Mike Medavoy Movies

The legacy of a populist Southern politician whose lofty ambitions for the future leave him open to corruption and scandal is detailed as author Robert Penn Warren's thinly veiled portrait of Depression-era Louisiana governor Huey Long comes to the screen -- again -- this time courtesy of director and screenwriter Steven Zaillian. Willie Stark (Sean Penn) is a man of the people, and for the people; at least that's what he tells the people. Propelled into a race for governor by opposing forces looking to split the "hick vote," Stark is convinced by a handler -- as well as by young journalist Jack Burden (Jude Law) -- to not kowtow to the powers that be. His rhetoric grows fiery, and he makes his way into office on a not-so-solid foundation of social-service promises. When idealism gives way to the harsh realities of the time, however, the fast-talking politico is quick to discover just how far one can fall when ambition and power lead to a betrayal of one's original motivations. Kate Winslet, Patricia Clarkson, James Gandolfini, Mark Ruffalo, and Anthony Hopkins round out an all-star cast in this second version of Warren's Pulitzer Prize-winning 1947 novel; the first won a parade of Oscars after its release in 1949. ~ Jason Buchanan, All Movie Guide

Darren Aronofsky follows up his indie hit The Wrestler with this supernatural drama focusing on a feud between two ballerinas (Natalie Portman and Mila Kunis), in which one may be a figment of the other's imagination. Winona Ryder, Barbara Hershey, and Vincent Cassel co-star. ~ Jeremy Wheeler, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

The many emotional scars left by South Africa's history of institutionalized racism come under the microscope in this drama. As South Africa comes to terms with the legacy of apartheid, their government has created the Truth and Reconciliation Commission, in which the perpetrators of racial violence and injustice must come face to face with their victims if they are to be forgiven for their crimes. Langston Whitfield (Samuel L. Jackson) is an African-American journalist who is assigned to cover these hearings by The Washington Post; Whitfield doubts the efficacy of this process, and sets out to interview Col. De Jager (Brendan Gleeson), a notorious former officer of the South African police who was famous for his violence against blacks in order to put this method to the test. While in South Africa, Whitfield meets Anna Malan (Juliette Binoche), an Afrikaner poet who is covering the hearing for a radio station and is both appalled and disturbed by the details of the violence inflicted against her countrymen. After striking up a friendship, Whitfield and Malan become romantically involved as they try to come to terms with their feelings about what they've learned. Also screened under the title Country of My Skull, In My Country was adapted from a book by South African author Antjie Krog. ~ Mark Deming, All Movie Guide

An engaged young couple finds their lifetime of happiness unexpectedly compromised by a pushy minister who insists they successfully complete his comprehensive marriage-prep course before exchanging wedding vows in a matrimonial comedy starring John Krasinski, Mandy Moore, and Robin Williams. Sadie Jones (Moore) has always longed to marry the man of her dreams in her family church. Though she found her lifetime companion in Ben Murphy (Krasinski), Sadie is distressed to learn that St. Augustine's has only one wedding slot available over the next two years. While Sadie and Ben do qualify for the slot, charismatic St. Augustine's minister Reverend Frank (Williams) won't wed the couple until they agree to attend his two-week prenuptial course. Now, as their wedding date draws near, Sadie and Ben must attend every one of Reverend Frank's exhausting classes and complete a series of rigorous homework assignments designed specifically to test their dedication to one another and ensure that their union will have a sound foundation. ~ Jason Buchanan, All Movie Guide

The sole survivor of a Viking "dragon" vessel shipwrecked on the eastern shores of the New World 15 years ago provides the only hope for the a Native American tribe faced with certain destruction by Norse berserkers in director Marcus Nispel's (The Texas Chainsaw Massacre) dark action adventure. Reared by the Wampanoag tribe following a failed attempt by the Vikings to raid coastal villages for slaves, a ten-year-old shipwreck survivor is nicknamed "Ghost" by his adoptive tribe due to his pale complexion and blond hair. Legend says that death and destruction will follow the boy wherever he travels, yet the peaceful people of the Wampanoag tribe selflessly take the frightened child in as if he is one of their own. Over the course of the following decade, the adopted young Norseman eventually grows into a strong warrior (Karl Urban) determined to prove his worth to the people he calls family. When the rampaging Vikings return to the New World to rain destruction down on the Native Americans and to claim the fertile land of the peaceful people, Ghost finds himself in the precarious position of having to stop his own people from destroying his village and ruthlessly slaughtering the woman he loves (Moon Bloodgood). Now, as Ghost's true destiny is revealed by the powerful shaman known as the Pathfinder (Russell Means), the fearless warrior sets out to stage a savage one-man war on the marauding Vikings and become the savior once prophesied to defend the Wampanoag people in their darkest hour. ~ Jason Buchanan, All Movie Guide

