Gloria Williams Movies

Olivia De Havilland won the first of her two Academy Awards for To Each His Own. During World War I, De Havilland falls in love with a young soldier (John Lund). He is killed in battle before they can marry, leaving De Havilland to raise their child alone. She gives the baby up for adoption, then goes to work in the cosmetic business, working her way up to an executive post. While in London on business during World War II, Olivia comes face to face with her grown son (John Lund again), now a military officer himself. Though she resists revealing her true identity, mother and son are brought together by a wise old British peer (Roland Culver). Olivia De Havilland's Oscar win was doubly sweet in that To Each His Own was her first film after an enforced two-year absence, brought about when she sued Warner Bros. to get out of her restrictive contract. Long available only in washed-out TV prints, To Each His Own was eventually restored to its pristine 35-millimeter glory by the American Film Institute. ~ Hal Erickson, All Movie Guide

True to Life stars Dick Powell as a radio writer in search of saleable material. He comes up with a weekly sitcom about a typical American family. To soak up inspiration, he hangs around the household of waitress Mary Martin and her parents (Ernest Truex, Mabel Paige), transcribing their conversations for use on the air. When Mary listens to the radio and discovers that Powell's attentions towards her are strictly professional, she runs to the arms of Franchot Tone. But Powell convinces her that his ardor is genuine--while musical fans are disappointed that only one song has been sung in the whole of True to Life. Devotees of two-reel comedies will note the presence of veteran second bananas Billy Bletcher and Bud Jamison as two of the "family members" in Dick Powell's radio series. ~ Hal Erickson, All Movie Guide

The Lady Bodyguard of the title is pretty but somewhat physically frail A. C. Baker (Anne Shirley). An advertising representative for an insurance company, A. C. gets into trouble when she okays several $1000 life-insurance policies as a publicity stunt. One of the recipients is Terry Moore (Eddie Albert), who, thanks to a typographical error, finds that he's been insured for one million dollars. Desperately, A. C. tries to talk Terry into cancelling the policy, but his avaricious beneficiaries don't want this to happen. There are laughs and thrills aplenty as a sleep-benumbed Terry pilots an airplane carrying A. C. and all of those vultures who'd benefit mightily from his demise. ~ Hal Erickson, All Movie Guide

In this romance, a hospital nurse marries a West Point football hero. She soon gets pregnant, but this doesn't stop her from annulling the marriage so as not to interfere with her husband's military career. Though she keeps it a secret, her plan is to marry him again after he graduates from the academy, which forbids students to marry. She doesn't tell a soul about her pregnancy either. Trouble ensues when an enamored intern learns that she has a baby girl. He too keeps mum until her husband graduates. Unfortunately, by that time, he is no longer interested in marrying her, so she ends up marrying the intern instead and happiness ensues. ~ Sandra Brennan, All Movie Guide

In this espionage drama, an inventor creates a way to send television broadcasts across the country and finds himself pursued by international spies. Eventually the enemy succeeds in stealing the plans. But in the end, he gets it back and even falls in love with his former partner's daughter, with whom, thanks to his new television, he has a long-distance romance. ~ Sandra Brennan, All Movie Guide

Idealism vs. Practicality is the Disputed Passage in this lavishly mounted soap opera. Based on a novel by Lloyd C. Douglas (The Robe, Magnificent Obsession) the film stars John Howard as young medical student John Wesley Beaven. In the course of his education, Beaven is torn between two philosophies: the cold pragmatism of Dr. Forster (Akim Tamiroff) and the humanistic attitudes of kindly Dr. Cunningham (William Collier Sr.), who of course is author Douglas' alter ego. The crisis within Beaven comes to a head when he must choose between his career and his impending marriage to Audrey Hilton (Dorothy Lamour). A literally explosive climax in war-torn China brings the story to a logical and satisfying solution. Kudos again to director Frank Borzage for bringing warmth and credibility to the most sloppily sentimental of storylines. ~ Hal Erickson, All Movie Guide

The legendary Cocoanut Grove nightclub is the setting for this all-star Paramount musical. Fred MacMurray heads the cast as Johnny Prentice, a small-time bandleader who heads to the Grove for an all-important audition. He is accompanied by his foster son Half-Pint (Billy Lee), a talented drummer in his own right. Joining the troupe is Linda Rodgers (Harriet Hilliard), ostensibly Half-Pint's tutor but actually an aspiring vocalist. The thinnish plot serves as an excuse for an unending stream of specialty numbers featuring Royal Hawaiian orchestra leader Harry Owens, comedian Ben Blue, the zany Yacht Club Boys (a WASP version of the Ritz Brothers), funny-noise specialist Rufe Davis and bandmaster Red Stanley. In the course of events, nine new original songs are performed, none of which graduated to hit-parade status. Curiously, the real Cocoanut Grove is never seen, though the Paramount mockup is reasonably convincing. ~ Hal Erickson, All Movie Guide

Shirley Ross plays an innocent young girl convicted for complicity in a crime committed by her boy friend (Lloyd Nolan). The male crook is sentence to six months on a prison farm populated by both men and women (segregated, of course). Ross is also incarcerated, suffering the cruelties of the sadistic male and female guards (including J. Carroll Naish and future "Ma Kettle" Marjorie Main!) Since this film leaves no cliche unturned, an escape attempt is inevitable, but Ross is ultimately rescued from her plight for the obligatory happy ending. Nowhere near as exploitive as the later Linda Blair films of the same ilk, Prison Farm was considered reasonably realistic in 1938, earning back its modest cost and then some. ~ Hal Erickson, All Movie Guide

Technicolor is the main attraction of this overheated South Seas adventure. Ray Milland, Akim Tamiroff and Barry Fitzgerald play three shifty sailors who commandeer a smallpox-ridden boat and set out to sea. A typhoon washes them ashore on a faraway Pacific island, which is ruled by a white religious fanatic (Lloyd Nolan) who has set himself up as the local god. The three sailors anxiously await an opportunity to appropriate the "god's" valuable stash of pearls and head for the mainland. Only one of the sailors escapes to tell his story; check out the cast list and guess which one survives. The third filmization of Robert Louis Stevenson and Lloyd Osborne's novel, Ebb Tide is rough going until Lloyd Nolan shows up to deliver the picture's best and subtlest performance. The story would be filmed again in 1947 as Adventure Island. ~ Hal Erickson, All Movie Guide

Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide

Akim Tamiroff, Paramount Pictures' resident crime lord, runs all illegal gambling activities in a major city. Reporter Lloyd Nolan struggles to get the goods on Tamiroff, but runs up against a stone wall until he meets nightclub singer Claire Trevor. Trevor is anxious to avenge the death of her sister (Helen Burgess), who was done in by Tamiroff's minions. Though only a "B" picture, King of Gamblers was given "A" treatment by director Robert Florey. The film was part of an unofficial Paramount series based on the J. Edgar Hoover book Persons in Hiding. ~ Hal Erickson, All Movie Guide