Rosemary de Camp Movies

Still on NBC after moving from CBS a year earlier, Love That Bob (originally The Bob Cummings Show) enters its fifth and final season in first-run prime time. Bob Cummings returns in his signature role as professional photographer and self-styled ladies' man Bob Collins, with Ann B. Davis as Bob's faithful assistant Schultzy, Rosemary de Camp as Bob's widowed sister Margaret, and Dwayne Hickman as Margaret's son Chuck, now a college sophomore. With the series' ratings in a slump, Love That Bob producer Paul Henning tries to freshen up the proceedings with a gimmick or two. First off, there are more guest stars this season than ever before, including Steve Allen, George Burns, Art Linkletter, Peter Lawford, Anna Maria Alberghetti, and, most memorably, Mamie van Doren, here hiding her considerable assets under a frizzy wig, an outsized pair of glasses, and a dumpy outfit. (It is explained that van Doren is "preparing" for a movie character role!) Secondly, a belated effort is made to "domesticate" the rakish Bob Collins by introducing child actress Tammy Marihugh in the role of six-year-old Tammi Johnson. Attracted to Tammi's widowed mother, Bob suddenly (and uncharacteristically) finds himself working overtime to win the little tyke's affection and respect, at one point hiring actor George Montgomery, then starring on the TV Western Cimarron City, to teach him how to be a "real cowboy"! Though Love That Bob would conclude its nighttime run at the end of its fifth season, the series' episodes were rebroadcast on ABC's daytime schedule from 1959 through 1961. ~ Hal Erickson, All Movie Guide

Happy-go-lucky photographer Bob Collins (Bob Cummings) continues to ardently pursue his lovely models -- and for that matter, any other lovely lady who tickles his fancy -- as Love That Bob (originally The Bob Cummings Show) enters its third season. Also still on hand are future Brady Bunch co-star Ann B. Davis as Bob's "gal Friday" Schultzy, who secretly pines for her boss; Rosemary de Camp as Bob's widowed sister Margaret, still hoping that her randy brother will stop playing the field and settle down to marriage; and Dwayne Hickman as Margaret's son and Bob's nephew, Chuck, now an 18-year-old who is even more determined to follow in his Uncle's footsteps as God's Gift to Women (late 1956 model). New to the series is Mary Lawrence as Ruth Helm, the wife of Bob's Air Force Reserve buddy Harvey Helm. Fully aware of Bob's reputation with the opposite sex, jealous Ruth keeps Harvey on a short leash, but she can't censor the gleam in her otherwise 100 percent faithful husband's eye whenever he gets a gander at Bob's harem of lady friends. Also conspicuous by her frequent appearances this season is Nancy Kulp as gangly bird-watcher Pamela Livingston, who'd like to feather Bob's nest someday (this character is virtually a "dress rehearsal" for Kulp's more famous role as Jane Hathaway on The Beverly Hillbillies, which like Love That Bob, was executive-produced by Paul Henning).
And finally, there are several more appearances this season by Bob's aged but spry grandfather Josh Collins, who is even more of a wolf than his grandson. (Both Bob and Josh are, of course, played by Bob Cummings.) Ol' Josh is in fact the focal point of the season opener, "Grandpa Meets Zsa Zsa" -- and it is surely unnecessary for us to mention who "portrays" Zsa Zsa! Of Season three's 35 episodes, several stand out. "Bob Clashes With His Landlady" is a film buff's dream, offering a romantic pairing of Amazonian character actress Hope Emerson and dialect comedian El Brendel. "Bob Meets Miss Sweden" introduces a new recurring player, real-life Miss Sweden Ingrid Goude." Former child actress Bonita Granville, on the verge of becoming co-producer of the TV series Lassiewith husband Jack Wrather, plays the cousin in "Bob Meets Schultzy's Cousin." And "Chuck at College" was originally intended as the pilot episode for a spin-off series starring Dwayne Hickman; though no such series materialized at the time, Hickman would eventually headline his own sitcom, Dobie Gillis. ~ Hal Erickson, All Movie Guide

