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Drusilla Wills Movies

1949  
 
A supernatural tale based on a short story by Russian poet Alexander Pushkin, this is the portrayal of a poor Captain in the Russian army in the nineteenth Century. His comrades in arms play cards nightly, but he cannot afford to join them until one night he dreams that he has gained from a mysterious aging countess her secret for winning at faro--a secret which legend has it she has sold her soul to obtain. This story has been filmed at least a dozen times, but this is by far the best version. Eight of the versions were silent films and another version was done as recently as 1965. A period piece, the settings and costumes are superb. ~ Tana Hobart, Rovi

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Starring:
Anton WalbrookEdith Evans, (more)
 
1946  
 
Though it pales in comparison to the Royal Shakespeare Company's epic staging of the original novel in the early 1980s, this compact adaptation of Dickens' Nicholas Nickleby is most entertaining on its own terms. Derek Bond plays the title character, a resourceful young Britisher forced to protect his family against the demonic machinations of his wicked Uncle Ralph (Cedric Hardwicke at his most odious). Cast out into the cold cruel world, Nicholas Nickleby deals adroitly with friend and foe alike, eventually coming full circle to mete out just desserts to his unspeakable uncle. With only 108 minutes' running time at his disposal, screenwriter John Dighton (later a mainstay of the Ealing Comedies) was forced to eliminate several of the novel's 52 highly distinctive characters and intricate subplots. There is evidence that there was even more cutting after the film was completed; for example, the tatty touring theatrical troupe managed by the delightfully pompous Vincent Crummles (Stanley Holloway) appears only in a series of abrupt vignettes, while Crummles himself is confined to a mere handful of lines and gestures. Still, many of Dickens' colorful characters are vividly realized, especially the unfortunate, mentally challenged Smike (Aubrey Woods). When released in America, Nicholas Nickleby was pared down to 95 minutes, with surprisingly little damage to the continuity. ~ Hal Erickson, Rovi

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Starring:
Derek BondJill Balcon, (more)
 
1945  
 
Johnny Frenchman uses humor to drive home the point that, despite all previous rivalries and hostilties, the French and English should pull together during WW2. Aldwych farceur Tom Walls plays Nat Pomeroy, harbourmaster of a Cornwall fishing village, who is continually outsmarted by clever French fish poacher Lannec Florrie (Francoise Rosay). Pomeroy is further aggravated by the fact that Florrie's son Yan (played by French-Canadian radio favorite Paul Dupuis) is busily romancing Pomeroy's daughter Sue (Patricia Roc). But when the Nazis rear their ugly heads, the Cornish fisherman and the French miscreants band together to thwart the German menace. Many of the cast members of Johnny Frenchman are actual Cornish villagers and members of the Free French resistance movement. ~ Hal Erickson, Rovi

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Starring:
Françoise RosayTom Walls, (more)
 
1944  
 
Like the better-known (and more popular) A Canterbury Tale, Welcome Mr. Washington is a sometimes amusing, sometimes poignant dramatization of what happened when American troops "invaded" England during WW II. Dismissed as "overpaid, oversexed and over here," the Yanks face some hostility while trying to adjust to British manners and mores. But when a farming community finds itself dangerously short-handed at harvest time, the American GIs pitch in and help their British brethren in true "hands across the sea" fashion. Real-life American army lieutenant Donald Stewart is cast as the nominal romantic lead, his lack of professional polish all the more obvious in his scenes with the talented Barbara Mullen. The film is stolen by Peggy Cummins as a precocious teenager, some three years before Cummins was brought to Hollywood to star in Forever Amber (which, as it turned out, she didn't). ~ Hal Erickson, Rovi

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Starring:
Barbara MullenDonald Stewart, (more)
 
1944  
 
Champagne Charlie is a luxuriously produced tale of the 19th Century British music halls. Tommy Trinder stars as 1860s singer George Leybourne, better known as "Champagne Charlie" thanks to his most popular song and his highrolling lifestyle. The dramatic tension of the film is stoked by Leybourne's rivalry with fellow entertainer The Great Vance, played by Stanley Holloway. Future British leading ladies Kay Kendall and Hazel Court can be spotted amongst the bit players in Champagne Charlie. PS: the 1989 2-part TV movie of the same name is not a remake. ~ Hal Erickson, Rovi

