder She Wrote episode to boast an all-female cast. ~ Hal Erickson, All Movie Guide

A canine trained to kill provides the gruesome action in this horror film. Hester Yvonne DeCarlo buys a rottweiler by the name of Greta and then gives it to her niece Audrey (Stephanie Dunnam) with completely malicious intent. Hester has always hated her sister (Audrey's mother) for marrying the man that Hester loved. Now that both of them are dead, Hester wants revenge on Audrey and her family and friends. She controls Greta's killer activities through a series of hocus-pocus incantations. A dim-witted police inspector is not much of a threat to Hester or her murderous canine who are getting away with murder, at least for awhile. ~ Eleanor Mannikka, All Movie Guide

In The Man With Bogart's Face, an affectionate send-up of the Bogart detective films of the 1940s, Robert Sacchi plays a man who idolizes Humphrey Bogart so much he has his features altered to look exactly like his idol. He then opens up a detective agency under the name Sam Marlowe (an amalgam of the names of Bogart's characters from The Maltese Falcon and The Big Sleep). Sam hires the Duchess (Misty Rowe) as his secretary ("She looked like Marilyn Monroe and made about as much sense as Gracie Allen") and "Sam Marlowe, Private Eye" is in business. Sam gets a meager response until a shooting puts his picture in the paper and business starts to flourish. Particularly attracted to Marlowe's services are a collection of characters -- Gena (Michelle Phillips), an attractive Gene Tierney type; Commodore Anastas (Victor Buono), a Greek shipping tycoon and Sidney Greenstreet lookalike; and the mysterious Mr. Zebra (Herbert Lom doing a Peter Lorre imitation). They are all trying to find the famous Eyes of Alexander -- a priceless set of stones from a statue of Alexander the Great. Also on hand are old Hollywood pros George Raft, Yvonne DeCarlo and Mike Mazurki. ~ Paul Brenner, All Movie Guide

When the on-campus accommodations are all taken, a group of college students are forced to take rooms in the spooky house of Mrs. Engels (Yvonne De Carlo) and her strange son, Mason (Brad Reardon). When one of the kids turns up dead, the police launch an investigation, uncovering the bloody history of the mansion and its owners. ~ Iotis Erlewine, All Movie Guide

The cheerleaders of Benedict High are a rowdy, randy bunch with little regard for rules, decorum, or anything that gets in the way of a good time with the stud football players they date. The big game against Baker High is coming up, and the intense rivalry between the schools leads to spirited chicken fights on the beach and extensive T.P. sessions. The cheerleaders' chaperone, Ms. Johnson (Jacqueline Cole), tries hard to rally her charges and keep their restless libidos from distracting the star players, but they continually take advantage of her sweet nature and naïveté, leading to high jinks which get some of their boyfriends suspended from the team. However, high school politics will soon be the least of their troubles. Benedict High's creepy janitor, Billy (Jack Kruschen), is a member of a local Satanic group, and he wants revenge against all the kids who ridicule him on campus. He kidnaps the four cheerleaders and Ms. Johnson, then drives them to a remote location to sacrifice and ravage his victims on a Satanic altar. Suddenly overcome by the dark forces of the underworld, Patti (Kerry Sherman) strips naked of her own volition and climbs upon the altar, where she is imbued with a strange power that knocks Billy cold. The girls seek out the nearest law, which turns out to be Sherriff Bubb (John Ireland); he also doubles as the Satanic High Priest of the area. When his wife, Emma (Yvonne DeCarlo), senses the dark power that has invaded Patti, they decide that they have been delivered the perfect virgin sacrifice to their evil Lord. The girls make a hasty escape, but discover that the tiny town they've landed in is a hotbed of Satanism, so they are recaptured and brought once again before the devil's altar for a Black Mass. But which of these sassy, over-sexed girls is the virgin meant for sacrifice? The shocking answer leads to death, destruction, and a whole new way of life for the cheerleaders of Benedict High. ~ Fred Beldin, All Movie Guide

In this Canadian comedy, a husband sleeps with his ex-wife on a weekly basis. The busy woman also has time to get involved with an aspiring politician whose career is on the rise. ~ Sandra Brennan, All Movie Guide