Jean de Briac Movies

Another cookie-cutter Universal minimusical, Moonlight in Hawaii gathered together the usual suspects-Johnny Downs, Leon Errol, Jane Frazee, Mischa Auer, Sunny O'Dea et. al.--in their usual roles. Downs plays a young man named Pete, who shepherds a group of sightseers to Honolulu. Pete's greatest ambition is to star on radio with his pals the Merry Macs, and to this end he curries favor with potential sponsors Spencer (Leon Errol) and Lawton (Richard Carle), partners in a pineapple-juice factory. The complications begin piling up when Spencer and Lawton have a falling out over the affections of wealthy dowager Mrs. Floto (Marjorie Gateson), forcing Pete and his pals to play matchmaker. Superstar-to-be Maria Montez shows up in a bit role as a hula-hula dancer. ~ Hal Erickson, Rovi

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, Rovi

In the days before air-conditioned theaters, this action-packed tale of the frozen Northwest was a welcome summer release. Its subject matter -- bootlegging -- was also a popular one in the days of the Volstead Act, better known as Prohibition. Sergeant Tom Flaherty of the Northwest Mounted (Tom Moore) is in love with Jen Galbraith (Betty Compson). One significant factor, however, impedes their romance -- Jen's father Peter Galbraith and brother Val (J. Farrell MacDonald and Casson Ferguson, respectively), are whiskey-runners, and Flaherty is duty-bound to arrest them. When she knows that Flaherty is on her way to her father's tavern, she tries to warn them, but fails. Flaherty nabs both men, who are released on bail. While waiting to be tried, Galbraith plans one last run. While trying to get it under way, Val gets in a fight with Snow Devil, a stool pigeon for the Mounties (Sidney D'Albrook). He kills Snow Devil and Flaherty is ordered to track him down. Flaherty stops at the Galbraith tavern to deliver orders involving Val's arrest and is drugged. Jen, not realizing the contents of the order, puts on his Mountie outfit and goes through a blizzard to deliver them herself. Flaherty, however, finds himself in a situation where he saves the lives of Val and Galbraith, and he and Jen are reunited. This picture was adapted from the Sir Gilbert Parker novel, She of the Triple Chevron
~ Janiss Garza, Rovi

In her pre-Paramount days, Clara Bow was shoved into some pretty dismal pictures. This aimless drama was one of the worst. Marie (Bow) and Armand (Donald Keith) are two lovers who belong to a band of Apaches (members of the Parisian underworld, not the Native Americans). When they believe that wealthy scientist Pierre Marcel (Lou Tellegen) is away from his home, they go with another associate, Knifer (Jean deBriac), to burglarize it. But Marcel is home, and Armand stops Knifer from killing him. The grateful man protects Armand when the police show up. Knifer is killed and Marie escapes. Armand, who has been wounded, is nursed back to health by Marcel, and he goes on to lead an honest life. Marie sees Armand kissing another girl and she becomes bent on revenge. Armand goes away on business, and with the financial aid of the Apache leader (Otto Marieson), Marie poses as a convent-bred girl. She wins Marcel's love and marries him, only telling him of her plot after the ceremony is completed. Armand returns from London and she rushes to him. The Apaches, believing that they are being double-crossed, take a shot at her. Although she is wounded, she recovers. Marcel goes to America and arranges a divorce so that the two lovers can be together. Luckily for Bow, The Plastic Age would be released just a few months later, effectively erasing the memory of poor films like this one. ~ Janiss Garza, Rovi

Tony Curtis makes his musical-comedy debut in the frolicsome Universal production So This is Paris. Curtis, Gene Nelson and Paul Gilbert play three American sailors on leave in the City of Light. In record time, the trio makes the acquaintance of three lovely lasses: Gloria de Haven, Corinne Calvert and Mara Corday. Before the boys' 24 hours are up, they are inveigled into staging a benefit show for a group of tousle-haired war orphans. The whole thing resembles a Gallic variation of MGM's On the Town, except that the songs aren't quite as memorable. So This is Paris was directed by Richard Quine in much the same manner as his previous musical confections for Columbia Pictures. ~ Hal Erickson, Rovi