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Starring:
Tommy TrinderStanley Holloway, (more)
 
1943  
 
A set of flashbacks to 19th century London provide the action in this British wartime film, in which a wealthy girl (Phyllis Calvert) becomes friends with a young waif (Margaret Lockwood) while at school. The waif later becomes a governess for the girl, but betrays their relationship by having an affair with her friend's husband (James Mason). The Man in Grey did exceptionally well in England at the time of its release, and later spawned a cavalcade of similar movies. ~ John Bush, Rovi

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Starring:
Phyllis CalvertMargaret Lockwood, (more)
 
1939  
 
A Girl Must Live is the philosophy of gold-digging chorus girls Gloria Lind (Renee Houston) and Clytie Devine (Lilli Palmer). Both feel that they could live most comfortably off the money inherited by the Earl of Pangborough (Hugh Sinclair) a handsome but unworldly nobleman. Despite the most strenuous efforts by Gloria and Clytie, it is sweet and demure chorine Leslie James (Margaret Lockwood) who claims the Earl as her husband. Robust comedy relief is provided by the venerable George Robey as a bibulous "sugar daddy". A Girl Must Live was one of three 1939 films directed by Carol Reed, still some distance removed from Odd Man Out, The Third Man and Oliver!. ~ Hal Erickson, Rovi

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Starring:
Margaret LockwoodRenee Houston, (more)
 
1938  
 
In this comedy, an aged spinster leaves her communist nephew $20,000. Before she died, he and she constantly argued about her decadent capitalistic ways, but now that he has her fortune, he begins singing a different tune. At first he decides to give his nation's unemployed an equal share of the fortune, but when he realizes that they will only get a penny a piece he begins to question the wisdom of such actions. ~ Sandra Brennan, Rovi

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Starring:
Marie TempestBelle Chrystal, (more)
 
1938  
 
In this British comedy, a bishop is desperate to finish the restoration on his cathedral. To quickly raise the needed cash, he gives a fellow some money. The fellow promises the bishop that he will use it to make the 1,000 pounds needed to complete the job. The ingenious man uses the honest money to buy smuggled goods. Among the things he buys are silk lingerie and brandy; the latter ends up being sold at a church bazaar and the money is raised. ~ Sandra Brennan, Rovi

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1937  
 
With a plot that twists like a plumber's snake, this is more a story of family secrets than anything else, in which the British commander of a West African garrison has to prevent the exposure of an ugly scandal involving his daughter. The story was based on a novel by Lewis Robinson entitled The General Goes Too Far. ~ Tana Hobart, Rovi

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Starring:
Lionel AtwillLucie Mannheim, (more)
 
1937  
 
While W.C. Fields poked fun at the asinine notion of a high-speed airplane with an open observation deck in Never Give a Sucker an Even Break (1941), the producers of the futuristic British melodrama Non-Stop New York (1937) take this notion quite seriously. The film's setpiece is a streamlined luxury plane designed for transatlantic passenger flight (something that would not become a common occurrence until 1940). Anna Lee plays a chorus girl whose has been targeted for extermination by the London underworld because she can provide an alibi for a murder suspect. The police won't believe her, but that doesn't dissuade the syndicated hit men. Seeking escape, Lee stows away on a plane bound for New York; the gangsters follow, overpower the pilots, and parachute from the plane, leaving Lee and the passengers helplessly hurtling through the clouds. The day is saved by detective John Loder, who'd also boarded the plane in search of Lee. The climax involves an aerial fistfight on the wing of the speeding plane. If you believe this sequence, chances are you'll swallow whole the rest of Non-Stop New York: if not, you'll have a grand old time all the same. The script by (among others) Curt Siodmak and Roland Pertwee was based on Sky Steward, a novel by Ken Attiwill. ~ Hal Erickson, Rovi

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Starring:
Anna LeeJohn Loder, (more)
 