Inspired in part by the true story of baseball great Ted Williams, who after serving in World War II was drafted to serve in the Korean War just as his baseball career was taking off, Strategic Air Command stars James Stewart as "Dutch" Holland, a star third baseman with the St. Louis Cardinals. "Dutch" served with distinction as a fighter pilot during World War II, and as the Air Force adds new B-36 and B-47 jets to their arsenal, they need experienced men to fly these new weapons in our atomic deterrent force, and Holland is called back to duty. He's not terribly happy about this development: he loves baseball, his team is doing well, and his wife Sally (June Allyson) is expecting a baby. But you can't fight Uncle Sam, and Holland becomes a reluctant but proud member of the S.A.C., where he and his fellow pilots man the jets that will be our first line of defense should the cold war turn hot. While Strategic Air Command's story hasn't dated well (and for a military drama, there's surprisingly little action), James Stewart and June Allyson make the most of their material, and the aerial footage remains impressive. ~ Mark Deming, All Movie Guide

Moving from NBC to CBS for its second season, Love That Bob (originally The Bob Cummings Show) also moved to a more advantageous time slot, Thursday nights at 8:00 PM. Here it would remain for the next two years -- never a huge ratings hit, but always consistently popular with its target audience, which seemed to be comprised of women who were attracted to star Bob Cummings, and men who envied Cummings' incredible luck with the opposite sex (at least on his TV show!) As was the case back at NBC, the CBS version of Love That Bob finds professional photographer Bob Collins (Cummings) ardently pursuing every beautiful and unattached girl who sashays into his studio.
Meanwhile, Bob's "gal Friday" Schultzy (Ann B. Davis) employs a full arsenal of wisecracks to cover up the fact that she carries a torch for her boss; and Bob's widowed sister Margaret (Rosemary de Camp), with whom he lives in a suburban L.A. bungalow , wishes that Bob would stop chasing about and get married, if only to provide a worthwhile role model for her teenaged son Chuck (Dwayne Hickman) -- who, more than ever during season two, is exhibiting a desire to emulate his uncle's Lothario tactics. In another carryover from season one, overprotective Bob is determined to save Margaret from the "lecherous" clutches of his airline pilot pal Paul Fonda (Lyle Talbot), even though Paul is basically a nice guy and a gentleman. Once he decides that Paul and Margaret should be together after all, Bob nearly louses up the relationship by being an overbearing buttinsky. And near the end of the season, Margaret tires of Bob's interference and sets about to "trap" Paul all by herself by shedding her sweet, domestic image and transforming into a Sadie Thompson-like vamp. Season two inagurates the series' policy of featuring story arcs that carry over from one episode to the next, a technique producer Paul Henning would hone to a fine science on such series as The Beverly Hillbillies and Petticoat Junction. Typical is the two-episode arc in which Bob Collins follows guest star Jack Carson to Hawaii, hoping to dally amongst the sun-kissed island lovelies -- only to inadvertently become engaged to a local girl with a large and rather intimidating family! The most amusing development during Love That Bob's second season is the introduction of a "new" character: Bob's peppery, harmlessly wolfish grandfather Josh Collins -- also played by Bob Cummings. ~ Hal Erickson, All Movie Guide

This tuneful biography of operatic soprano Grace Moore begins as she prepares to perform on opening night. While awaiting her entrance cue, she reflects upon her life and the sequence of events that led her from a humble childhood in Tennessee to becoming one of the brightest stars in the opera world. Songs include "The Kiss Waltz," "Remember," "I Wish I Could Shimmy Like My Sister Kate" and "La Boheme." ~ Sandra Brennan, All Movie Guide

