Sam Wren Movies

1944  
 
This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat. ~ Hal Erickson, All Movie Guide

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Starring:
Monty WoolleyJune Haver, (more)
1943  
 
Lois Andrews, best known in 1943 as the ex-wife of comedian Georgie Jessel, plays the title character in this cinemadaptation of Joseph P. McEvoy's popular comic strip Dixie Dugan. Swept up in the war effort, Dixie gets a job as secretary to government official Roger Hudson (James Ellison). Though Roger pursues her romantically, Dixie remains faithful to her defense-plant-worker fiancee Matt Hogan (Eddie Foy Jr.) Both Roger and Matt believe that a woman's place is in the home, but Dixie proves that their chauvinism is out of place during the National Emergency. Lois Andrews' inexperience is modified somewhat by the assured performances of Charlotte Greenwood and Charlie Ruggles as Dixie's parents. ~ Hal Erickson, All Movie Guide

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Starring:
James EllisonCharlotte Greenwood, (more)
1943  
 
In this provocative WW II drama, an American agent sneaks into a Nazi spy ring to learn the identities of certain double-agents. The hero works for the FBI, but was born in Germany and speaks the language like a native. First he assumes a dead spy's identity and in that guise, contacts the Nazi superiors. He is then placed aboard a U-boat and sent to the US. Things go well until his cover is blown. Fortunately, he manages to escape. He then is forced to appear in a lengthy court case to help convict the treacherous spies. ~ Sandra Brennan, All Movie Guide

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Starring:
George SandersAnna Sten, (more)
1943  
 
In this semi-remake of Love is News (37), Betty Grable stars as a Gay-Nineties Bowery saloon singer. Ever seeking an opportunity for advancement, Grable heads to London, becomes a highbrow musical comedy "artiste", and concocts a scheme to land a wealth duke (Reginald Gardiner). Her plan is foiled by a snoopy reporter (Robert Young) from the Police Gazette who has long been a thorn in Grable's side. Young's motive has nothing to do with dishing out gossip; he's in love with Betty and wants her for his own. Tuneful frolics like Sweet Rosie O'Grady seem to be the collective reason that Technicolor was invented. ~ Hal Erickson, All Movie Guide

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Starring:
Betty GrableRobert Young, (more)
1940  
 
Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide

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Starring:
George RaftJoan Bennett, (more)
1937  
 
In this countrified musical, a wealthy man and his daughter try to promote the singing career of a talented hillbilly and his always smiling friend. They meet when the rich man's car breaks down while travelling across the South. The father brings the young crooner to his radio station. The singer and the daughter are obviously attracted to each other and this dismays the greedy station manager who wanted the girl to marry his son. To ensure that she does, he conspires to silence the handsome hillbilly. ~ Sandra Brennan, All Movie Guide

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Starring:
Pinky TomlinToby Wing, (more)
1937  
 
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The seventh of RKO's Fred Astaire--Ginger Rogers musicals, Shall We Dance casts Astaire as a world-renowned ballet dancer and Rogers as a musical comedy headliner. Rogers' manager Jerome Cowan concocts a phony romance between his client and Astaire in order to garner publicity for them both. Eventually, of course, the twosome falls in love for real, but not before a cornucopia of confusion, complications and misunderstandings. Highlights include a number performed on roller skates and Astaire's dance solo in the art-deco boiler room of an ocean liner. The George and Ira Gershwin score (their last for Astaire and Rogers) includes "Slap That Bass," "Beginner's Luck," "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take That Away From Me," and the title number. Shall We Dance was slated as the last of the Fred-and-Ginger romps, but within a year they were together again in Carefree. ~ Hal Erickson, All Movie Guide

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Starring:
Fred AstaireGinger Rogers, (more)
1937  
 
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Bette Davis' famous walk-out from her home studio of Warner Bros. may have hurt her financially, but in the long run it paid off with bigger parts in better films. Like many Warners films of the period, Marked Woman was "torn from today's headlines." Specifically, it was inspired by the recent downfall of gangster Lucky Luciano, who at one time controlled all prostitution activities in New York. The ladies herein are euphemistically characterized as "night club hostesses," but when Luciano look-alike Johnny Vanning (Eduardo Cianelli) shows up at a fancy clip-joint to give the girls their marching orders, the audience can tell exactly what's going on. Been-there-done-that hostess Mary (Davis) is no better than she ought to be, though she has a definite code of honor; she stands up to the dictatorial Vanning at every opportunity, fending of his amorous attentions and seeing to it that her "over the hill"colleague Estelle (Mayo Methot) is retained on the gangster's payroll. At the same time, Mary tries to shield her seedy profession from her virginal sister Betty (Jane Bryan), but the girl discovers the truth and becomes a "B"-girl herself, a rash move that results in her death. Previously frightened into silence by periodic beatings from Vanning's goons, Mary and four of her girlfriends become state's witnesses, providing testimony to crusading District Attorney David Graham (Humphrey Bogart, playing a character clearly patterned after Thomas E. Dewey). A last-ditch effort to permanently stifle Mary and her friends fails, and the ladies show up in court to put the noose around Vanning's neck. ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisHumphrey Bogart, (more)
1936  
 
In this drama, the big city wife of a small town doctor learns a valuable lesson as she struggles to adapt to rural life. ~ Sandra Brennan, All Movie Guide

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Starring:
Pat O'BrienJosephine Hutchinson, (more)
1935  
 
Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniAnn Dvorak, (more)

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