1935  
 
In this musical comedy, a Cockney flower girl is in love with a policeman whom she wants to marry. Unfortunately, her father opposes the union because he is involved in a little crooked investing. Fortunately, the young woman wins a lottery and is able to find wealth and marital bliss. ~ Sandra Brennan, Rovi

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1934  
 
Philip Godfrey's Gothic novel The Grange Mystery was the basis for the British melodrama The Black Abbott. John Stuart heads a gang of crooks who break into the home of British nobleman Richard Cooper. The plan is to hold Cooper for ransom in his own home, but to make it seem as though everything is normal. But the resourceful Cooper proves to be quite a handful for the allegedly clever criminals. Featured as a secondary kidnaper is American actor Ben Welden, later a mainstay of the Superman television series. The Black Abbot was distributed by the British arm of Hollywood's RKO Radio Pictures. ~ Hal Erickson, Rovi

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1934  
 
This musical quota-quickie was produced by Twickenham Films, the British "sister firm" of Universal Pictures. Mary Clare stars as Mary Brown, a no-nonsense London nightclub manager who is the sole support for her crippled husband and her college-student son. When a murder is committed at her establishment, Mary is charged with the crime. She is defended by her husband, a former lawyer, who recounts Mary's unhappy life in a lengthy flashback. Whether or not the jury is truly swayed by his eloquence is left up in the air at the end of the picture. ~ Hal Erickson, Rovi

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Starring:
Mary ClareLewis Casson, (more)
 
1933  
 
When a young Norwegian girl is obsessed with becoming a star, her benefactor organizes a crazy publicity stunt to get her a studio contract. ~ Rovi

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1933  
 
In this musical, a middle-class cockney fishwife yearns to become a movie star. Her plans go swimmingly. ~ Sandra Brennan, Rovi

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1932  
 
In Belloc-Lowndes' original novel The Lodger, the reclusive young man suspected of being Jack the Ripper turns out to be exactly who he's assumed to be. When Alfred Hitchcock directed the 1926 film version of The Lodger, he was advised that the public would never accept the popular star Ivor Novello as a serial killer, thus the film was given a happy ending. Novello himself wrote the screenplay for the 1932 non-Hitchcock talkie version of The Lodger, which, though updated from the novel's 19th century setting, retains its original shocker climax. Well received at the time of its release but rarely seen in recent years, the 1932 Lodger can be regarded as a serviceable bridge between the 1926 Hitchcock silent and the definitive 1944 20th Century-Fox remake starring Laird Cregar. ~ Hal Erickson, Rovi

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Starring:
Ivor NovelloElizabeth Allan, (more)
 
1932  
 
In this British comedy, a fellow goes on a Spanish vacation and finds himself mistaken for a famous matador. Mayhem ensues when he suddenly is placed in the bullring. ~ Sandra Brennan, Rovi

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1930  
 
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Alfred Hitchcock's second all-talkie thriller, Murder stars Herbert Marshall as pompous actor-manager Sir John Menier, a send-up of George DuMaurier. Summoned for jury duty, Sir John is one of 12 people who must decide the fate of Diana Baring (Norah Baring), a young actress on trial for murder. Though the girl is found guilty, Sir John believes that she's innocent and sets about to prove it on his own, exercising his actor's prerogative of adopting clever disguises in the course of his investigation. Along the way, he is obliged to entertain a pair of lower-class clods, Ted and Dulcie Markham (Edward Chapman and Phyllis Konstam), who help him stage an elaborate re-enactment of the crime. Based on Enter Sir John, a novel and play by Clemence Dane and Helen Simpson, Murder was simultaneously filmed in a German version, with Alfred Abel replacing Herbert Marshall. ~ Hal Erickson, Rovi

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Starring:
Herbert MarshallNorah Baring, (more)
 
1929  
 
In this gritty drama, an epileptic john has a seizure and kills a hooker. His mother hides her distraught son. Meanwhile, the prostitute's boyfriend is accused and convicted for the crime. Just before he is to hang, the real killer confesses his crime. ~ Sandra Brennan, Rovi

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