Guy Zanette Movies

The third installment in low-budget producer Lindsley Parson's "Chinook" series, Snow Dog was ostensibly based on pulp writer James Oliver Curwood's 1915 short-story "The Tentacles of the North," which was also the working title. Kirby Grant again played Rod McDonald of the Canadian Royal Mounted, and once again the vehicle was stolen by his canine sidekick, the white malamute Chinook. This time, Rod and Chinook are tracking a mysterious white wolf, thought to have killed several of the local traders. The wolf, who bears a startling resemblance to Chinook, is suspected of guarding the White Woods, an area containing several hidden mines. At first Chinook is accused of being the ferocious killer, but with the help of Louis (Rick Vallin) and his sister Andrée (Elena Verdugo), Rod proves that the mysterious wolf is a wild animal captured and trained by a gang seeking to locate the valuable mines. When a captured Louis refuses to produce a secret map to the mines, his sister is abducted by treacherous Indian nurse Red Feather (Jane Adrian). Chinook, of course, tracks down the kidnap victims and Rod can soon arrest the real force behind the killings, Dr. McKenzie (Milburn Stone), Red Feather's supposedly kindhearted boss. As in the two previous Chinook films, leading man Kirby Grant, a former Universal star, left much of the action in the hands of a younger co-star, in this instance Rick Vallin. A remake of the silent Tentacles of the North (1926), Snow Dog was filmed on locations in Southern California's San Bernardino Mountains. ~ Hans J. Wollstein, All Movie Guide

Set in Paris, Under My Skin stars John Garfield as a washed-up jockey who has stolen money from a crooked gambler (Luther Adler). Anxious to escape with his life, Garfield leaves his young son (Orley Lindgren) in the care of his nightclub chanteuse girlfriend (Micheline Presle). While on the lam, Garfield has a change of heart and decides to make good for his son's sake. The gambler catches up with the jockey and demands that he throw an upcoming race, or else. Garfield makes the ultimate sacrifice so that his son will grow up remembering him with pride. Under My Skin was based on the Ernest Hemingway story My Old Man, which was refilmed for television in 1979 with Warren Oates as the father and Kristy McNichol as his daughter (one supposes that it was contract-commitment time). ~ Hal Erickson, All Movie Guide

The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide

Laurel & Hardy's last American film is a marked improvement over their previous 20th Century-Fox features, though still not in the same league as their 1930s classics. Stan and Ollie play a couple of detectives from Peoria, Illinois, who fly to Mexico City to arrest the notorious Larceny Nell (Carol Andrews). Their South-of-the-Border visit coincides with the much-anticipated arrival of famed Spanish bullfighter Don Sebastian-who happens to be the exact double of Stan Laurel! When Don Sebastian's Mexican debut is delayed by passport problems, press agent Hotshot Coleman (Richard Lane) persuades Stan to take the toreador's place in the bullring. Stan is understandably reluctant until Hotshot threatens to turn the boys over to his business partner, sports promoter Richard K. Muldoon (Ralph Sanford). It seems that several years earlier, Stan and Ollie wrongly sent Muldoon to prison; upon his release, he vowed to someday catch up with the boys and literally skin them alive ("First the little one, then the big one!") With this threat hanging over their heads, Laurel & Hardy are forced to acquiesce to Hotshot's scheme-leading to a chaotic nightclub incident, a hectic misadventure at a bull farm, and a climactic riot at the bull arena when the real Don Sebastian finally shows up. Though it falls apart in the final reel thanks to an overabundance of mismatched stock footage gleaned from Blood and Sand (1941), The Bullfighters is for the most part a fond throwback to Laurel & Hardy's glory days: the highlight is an egg-breaking routine revived from 1934's Hollywood Party. Curiously, none of the reviewers in 1945 mentioned the film's grotesquely hilarious closing gag, which must be seen to be believed. Rory Calhoun (billed as Frank McCown) shows up in a bit as a rival bullfighter. ~ Hal Erickson, All Movie Guide

Ingrid Bergman won her first of three Oscars for this suspense thriller, crafted with surprising tautness by normally genteel "women's picture" director George Cukor. Bergman stars as Paula Alquist, a late 19th century English singer studying music in Italy. However, Paula abandons her studies because she's fallen in love with dapper, handsome Gregory Anton (Charles Boyer). The couple marries and returns to the U.K. and a home inherited by Paula from her aunt, herself a famous singer, who was mysteriously murdered in the house ten years before. Once they have moved in, Gregory, who is in reality a jewel thief and the murderer of Paula's aunt, launches a campaign of terror designed to drive his new bride insane. Though Paula is certain that she sees the house's gaslights dim every evening and that there are strange noises coming from the attic, Gregory convinces Paula that she's imagining things. Gregory's efforts to make Paula unstable are aided by an impertinent maid, Nancy (teenager Angela Lansbury in her feature film debut). Meanwhile, a Scotland Yard inspector, Brian Cameron (Joseph Cotten), becomes suspicious of Gregory and sympathetic to Paula's plight. ~ Karl Williams, All Movie Guide