Robert Winkler Movies

Rather than play famous outlaw Cole Younger in this film, Warner Bros. contract star Humphrey Bogart chose suspension. Ronald Reagan was considered, and so were James Cagney, Edward G. Robinson, and George Raft, but, happily, the role eventually went to the more age-appropriate Dennis Morgan, a former band singer. Like MGM's Billy the Kid, also from 1941, Bad Men of Missouri emerged as a complete whitewash of the title outlaws. Returning from fighting on the Confederate side in the Civil War, the Younger brothers -- Cole (Morgan), Bob (Wayne Morris), and Jim (Arthur Kennedy) -- find their money no longer viable currency and their homestead about to be usurped by carpetbagger William Merrick (Victor Jory). Standing up to Merrick and his chief henchman, Greg Bilson (Howard DaSilva), old Hank Younger (Russell Simpson) is shot dead, and, in frustration, the sons take up train and bank robbing, eventually joining the even more notorious James brothers, Jesse (Alan Baxter) and Frank. Of course, the celluloid Youngers steal only from the rich to give to the displaced poor. When they are finally caught in Minnesota, the citizenry of Missouri, viewing the Youngers as local heroes, take up a petition for their immediate release. Despite the many historical inaccuracies, Bad Men of Missouri makes for exciting, fast-paced Western entertainment; quite the opposite, in fact, of MGM's staid, overly glamorous depiction of Billy the Kid. Filmed at Sonora, CA, and cast with veterans such as Erville Alderson, Sam McDaniel (who replaced Willie Best in the role of the Younger's devoted servant), and a very funny Walter Catlett, the film premiered in Harrisonville, MO, the birthplace of the Younger brothers and the town where the elder Younger had once been elected mayor. Jane Wyman appears as the nominal heroine, the upstanding girlfriend of Jim Younger, and the film marked the screen debut of Faye Emerson as Cole Younger's ill-fated fiancée. ~ Hans J. Wollstein, All Movie Guide

Though not based on a Zane Grey story, The Cherokee Strip fits in thematically with producer Harry Sherman's Grey series. Richard Dix stars as Dave Morrell, the new marshal of Goliath, Oklahoma. Immediately upon arrival, Morrell finds himself at odds with banker Coy Barrett (Victor Jory), who is actually the leader of all local criminal activities. Cagily playing a game of cat and mouse, Morrell strongly and silently gathers evidence against Barrett, leading to an outsized climactic shootout-just in time, since the film was beginning to drag a bit. Critical comparisons to Dix's 1931 starrer Cimarron could not be avoided, but Cherokee Strip was more straightforward adventure fare than the earlier film. Florence Rice is the pretty but hardly necessary romantic interest. ~ Hal Erickson, All Movie Guide

Veteran character star Charles B. Middleton ("Ming the Merciless") escapes from a penitentiary after 15 years of imprisonment swearing vengeance on his former partner (Miles Mander) in this action adventure serial efficiently directed by the team of William Witney and John English. Kidnapping his former partner, Granville (Mander), Prisoner 39013 (Middleton) assumes the man's identity and sets out to destroy his various enterprises. At one of these, the Granville Amusement Pier, three athletes known as The Daredevils of the Red Circle swear vengeance when Prisoner 39013 blows up the pier, thereby killing the kid brother (Robert Winkler) of one of them. They align themselves with Granville's granddaughter (Carole Landis) and with a mysterious benefactor known only as The Red Circle. After 12 exciting chapters, the heroes finally destroy Prisoner 39013, leaving Gene Townley (Charles Quigley) and Miss Granville to plan their future together. A typically well-made Republic cliffhanger, Daredevils of the Red Circle starred not one but three heroes: Quigley, a former Columbia contract player, Herman Brix, who later changed his name to Bruce Bennett and enjoyed a modest leading man career at Warners, and stunt-man David Sharpe. Just starting out in films, leading lady Carole Landis was picked by none other than D.W. Griffith to star in One Million B.C. (1940), which earned her a studio contract with 20th Century Fox. Better known for her off-screen escapades, Landis, sadly, committed suicide in 1948. ~ Hans J. Wollstein, All Movie Guide

The Our Gang kids square off against "Butch's Assassins" in a crucial football game. Star player Carl "Alfalfa" Switzer balks at participating, leaving it up to Darla Hood to coerce and cajole him into donning his uniform. The climax of the game finds Alfie attempting a sixty-yard touchdown, despite the formidable opposition of his lifelong rival Tommy "Butch" Bond. Originally released on November 12, 1938, the one-reel Our Gang entry Football Romeo benefited from the comedy expertise of uncredited script contributor Jack White, of Three Stooges fame. ~ Hal Erickson, All Movie Guide

Don't be fooled by the opening credits: the "Peter Stewart" listed as director Gun Code was actually PRC workhorse Sam Newfield. This low-budget western stars Tim McCoy as federal agent Tim Hammond, who follows a gang of big-city gangsters to the Wide Open Spaces. The crooks shake down the locals by demanding exorbitant funds for "protection" money, letting it be known that serious consequences will befall those who don't pony up the dough. When the villains kidnap a young boy, they've gone too far, sealing their doom at the hands of the stalwart Tim Hammond. Typical of the PRC product of the times, Gun Code is full of technical boners and logic gaps that tended to elicit laughter from more discriminating audiences. ~ Hal Erickson, All Movie Guide