American mousetrap salesmen Stan Laurel and Oliver Hardy journey to Switzerland, reasoning that where there's cheese, there's mice. When they innocently try to pay their dinner bill with phony money, Stan and Ollie are put to work in the kitchen of the Alpen Hotel. Their enforced stay coincides with the visit of famed composer Walter Woolf King, who has come to Switzerland to soak up "local color." He also hopes to write an operetta that will succeed on its own merits, without the lovely voice of his lovely actress wife Della Lynd winning over the audience. But Lynd is determined to star in King's latest opus, and to that end she finagles Stan and Ollie into getting her a job as a hotel chambermaid. As the plot rolls along its merry way, Ollie labors under the misapprehension that Lynd is in love with him. Swiss Miss is, on the whole, one of Laurel and Hardy's weaker feature films, with far too much emphasis on the romantic leads and way too many forgettable songs ("Crick Crick Crick Here the Cricket" is a particular low point). But the team's individual scenes save the show, even though Stan Laurel, who'd been ill during production, looks like he's about to fall asleep at any moment. Best bits: Stan hoodwinking a St. Bernard out of a cask of brandy; Ollie serenading Lynd while Stan accompanies him on tube; and the legendary sequence, immortalized by film critic James Agee, wherein Stan and Ollie try to transport a piano across a rope bridge high above an alpine chasm--only to confront a gorilla! One of the screenwriters of Swiss Miss was Jean Negulesco, later the director of such memorable films as Mask of Dmitrios, Three Strangers, Titanic and How to Marry a Millionaire. ~ Hal Erickson, Rovi

One of the great directors of the silent era, Victor Sjostrom, teamed with fellow Swede Greta Garbo for this drama. The great Garbo plays Marianne, a young woman from Brittany who was neglected by her impoverished parents. Marianne longs to be an actress and moves to Paris, where theatrical producer Henry Legrand (Lowell Sherman) takes her under his wing; Henry was romantically involved with Marianne's mother years ago and feels a semi-paternal affection for the young woman. Marianne falls in love with Lucien (Lars Hanson), a man who has deserted from the Army and is on the run from the law. To prove his devotion to her, Lucien steals a dress for Marianne, but this only attracts the police and Lucien winds up in jail. With Lucien behind bars, Henry's attentions become less friendly and more romantic, and Marianne must decide if she should wait for the man she loves or devote herself to the man who wants her. Sadly, no complete prints of The Divine Woman are known to exist; one reel of the eight-reel feature was discovered in a Russian film archive, but the remainder of the picture remains lost. ~ Mark Deming, Rovi

Italian strongman Lucien Albertini was the nominal star of this action serial released in 15 chapters by Universal, but most of the attention went to supporting player Joe Bonomo, who was well on his way to serial stardom himself. Albertini played Paul Breen, a Paris reporter attempting to solve the case of American heiress Arlene Graham (Margaret Morris), who vanishes en route to New York. Villainous Jules Despaed (Jean De Briac) passes his girlfriend Mimi (Lola Todd) off as the missing Arlene, but Paul is on to him and the game is up in chapter 15, "The Confession." A strongman himself, Bonomo was cast as De Briac's henchman and did well enough for Universal to star him in the following year's The Circus Mystery. Directed by action specialist Jay Marchant, The Iron Man also featured former serial star Jack Daugherty, Rose Dione, Jack Pratt, and William Welsh. ~ Hans J. Wollstein, Rovi

The "Ladybirds" are a gang of crooks who prey upon the rich and famous. At present, the Ladybirds are at large in New Orleans during Mardi Gras. Heroine Diane Whitman (Betty Compson) finds herself inextricably involved in the gang's criminal activities, and for a while it looks as though she's going to end up six feet under. Instead, Diane anticipates The Avengers' Emma Peel by besting the gang's leader with a fantastic display of ju-jitsu! Former Mack Sennett comedian Hank Mann plays a comparatively straight role in this colorful thriller. ~ Hal Erickson, Rovi

