Ivan Scratuglia Movies

Terence Stamp is known only as "The Visitor" in Pier Paolo Pasolini's Teorema. The mysterious stranger insinuates himself into the home of a wealthy Italian family, where he exerts a curious, sensual spirituality over everyone in the household. He then proceeds to seduce everyone in the family (male and female) including the maid, which gives each person some sort of unique epiphany. Because he reveals so little about his innermost thoughts, "The Visitor" becomes all things to all people. What it boils down to is this: Is the enigmatic visitor Christ, or is he the Devil? Matching Terence Stamp's multi-textured performance every step of the way is Laura Betti as the family's maid; Betti, in fact, won the "Best Actress Award" at the 1968 Venice Film Festival. Director Pasolini adapted the screenplay of Teorema from his own novel. ~ Hal Erickson, Rovi

Clay McCord (Alex Cord) is a former outlaw determined to live the life of a law-abiding citizen. Colby (Arthur Kennedy) is the town marshall who keeps law and order. Not far from the peaceful town is a haven for criminals led by Kraut (Mario Brega), a trigger happy outlaw who welcomes those who are wanted by the law. McCord worries that he may have the epilepsy that plagued his father and hastened his demise. He battles the sadistic gunman while hoping for a pardon from the sympathetic governor (Robert Ryan). He also falls for the lovely Laurinda (Nicoletta Machiavelli) as he walks between the two worlds of the law and the lawless in this action-packed and often bloody western adventure. ~ Dan Pavlides, Rovi

Ruthless Four follows four prospectors who are out to strike a big lode in the Nevada gold rush days. When one of the four hits the riches, he finds the other three are out to partake of the hard-earned find. ~ Rovi

A Civil War vet returns home to his home in the South and witnesses the outdated attitudes of his family--particularly those of his domineering father. This western drama was filmed on location in Argentina. ~ Kristie Hassen, Rovi

The Continental cast and scenes of intense violence may earmark Texas, Addio as a spaghetti Western, but the plot of this Italian/Spanish production unspools very much like its Hollywood counterpart. Django star Franco Nero's character provides the link; his two-fisted, taciturn Texas sheriff, Burt Sullivan, is cut from the same unwavering in-his-duty cloth as Gary Cooper's lawmen as he crosses the border to bring wealthy and sadistic Mexican crime boss Cisco Delgado (José Suárez) to justice for the murder of his father. Sullivan's body count may be staggeringly high by the film's fade-out, but his kills are strictly in defense of himself, his greenhorn brother, Jim (Cole Kitosch, aka Alberto Dell'Acqua or Robert Widmark), or later, a group of Mexican revolutionaries led by lawyer Luigi Pistilli that attempts to overthrow Delgado's corrupt regime. Director Ferdinando Baldi (whose Western curriculum vitae includes the more European-flavored Blindman [1971] and Get Mean [1975], with American ex-pat actor Tony Anthony) makes excellent use of the Almeira, Spain, locations (well photographed by future Trinity Is Still My Name director Enzo Barboni); and if his pacing is occasionally draggy, he more than makes up for it with a wealth of well-staged brawls and shoot-outs. His script (written with Django co-scribe Franco Rossetti) is lean and solid, with a hint of noir in its central dark secret regarding Delgado's relationship with Sullivan's family. ~ Paul Gaita, Rovi