The distinctive stamp of action-film director Phil Karlson is very much in evidence in Scandal Sheet. Broderick Crawford plays tabloid editor Mark Chapman, whose burgeoning success is threatened by the arrival of his wife Charlotte (Rosemary DeCamp), whom he deserted 20 years earlier. Hoping to keep Charlotte's mouth shut, Chapman accidentally kills her. He does his best to cover his tracks, but his best is none too good, and another murder follows. Meanwhile, Chapman's star reporter Steve McCleary (John Derek) is busy investigating the still-unsolved murder of Charlotte. Though Steve holds no grudge against his boss, the same cannot be said of feature writer Julie Allison (Donna Reed), who resents Chapman's sensationalist methods. Slowly but surely, the noose tightens around Chapman's neck, thanks to the diligence of McCleary and, indirectly, the inquiries of Julie. Scandal Sheet was based on a novel by former newspaperman Samuel Fuller, an excellent film director in his own right. ~ Hal Erickson, All Movie Guide

Ray Milland plays a happily married college professor whose wife and child perish in a fire. Despondent, Milland loses himself in drink, despite the efforts of his friends and fellow faculty members. He is on the verge of suicide before he is salvaged the love of Nancy Davis (who off-screen was busy becoming Nancy Reagan). Virtually plotless, Night into Morning is held together by the performance of Ray Milland and by the incisive direction of radio veteran Fletcher Markle. ~ Hal Erickson, All Movie Guide

Nobody sits on the fence so far as The Big Hangover is concerned. Leonard Maltin considers it "predictable, as well as silly and boring," while the late William K. Everson regarded it as one of Hollywood's best and most underappreciated screwball comedies. Examine the premise and judge for yourself: Van Johnson plays David Maldon, an attorney with an acute allergy to liquor. It seems that, during the war, Maldon was nearly drowned in an overstocked wine cellar; ever since that time, he can't even smell booze without becoming inebriated. The young, rich, and pretty Mary Belney (Elizabeth Taylor) does her best to save Maldon from embarrassment whenever he comes into proximity with alcohol. Typical of many postwar comedies, Norman Krasna's screenplay has a sturdy inner lining of social consciousness: Maldon must choose between becoming a partner in a high-profile firm or devoting his time to fighting for the civil rights of minorities. In addition to his scripting chores, Krasna also produced and directed The Big Hangover. ~ Hal Erickson, All Movie Guide

The short but colorful life of American musical comedy star Marilyn Miller is given the standard prettified Hollywood treatment in Look for the Silver Lining. June Haver, an accomplished dancer-singer in her own right, is well-cast as Miller, who rises from an appendage in her parents' vaudeville act to the toast of Broadway. Along the way, she suffers such personal tragedies as the wartime death of her first husband, songwriter Frank Carter (Gordon Macrae), but manages to smile through the tears and go on to even loftier showbiz heights. The film ends in 1936, the year of Miller's death; we last see her "giving her all" to her audience, while an offstage observer makes ominous comments about her future. The Phoebe and Henry Ephron/Marian Spitzer screenplay (based on a story by Bert Kalmar and Harry Ruby) glosses over Marilyn Miller's notorious prima donna behavior; she is shown lording it over the "little people" in only one scene, whereupon she is gently put in her place by the remonstrative Frank Carter. Charles Ruggles and Rosemary DeCamp co-star as Miller's vaudevillian parents, while Ray Bolger is his usual ebullient self as Jack Donahue; also on hand are S.Z. Sakall and Walter Catlett, recreating a scene from Miller's 1925 Broadway triumph Sally (Catlett had appeared in the original production). Look for the Silver Lining was produced by Warner Bros., the same company that released the real Marilyn Miller's three starring films back in the early days of the talkies. ~ Hal Erickson, All Movie Guide

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide

In this romantic drama, Bill and Susan Cummings (Mark Stevens and Joan Fontaine), a couple from the Bronx, look back at the early days of their marriage. When they meet in 1938, Bill is working as a machinist, and Susan is a clerk in a bookstore. They fall in love and decide to wed, but it's not long after the honeymoon that Bill is drafted and sent to war. When Bill comes marching home, he finds that it's not easy to find a new job, and economic hardship puts their marriage to the test. The supporting cast includes Harry Morgan and Bobby Driscoll. ~ Mark Deming, All Movie Guide