Rose Plummer Movies

A sequel to Bob Hope's 1948 box-office success The Paleface, 1952's Son of Paleface is a superior product in every way, thanks largely to the spirited, creative direction of Frank Tashlin. Hope is cast as Junior Potter, a Harvard-educated dude who heads West to claim the inheritance left him by his gunslinger father. Much to his chagrin, Junior discovers that his dad has left him nothing but debts. To stave off Potter Sr.'s angry creditors, Junior pretends that his father has salted away a fortune somewhere in the hills. This arouses the attention of curvaceous saloon owner Mike (Jane Russell), who doubles as a mysterious masked bandit known as The Torch. Meanwhile, Roy Rogers (playing a federal agent named Roy Rogers) keeps tabs on Junior, hoping that he'll lead him to The Torch and her gang. True to form, ex-cartoonist Tashlin fills the screen with a wealth of inventive sight gags and inside jokes: Cecil B. DeMille shows up as a photographer in one scene, while in another, Hope, about to embark on the film's wild climactic chase sequence, shoos away a couple of vultures wearing bibs, warning them that "You'll make the whole thing look impossible." Our favorite scenes: Hope's Wile E. Coyote-like reaction to a particularly potent drink, and his bedroom scene with Roy Rogers' wonder horse Trigger. And don't forget the film's slightly risque punch line "Let's see them top that on television," (you have to be there). Songs in Son of Paleface include "You Are My Valley of Sunshine," "Four-Legged Friend," "Wing Ding Tonight," "What A Dirty Shame," and a reprise of The Paleface's Oscar-winning "Buttons and Bows," performed by Hope, Russell and Rogers. ~ Hal Erickson, All Movie Guide

Virginia Mayo is Flaxy Martin in this complicated Warner Bros. melodrama. Flaxy is a bad girl but good company, especially when she's around criminal attorney Walter Colby (Zachary Scott). When Colby begins to have second thoughts about his gangster cohorts, Flaxy arranges a murder frame, forcing the attorney to go on the run. The bulk of the film is a thrill-packed chase teaming Colby with the film's resident Good Girl, Nora Carson (Dorothy Malone). Also figuring into the proceedings is Elisha Cook Jr., playing his usual shifty little creep. Director Richard L. Bare had only recently moved up from the "Joe McDoakes" comedy shorts to features when he guided Flaxy Martin with skill and aplomb. ~ Hal Erickson, All Movie Guide

We first meet Joan Crawford, star of the moody flashbackfest Possessed, wandering aimlessly through the city streets, moaning "David....David." She goes to pieces in public and is rushed to the mental ward, where a team of psychiatrists try to find out who she is and where she's been. Who she is is a practical nurse, hired by Raymond Massey to care for Massey's invalid wife. While going about her duties, Crawford renews her acquaintance with an old flame, architect Van Heflin. Though Heflin is indifferent, Crawford is still crazy for the man. She remains so even after marrying her employer Massey, whose wife has committed suicide. Any further details would give away the ending, but we can note that Van Heflin's character name is David. Best scene: Crawford, descending into schizophrenia, imagining that she's killed Massey's vitriolic daughter Geraldine Brooks. While the psycho-babble delivered in the asylum scenes is laughable, Possessed still holds up well as one of the best of Joan Crawford's Warner Bros. soap operas. This black-and-white film is also available in a colorized version, but don't blame us. ~ Hal Erickson, All Movie Guide

Art critic and forgery expert George Steele (Pat O'Brien) is apprehended by the police as he desperately tries to break into the Manhattan Museum in the opening scene of Crack-Up, a noir mystery directed by Irving Reis. Steele does not understand his own bizarre actions, but explains that he was in a train wreck and had to get back to the museum. Questioned by Lt. Cochrane (Wallace Ford), who tells him there have been no train wrecks in months, Steele relates, in flashback, the events leading up to the incident. Earlier in the day the head of the museum had suspended him for alienating wealthy patrons by criticizing "art snobs" in a lecture. He then received a phone call informing him that his mother was sick, and caught the train to the hospital, but never got there. Though suspicious of Steele, Cochrane is persuaded by the shadowy Mr. Traybin (Herbert Marshall) to release him so he can follow Steele. The next day Steele retraces his steps and discovers that someone had set him up to be discredited, though he knows neither who nor why. Following the murder of a friend who was trying to help him, he discovers that forgeries of some very famous paintings are at the heart of the matter, but getting to the culprit is a more difficult task. ~ Steve Press, All Movie Guide

This Pine-Thomas actioner stars Robert Lowery as two-fisted forest ranger Don Bradley. Promoted to supervisor, Bradley finds his success hollow when his childhood sweetheart Kay (Ellen Drew) marries big-time gangster Steve Downey (Regis Toomey). In soon develops that Kay has wedded Downey against her will, and is being held prisoner in a remote mountain cabin. Bradley then dashes to the rescue, which culminates in a perilous car chase through dangerous mountain passages. Eddie Quillan provides comic relief as Bradley's pal Willie. ~ Hal Erickson, All Movie Guide

This ambitious filmed biography of writer-adventurer Jack London is somewhat compromised by its too-tight budget. Michael O'Shea is well cast as London, whose rugged adventures range from the high seas to the Klondike. London's insatiable wanderlust causes friction in his marriage to the lovely Charmian (Susan Hayward), but she stands nobly by his side in good times and bad (it should be noted that the script is based on Mrs. London's memoirs). In the interests of topicality, the film contrives to have London endeavor to warn America of Japanese military expansion some four decades before Pearl Harbor. It is this story element that makes Jack London a bit difficult to watch today, despite the strong performances of O'Shea, Hayward and a superb supporting cast. ~ Hal Erickson, All Movie Guide