Monty Woolley plays an irascible Englishman who insists that he dislikes children. While on a vacation in France, the Nazis invade the country. Reluctantly, Woolley agrees to transport several French children into England. As the flight to freedom becomes more treacherous, Woolley grows fonder of his young charges and vows that they'll be kept safe. The group is detained by German officer Otto Preminger, who finally allows Woolley and the children safe passage--provided they take Preminger's niece to England as well. Pied Piper was based on a novel by British author Nevil Shute. ~ Hal Erickson, Rovi

Tony Curtis was by 1955 an accomplished enough actor to get through the costumed derring-do of The Purple Mask minus the awkwardness he'd displayed in his earlier swashbucklers. Curtis is cast as Rene, a foppish 18th century French nobleman who doubles as the Purple Mask, a Royalist supporter who kidnaps officers of the Republic and ransoms them back to Napoleon (Stefan Bekassy) for a hefty fee. Managing to elude Napoleon's minions through most of the picture, Rene gives himself up only when the love of his life, the beautiful Laurette (Colleen Miller), is placed in danger. Even when facing the guillotine, however, Rene has a few tricks up his lacey, perfumed sleeve. The Purple Mask was based on La Chevalier au Masque, a play by Paul Armont and Jean Manouissi. ~ Hal Erickson, Rovi

John Wayne plays anti-Nazi Prussian sea captain Karl Erlich in Sea Chase, one of the many film commentaries released post WWII. Though staunchly opposed to the Nazi regime, Karl (Wayne) feels it would nevertheless be unpatriotic should he refuse to save his ship from destruction. His ship--an old, rusty 5,000 ton freighter named the Ergenstrasse--is being pursued by a British warship on his journey from Australia back to Germany. Captain Erlich does everything he can to save his ship and his crew, but the process is long and dangerous, particularly without a plentiful supply of fuel and provisions. Erlich must face obstacles ranging from horrendous sea storms and shark attacks to false murder accusations, and it seems his only devotee is Elsa (Lana Turner), a beautiful German spy. Despite nearly falling to the determined English ship and a mutiny attempt by his own crew, Captain Erlich manages to survive what was anything but a routine trip back to his home country. ~ Tracie Cooper, Rovi

Humphrey Bogart plays Harry Morgan, owner-operator of charter boat in wartime Martinique. Morgan's right-hand man is Eddie (Walter Brennan), a garrulous alky whose pet question to anyone and everyone is "Ever get stung by a dead bee?" While in port, Harry is approached by Free French activist Gerard (Marcel Dalio), who wants to charter Harry's boat to smuggle in an important underground leader. Adopting his usual I-stick-my-neck-out-for-no-one stance, Morgan refuses. Later on, he starts up a dalliance with Marie Browning (screen newcomer Lauren Bacall), an attractive pickpocket. In order to help Marie return to America, Harry agrees to Gerard's smuggling terms. He uses his boat to bring resistance fighter De Bursac (Walter Molnar) and De Bursac's wife Helene (Dolores Moran) into Martinique. The Vichy police, suspecting that something's amiss, hold Morgan's pal Eddie hostage, tormenting the poor rummy by denying him liquor. Predictably, Morgan comes to Eddie's rescue and manages to escape Martinique, with the delectable Marie as cozy company. In the hands of director Howard Hawks and screenwriters Jules Furthman and William Faulkner, the end result bore only a passing relation to the original story by Ernest Hemingway: instead, it was a virtual rehash (but a good one!) of the recently released Casablanca, replete with several of that film's cast members. The film's enduring popularity is primarily -- if not solely -- due to the sexy chemistry between Bogart and Bacall, especially in the legendary "You know how to whistle, don't you?" scene. The most salutary result of To Have & Have Not was the subsequent Bogart-Bacall marriage, which endured until his death in 1957. It's widely believed that Lauren Bacall's singing voice was dubbed in by a pre-puberty Andy Williams; this is not true. For the record, a more faithful-to-the-source cinemadaptation of the Hemingway original was filmed in 1950 as The Breaking Point. ~ Hal Erickson, Rovi