Albert Ruiz Movies

Summer Stock represented Judy Garland's swan song at MGM. Garland plays the owner of a New England farm which entrepreneur Gene Kelly hopes to convert into a summer theatre. Gloria DeHaven, a member of Kelly's troupe, also happens to be Garland's sister. Aware that the farm is having financial difficulties, DeHaven talks the recalcitrant Garland into allowing the troupe to set up shop in the barn. All sorts of romances wind their way through the summer air as Kelly mounts his production. In the long-anticipated finale, Garland herself steps into the leading-lady slot vacated by her petulant sister DeHaven, and of course the show is a smasheroo. To watch Garland joyfully perform such numbers as "Friendly Star," "If You Feel Like Singing, Sing," and her legendary "drag" specialty "Get Happy," you'd never suspect that she was on the verge of a nervous breakdown (the film opened while Garland was recovering from a suicide attempt). Adding to the overall exuberance of Summer Stock are such dependable supporting players as Eddie Bracken, Phil Silvers, Marjorie Main and Hans Conried (cast as the troupe's resident romantic baritone!) ~ Hal Erickson, All Movie Guide

In this comedy, a scatter-brained professor nearly starts a riot when he writes a book claiming that women like to be treated roughly. A paper publishes snippets from the book and later the professor, feeling he was misquoted, begins suing for libel. The paper then sends out a female reporter to dredge up some dirt on the sexist academic. Not only does she do her job and prevent the suit, she and the professor end up falling in love. ~ Sandra Brennan, All Movie Guide

Road to Rio was the first of three "Road" pictures jointly produced by stars Bing Crosby and Bob Hope. On the run from the law again, musicians Bob and Bing stow away on an ocean liner. They try to come to the rescue of heiress Dorothy Lamour, who is doomed to an arranged marriage to caddish George Meeker. All gratitude and effusions for their assistance, Dorothy surprises Bob and Bing on their next meeting by slapping them in their faces and declaring "I hate you! I loathe you! I despise you!" The explanation? Dorothy is being hypnotized by her scheming aunt Gale Sondergaard, who has set up the marriage for mysterious mercenary reasons of her own. When Dorothy is "herself" again, Bob and Bing smuggle her off the ship and into their Rio de Janeiro hotel room. The boys plan to save Dorothy from her unwanted marriage by passing her off as a nightclub singer, and themselves as band leaders. Trouble is, they have no band. Enter the Wiere Brothers, three Rio street entertainers. Bob and Bing hire the threesome on the spot, unmindful that they have booked themselves into Nestor Paiva's nightclub on the promise that they're delivering an American band. Since the Wieres speak only Portuguese, Bing teaches each brother an American phrase by rote: "You're in the groove, Jackson", "You're Telling Me," and "This is Murder." Naturally, it isn't long before the boys' ruse is discovered, and this coupled with the newly hypnotized Lamour's threats to have Bob and Bing arrested, leaves our heroes broke and stranded once more. Still, they pose a menace to Sondergaard, thus she contrives a method of disposing of them. Hypnotizing them both, Sondergaard orders Bob and Bing to kill each other. They snap out of the spell just in time, but still there's the problem of rescuing Dorothy. And now there's a new angle: mysterious stranger Frank Puglia informs the boys that the only way to stop the wedding is to retrieve (pause; a furtive glance left; a furtive glance right) "The Papers." Said papers are in the possession of Sondergaard, obliging Bob and Bing to show up at the pre-nuptial festival in disguise (with Bob in drag). Managing to hypnotize Sondergaard's henchmen Frank Faylen and Joseph Vitale, Bob and Bing uncover the precious Papers, and Dorothy is saved. But how can those papers stop a wedding? We won't give away the surprise, nor will we tell you whether Dorothy ends up with Bob or Bing, nor even what the heck Jerry Colonna is doing in the picture leading a cavalry charge. Not the best of the "Road" pictures, Road to Rio is nonetheless one of the most memorable--and quotable (how many of your high school pals used to confound the teacher by declaring "You're in the groove, Jackson"?) ~ Hal Erickson, All Movie Guide

This neat, fast-paced perfectly cast film noir reflects the hard-boiled, grim wit of the author of its screenplay, Raymond Chandler. Johnny Morrison (Alan Ladd) returns from the war to find his wife Helen (Doris Dowling) having a party and in the arms of another man. Johnny and Helen have a terrible fight, and later Helen is found dead. Johnny must prove his innocence and he enlists the aid of Joyce Haywood (Veronica Lake), the ex-wife of Helen's lover. Pursued by the cops, and never sure if he is being set-up for the murder, Johnny finally solves the murder and clears his name. Alan Ladd is at his hard-boiled, no-nonsense best as Johnny and Veronica Lake is, as always, the perfect noir femme-fatale, mysterious and alluring. Nicely directed by George Marshall, the film moves with great pace to an exciting, satisfying conclusion. The screenplay, the only one written by Chandler directly for the screen, was nominated for an Academy Award. ~ Linda Rasmussen, All Movie Guide

Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide

Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, All Movie Guide