Incendiary Blonde is a highly entertaining if historically suspect biopic of "Queen of the Nightclubs" Texas Guinan. As played (or overplayed) by Betty Hutton, Guinan is a hoydenish Texas gal whose showbiz career gets under way when she joins a Wild West show in 1909. A favorite with male patrons because of her salty vocabulary and what-the-hell attitude, Guinan rises to fame as a Broadway musical-comedy star and movie actress, only to crash-land after an unhappy marriage to her manager Tim Callahan (Bill Goodwin). Taking advantage of Prohibition, Guinan opens the first of several nightclubs, fending off the Feds while welcome her customers with an insouciant "Hello, sucker!" Naturally, Betty Hutton is given several opportunities to sing and dance, which she does with her usual unbridled enthusiasm. ~ Hal Erickson, All Movie Guide

Another of Universal's Richard Arlen-Andy Devine actioners, Lucky Devils casts the mismatched duo as a pair of intrepid newsreel cameramen. When they're not risking their lives coverning the Hot Spots of the world, Dick (Arlen) and Andy (Devine) busy themselves romancing Norma (Dorothy Lovett) and Gwendy (Janet Shaw), respectively. Our heroes' predilection for sticking their noses where they shouldn't gets them mixed up with a gang of Axis saboteurs. Perfect nonthink entertainment, Lucky Devils was specifically designed for the lower half of double bills. Sharp-eyed viewers will spot future Universal star Maria Montez among the bit players. ~ Hal Erickson, All Movie Guide

The Pals of the Pecos are our old pals The Three Mesquiteers, portrayed herein by Robert Livingston (as Stony Brooke), Bob Steele (as Tucson Smith) and Rufe Davis (as Lullaby Joslin). Once again hopscotching in time, the Mesquiteers finds themselves in the year 1858. Attempting to help establish an overland stagecoach service, the three protagonists are challenged by progress-hating villain Stevens (Robert Frazer). Tossed into jail on a trumped-up charge, the Mesquiteers escape in time to see that justice is served. The leading lady duties in Pals of the Pecos are handled by June Johnson, a pretty amateur who disappeared from films not long afterward. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown comes to the aid of a beleaguered female freight line operator in this standard Monogram oater directed by veteran Lambert Hillyer. Having saved his old friend Faro Jenkins (Raymond Hatton) and young Dave Porter (Robert Winkler) from marauding outlaws, Ranger Johnny Hudson (Mack Brown) learns that the attack may be part of a concerted effort by bandits to drive Dave's sister Peggy (Virginia Belmont) out of the freight business. Unbeknownst to Johnny and the Porters, the crimes are committed on behalf of local banker Gordon Gregg (William H. Ruhl), who wants to bankrupt the freight business in order to take over the valuable Porter ranch. Taking umbrage to Johnny's interference, Gregg orders his henchman Collins (Carl Mathews) to kill the ranger but he misses his mark. Tracking the unfortunate Collins to the gang's hideout, Johnny and Faro are taken prisoners but the former manages to cut his ties with a piece of broken glass. The gang is rounded up and sent to jail, but a desperate Gregg manages to free his henchmen after killing the trusting sheriff (I. Stanford Jolley). After discovering the murder weapon, a knife, Johnny orders every man in town to be fingerprinted, realizing full well that the culprit will attempt to steal the evidence. Hiding in the sheriff's office, Johnny and Faro catch Lem (Ted Adams) in the act but, the suspect is killed by Gregg, who explains that Lem had threatened his life. Sent on a wild goose chase by Gregg, Johnny and Faro manage to turn the tables and capture the entire gang, Johnny killing Gregg in self-defense. ~ Hans J. Wollstein, All Movie Guide

Worth seeing for its title alone was the Johnny Mack Brown western Riders of Pasco Basin. This time, Brown plays the head of a group of vigilantes (the peace-keeping variety) who take on a gang of clever villains. With the law on their side, the bad guys have been cheating the local farmers while promising to dig an irrigation ditch. Before bringing the crooks to heel, second-billed Bob Baker (who own western series was scotched by Universal the previous year) performs a brace of cowboy tunes, the most enjoyable of which is "I'm Tying Up My Bridle to the Door of Your Heart". Director Ford Beebe brings a serial-like pace to the proceedings, as was his custom. ~ Hal Erickson, All Movie Guide

For reasons unknown, Paramount Pictures decided to dust off the 1926 George S. Kaufman-Herman Mankiewicz stage comedy The Good Fellows for its 1942-43 release schedule. Cecil Kellaway plays Jim Hilton, a small-town family man who neglects his wife and kids, preferring the company of his lodge brothers. He spends so much time with and money on "The Good Fellows" that he's soon hopelessly in debt. An unexpected third-act financial windfall saves the day, but Hilton shows few signs of mending his ways by fadeout time. The film might have seemed fresher had not the premise been done to death in the previous decade by Laurel & Hardy, Charley Chase and other 2-reel comedians. ~ Hal Erickson, All Movie Guide

"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide

In this charming episodic comedy, a giddy group of adolescent girls form a movie-star fan club. Their favorite pastime is collecting the autographs of major stars. Led by their determined president, the gals stalk the streets and train stations of New York in search of big-name stars. Their expeditions are frequently successful, and during the film they garner the John Hancocks of such stars as Lana Turner, Greer Garson, William Powell, Walter Pidgeon, and Robert Taylor. ~ Sandra Brennan, All Movie Guide