John Wynn Movies

This fourth film version of A.E.W. Mason's adventure yarn The Four Feathers relies heavily on stock footage from the more famous 1939 adaptation (both were produced by Alexander Korda and codirected by Korda's brother Zoltan). Anthony Steel stars as 19th cntury British officer Harry Faversham, who begs off from serving with Kitchener's forces in the Sudan, preferring to stay in London with fiancee Mary Burroughs (Mary Ure). Almost immediately, Faversham receives the traditional "white feather" of cowardice from his three closest friends--and then is handed a fourth feather by Mary. Determined to prove that he is not a coward, Faversham heads off to the Sudan to fight shoulder-to-shoulder with his comrades. He also intends to return those dreaded feather to his three former friends, even resorting to native disguise at one point to do so. Laurence Harvey essays the old Ralph Richardson role of John Durrance, who is blinded by the sun and thus unaware of Faversham's true identity, while James Robertson Justice fills the shoes of Four Feathers' crusty C. Aubrey Smith ("War was war in my day, sir!") ~ Hal Erickson, All Movie Guide

Handel's "Messiah" becomes a bone-of-contention in a tiny Welsh community in this comedy. The trouble begins when the choirmaster chooses a new contralto to sing the solo. Unfortunately, this leaves out the soloist who has sung the part for the past 15 years. This precipitates a family feud the women belong to the wealthiest family's in town. To reunite the warring factions, a young couple put off their elopement, but the real solution comes when the choirmaster turns the solo into a duet. ~ Sandra Brennan, All Movie Guide

Released in Britain as Whispering Smith Hits London, this economically produced whodunit stars Richard Carlson as famed pulp-novel amateur sleuth Whispering Smith. While vacationing in London, Smith becomes intrigued by a suicide case. He suspects that there's more to this than meets the eye, and of course he's right: the so-called suicide was really a murder -- and also the tip of the iceberg in a massive cover-up conspiracy. Greta Gynt co-stars as the Woman in the Case, who may not be All She Seems. For reasons unknown, the British prints of Whispering Smith vs. Scotland Yard credit the screenplay to John Gilling, while the American prints bestow sole screenwriting credit upon Steve (I Wake Up Screaming) Fisher. ~ Hal Erickson, All Movie Guide

This wartime drama recounts the training process of the British Tank Corps. The story concentrates on two recruits: Englishman Philip (Edward Underdown) and American David (Ralph Clanton). After a grueling training period and a long, frustratingly uneventful encampment on British soil, Philip and David are shipped to the Front. Both men have a rendezvous with destiny during the German offensive at Ardennes. R.S.M. Brittain etches a chilling portrayal of a merciless drill sergeant, while the splendidly mustached Michael Trubshawe is equally effective as a by-the-book major. Since there must be a romantic subplot, it is fortunate indeed that the heroes' ladies are played by two charming and talented actresses, Helen Cherry and Stella Andrews. ~ Hal Erickson, All Movie Guide

Millions Like Us is a fundamentally honest dramatization of the British "home front" during World War II. Patricia Roc plays a worker in a defense plant who lives in an all-female rooming house. Shy and sheltered, Roc loses some of her inhibitions when she falls in love with an airman (Gordon Jackson). After they marry, he is killed in battle. Roc's coworkers and friends rally round her, giving her the strength to persevere. Millions Like Us attempts to show the temporary breakdown of the British class structure during the war, with everyone--highborn to low--pitching in, working together, and bolstering one another's morale. That the old social system would inevitably resume after the war wasn't important to British movie fans, who lined up in droves to see Millions Like Us. ~ Hal Erickson, All Movie Guide