A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own. After accidentally killing one of Martin's men, Taggart (I. Stanford Jolley), in a barroom fight, Jerry becomes a fugitive wanted for murder. He joins a gang led by Smoke (Stuart Hamblen), one of Martin's henchmen, hoping to obtain enough evidence to convict the crooked banker. Along with Tommy Holden Jr. (John James), who has replaced his late father as town marshal, Jerry sets a trap for Mason's weak-willed son, Phillip (Rand Brooks). In a desperate attempt to escape justice, Mason kills Phillip, but is arrested by Jerry. The latter is cleared of all charges and elected sheriff by a grateful citizenry. Country gospel songwriter Stuart Hamblen makes a fine villain in one of his infrequent screen appearances and blonde Lynn Merrick is, as always, an attractive adornment to any "Red" Barry vehicle. Merrick, whose contract was held jointly by Republic and Columbia Pictures, appeared in no less than 16 Barry Westerns, one of the longest runs of any sagebrush heroine. Her "leading man" this time around, however, is John James, not Barry. The Sombrero Kid was filmed at the Walker Ranch at Placerita Canyon, CA, a busy location for low-budget moviemaking from 1931-1955. ~ Hans J. Wollstein, All Movie Guide

Gene Autry goes up against another "protection" racket in this tuneful series entry, which also features country & western singer Patsy Montana and the CBS-KMBC Texas Rangers. Doc Blair (Robert Barrat), a crooked veterinarian, is doing a good business terrorizing the local dairy farmers into paying for not having their deliveries destroyed -- until, that is, Gene and Frog Millhouse (Smiley Burnette) move in. Blair, as it turns out, does not even shy away from murdering the local sheriff (William Farnum) and attempts to get his own stooge, Dave Haines (Buster Crabbe), elected in his stead. But Gene takes up the fight and wins the election. Now he only has to win over Haines' innocent sister, radio announcer Carol Haines (June Storey), whom Blair has used to relay coded messages to his henchmen over the air waves. Autry, Burnette, Patsy Montana, and the CBS-KMBC Texas Rangers perform "Colorado Sunset," "On the Merry Way Back Home," "I Want to Be a Cowboy's Sweetheart," "Poor Little Doggie," "Beautiful Isle of Somewhere" and "Seven Years with the Wrong Woman," all by Con Conrad and L. Wolfe Gilbert. The Gene Autry debut of producer William Berke, Colorado Sunset was filmed on location at Keen Camp near Hemet, CA. ~ Hans J. Wollstein, All Movie Guide

Gene Autry gets into a heated fight with an oil company in this very tuneful early entry in the Autry oeuvre, restored in 2001 under the auspices of Gene Autry Entertainment. Gene, who believes the oil wells will pollute the grazing land, is feuding with broadcaster Doris Maxwell (Judith Allen), whose banker father (William Farnum) has embezzled $25,000 to fund a local drilling project. Our hero, however, changes his mind when news arrives of a railroad to be built if and when the well comes in. He also discovers that George Wilkins (Weldon Heyburn), the oil-drilling superintendent, has framed old man Maxwell and is now claiming the well to be dry in order to take over the operation himself. In addition to Harris Heyman and Snyde Miller's title tune and Jean Schwartz and William Jerome's "Chinatown My Chinatown, Git Along Little Dogie includes a sing-along of such standard melodies as "Red River Valley" and She'll Be Comin' Round the Mountain", complete with on-screen lyrics for audience participation. ~ Hans J. Wollstein, All Movie Guide

Anxious to graduate from 2-reel comedies to feature films, producer Hal Roach began phasing out his short-subject manifest in 1935. Up until that year, his only talkie features had starred Stan Laurel and Oliver Hardy, so Vagabond Lady can be seen as the vanguard in Roach's new policy of turning out "sophisticated" pictures a la Sam Goldwyn. Evelyn Venable delivers a remarkably good comic performance as Josephine Spriggins, daughter of "Spriggs" Spriggins (Frank Craven), faithful janitor for the department-store firm of R. D. Spear & Company. Prodigal son Tony Spear (Robert Young) falls in love with Josephine and proposes marriage, but his stuffy older brother John (Reginald Denny) vows to save Tony from making so disastrous a social gaffe by marrying the girl himself. The disgruntled Tony retreats to his yacht, where he finds himself saddled with a reluctant passenger -- Josephine. The two spend the rest of the picture getting on each other's nerves, until at the very last moment they realize they're still madly in love after all. Clearly inspired by It Happened One Night (the twist being that the girl is poor and the boy is rich), Vagabond Lady is a minor but agreeable entry in the screwball-comedy genre. The only clue as to the identity of its producer is the film's utilization of stock Hal Roach background-music themes during a nightclub sequence. ~ Hal Erickson, All Movie Guide

Kermit Maynard, the talented brother of western favorite Ken Maynard, launched his own starring series for Ambassador Films with The Fighting Trooper. Maynard is cast as fledgling Royal Canadian Mountie Burke, who hopes to avenge the murder of his best friend. Disguising himself as a trapper, Burke infiltrates the hideout of the supposed murderer. Upon falling in love with the "killer's" sister (Barbara Worth), our hero endeavors to prove the fugitive's innocence. More carefully produced than most independent westerns, The Fighting Trooper kept Maynard on horseback for the most part, allowing this strapping six-footer to do what he did best. ~ Hal Erickson, All Movie Guide