Clete Roberts Movies

Director Lynne Littman has created an effective, understated portrayal of the cost of a nuclear war in human terms, in a film as far removed from the fake hyperbole of action and disaster movies as the natural world is from cartoons. Set in the small California town of Hamlin, the Wetherly family and their everyday concerns open the story. The trivia that fills their secure, ordinary existence disappears when a TV show is interrupted with the announcement that nuclear bombs have exploded in the major cities on the East Coast, and then the entire scene is erased in an increasingly white, blank movie screen -- meant to show that nuclear blasts have been detonated in California as well. Over 1000 people die in the first month from radiation sickness, but the mother in the Wetherly family (Jane Alexander) displays great inner strength as she cares for orphaned children the family has taken under its wing and goes on sustaining those that remain in her own family. At one point, she quietly conveys to her daughter the happiness of intimacy between two adults, knowing her daughter will not live to experience adult love. As these individuals and the children cope with day-to-day existence, there is never any intrusion of overt horrors, the focus remains on the individuals and the way in which they adjust to the inevitable. ~ Eleanor Mannikka, All Movie Guide

It's H.G. Wells (Malcolm McDowell) versus Jack the Ripper (David Warner) in the fanciful Time After Time -- and, per the film's title, the chase extends from the 19th century to the 20th. Wells has built a time machine in his cellar, which the Ripper uses as a means of escape. Both men find themselves in 20th century San Francisco, and, after a period of adjustment, they make themselves at home. The plot takes a dark turn when the Ripper, disappointed that Wells' dreams of a Utopian future have not come to fruition, resumes his murderous activities. ~ Hal Erickson, All Movie Guide

In the conclusion of "Our Finest Hour", news correspondent Clete Roberts), playing himself, interviews the men and women of the 4077th for a filmed TV documentary. Lensed in black and white and largely improvised, this freeflowing episode is capped by the ironic commentary of the beleagured Hawkeye (Alan Alda), and highlighted by color excerpts from earlier episodes (presented as "flashbacks") featuring former series regulars McLean Stevenson, Wayne Rogers) and Larry Linville. Originally a 60-minute "special", "Our Finest Hour" has since been reedited as two half-hour episodes for syndication. ~ Hal Erickson, All Movie Guide

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, All Movie Guide

Also known as A Dangerous Friend, this real-life-based drama tells of a young man with a penchant for sex and violence. In addition, he seems to possess a kind of mental control over a group of peers who protect the charismatic murderer from authorities. ~ Kristie Hassen, All Movie Guide

The most interesting aspect of The Swinger is the name of the character played by Ann-Margret: the former Ann Margaret Olsson essays the role of Kelly Olsson. A naive small-town girl, Kelly aspires to become a writer in the Big City. When her stories are rejected because they aren't exciting and provocative enough, she decides to do some hands-on research by posing as the titular "swinger." She is so successful at this subterfuge that Hefner-like publisher Anthony Franciosa makes it his mission in life to reform the "fallen" Kelly. Didn't they do this one in the 1930s as Theodora Goes Wild, with Irene Dunne and Melvyn Douglas? ~ Hal Erickson, All Movie Guide

An unexceptional spy drama by Andre De Toth, Man on a String is based on an autobiography by counterspy Boris Morros, here given the name of Boris Mitrov and played by Ernest Borgnine. Mitrov was born in Russia but had been a citizen of the U.S. for some time when he joins up with a Russian spy network. He is caught out by the CIA, and they offer him a deal: go to the USSR and spy for our side, or else. Boris' boss is Bob Avery (the handsome Kerwin Mathews) and Colleen Dewhurst is Helen Benson, the lone female in the story. Clichéd dialogue aside, the scenes shot in Moscow and Berlin add convincing realism to the action. ~ Eleanor Mannikka, All Movie Guide

Based on actual events, The Phenix City Story tells the tale of a wide-open "Sin City" in Alabama (across a bridge from Columbus, GA, and just a stone's throw from the Ft. Benning Army base) where gambling, prostitution, and any number of other vices were tolerated openly by the law, most of it centered on the main downtown drag, 14th Street, thanks to the 50-year influence of organized crime on the local government. Reform groups, mostly in the form of vigilantes, had tried to clean up "the wickedest city in the United States" before, even taking the law into their own hands and wrecking some of the establishments, only to be stymied by the courts (which were otherwise indifferent to activities on 14th Street). At the outset of the movie, set in 1954 -- when the actual events took place -- a new reform group is trying to organize and attempting to get the city's most prominent attorney, Albert Patterson (John McIntire) on their side; so are the club owners on 14th Street, led by Rhett Tanner (Edward Andrews), a cheerful, affable sort with a mean streak not far from the surface. But Patterson wants no part of either side's activities -- he's been a reformer, even a successful candidate, only to see his efforts come to little, and has also successfully defended Tanner and the others on 14th Street in an investigation of a murder of which they weren't guilty. Now he's old, and he wants to sit back with his wife and enjoy the return of his army office/lawyer son, John (Richard Kiley), and his family from Germany. But when the 14th Street boys, led by Clem Wilson (John Larch), go too far beating up Patterson's friends, and involve his son John, and then turn to murder and intimidation, it forces the elder Patterson and his son to join the reformers.

The Phenix City Story runs 87 minutes, but most prints also include a 13-minute preface, compiled from newsreel footage and interviews with the original participants, that provides background on the events that inspired the film (and also spoils a few plot points). Ironically, given the negative image that it portrays of Alabama, the movie was surprisingly well-received in the state at the time; residents were simply fascinated by and taken with the notion of a feature film set in their home state and even including a couple of actual local residents in its cast. Director Phil Karlson was to enjoy even greater success 18 years later with a similar story about one man fighting a city turned bad, Walking Tall, which included many similarly staged action scenes amid its somewhat wider plot-canvas. ~ Bruce Eder, All Movie Guide