Director and co-screenwriter (along with Chris Gerolmo, Allison Burnett, and Michael Bortman) Rod Lurie tells the uplifting tale of a sports writer who almost lost it all before stumbling into the story of a lifetime in this uplifting sports-themed drama starring Josh Hartnett and Samuel L. Jackson. Erik (Hartnett) is a Denver-based sports writer whose prose is dull and whose marriage is failing. Not only is Erik having a difficult time dealing with his stubborn editor Metz (Alan Alda) - who refuses to take the suffering scribe off of the boxing beat - but the pain of being separated from his young son has weighed heavier on Erik's conscience than he could have ever imagined. When Erik sees a local homeless man (Samuel L. Jackson) being violently assaulted by a gang of sadistic street toughs, he instinctively comes to the suffering man's rescue. As fate would have, Erik discovers that the nondescript homeless man is actually the former boxing champion Battling Bob Satterfield, whom many sports fans had assumed dead. Now driven to tell the story that may establish him as a successful sports writer, Erik gradually begins to make the transformation from ordinary man to extraordinary champion - largely by turning inward and by reexamining his relationship with his own son. ~ Jason Buchanan, All Movie Guide

In this two-part miniseries, the formative days of rock & roll are relived through the experiences of a fictional musical quartet called the Heartaches. The group is led by the handsome Tyler (Brad Hawkins), whose heart belongs to Lyne (Bonnie Somerville), the female member of the band. Along the bumpy road to fame, Tyler achieves enormous success, his ego swelling with every new gig -- and the chasm between himself and his three fellow band members growing ever wider. Eventually Lyne breaks up with Tyler, finding success of her own in a most unexpected fashion. The soundtrack reverberates with expert re-creations of vintage rock & roll tunes, while B.B. King shows up to offer a rendition of Bob Dylan's "Fur Slippers." Shake, Rattle & Roll: An American Love Story was telecast on November 7 and 10, 1999. ~ Hal Erickson, All Movie Guide

Mark Ruffalo and Leonardo DiCaprio team up as a pair of U.S. Marshals who travel to a secluded island off the coast of Massachusetts to search for an escaped mental patient, uncovering a web of deception along the way as they battle the forces of nature and a prison riot in this Martin Scorsese-helmed period picture. Laeta Kalogridis adapts Dennis Lehane's novel of the same name, with Paramount Pictures and Columbia Pictures splitting production and distribution duties. Ben Kingsley co-stars as the head of the institution where the patient resided, while Michelle Williams portrays Leonardo DiCaprio's deceased wife, whose memory haunts him during the investigation. Max von Sydow, Emily Mortimer, Michelle Williams, Patricia Clarkson, and Jackie Earle Haley round out the supporting cast. ~ Jeremy Wheeler, All Movie Guide

The latest innovation in high-tech defense hardware turns out to have a very dangerous mind of its own in this action thriller. Kara Wade (Jessica Biel), Henry Purcell (Jamie Foxx), and Ben Gannon (Josh Lucas) are three highly ranked U.S. Navy pilots who are part of a top-secret project involving the next generation of stealth fighter technology, the Talon Jet. Wade, Purcell, and Gannon are surprised when their commander, Captain George Cummings (Sam Shepard), introduces them to the new member of their team -- "Edi," an "extreme deep invader" developed as part of the "Unmanned Combat Aerial Vehicle" program. Utilizing the latest innovations in artificial intelligence, Edi is a computer-based flight controller that will take over the wingman's position in the team's formation, and while the pilots initially balk, Edi performs admirably in its first mission. However, after Edi is struck by lightning on a return trip, the computer's circuits and software begin to change in unexpected ways, and Edi not only begins to think for itself, it begins to violate direct orders. During a mission investigating the forces of a dangerous Chinese extremist, Edi starts an attack that could launch World War III, and it's up to Wade, Purcell, and Gannon to stop both Edi and its dangerous plan before it's too late. Stealth also stars Joe Morton and Richard Roxburgh. ~ Mark Deming, All Movie Guide

John Kirby's satirical documentary The American Ruling Class features former Harper's Magazine editor Lewis Lapham leading the viewer through a number of clips and interviews that question if America has developed a culture that runs the nation, or if it still is possible to rise up through hard work and become one of the powerful people. Among the artists and power brokers who dispense their ideas on this topic are director Robert Altman, writer Kurt Vonnegut, and folk singer Pete Seeger. ~ Perry Seibert, All Movie Guide