George Plues Movies

With Tim Holt still in military service and Robert Mitchum promoted to "A" pictures, RKO Radio attempted to create a new B-western star in the form of James Warren, who starred in three sagebrushers over a three-year period. Warren's second RKO effort was Sunset Pass, a remake of an oft-filmed Zane Grey story. The star is cast as Rocky, a railway express officer assigned to break up a train-robbery gang operating on the Arizona border. John Laurenz plays Rocky's Spanish-Irish sidekick Chito Rafferty, a role later assigned to Richard Martin in the Tim Holt series. One of the film's two heroines is played by Jane Greer, who unlike James Warren was destined for bigger things at RKO. ~ Hal Erickson, Rovi

This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, Rovi

RKO brought its "Mexican Spitfire" saga to a close with the eighth film in the series, Mexican Spitfire's Blessed Event. Lupe Velez is back again in the leading role, as is Leon Errol as disguise-happy Uncle Matt, but Velez's husband is now played by Walter Reed. When Lupe purchases a baby ocelot while on vacation, she sends a fractured-English telegram that leads everyone to believe that she's become a mother. Somehow this is tied in with her husband's big business deal with whisky manufacturer Lord Epping, who for the purposes of the plot twists is a dead ringer for Uncle Matt. 63 minutes later, it's all over. ~ Hal Erickson, Rovi

Universal's Ragtime Cowboy Joe is a modern western with a dash of music, not unlike the standard fare at Republic Pictures. The title character is a confused cowhand played by Fuzzy Knight, while the hero is Steve (Johnny Mack Brown), an undercover detective on the prowl for cattle rustlers. Villain Dick Curtis, fresh from getting his lumps in Columbia's Charles Starrett films, is chief henchman for the land grabber who is behind the rustling. In traditional fashion, the plot is wrapped up by a chase and a quick exchange of blows. Ragtime Cowboy Joe boasts no fewer than two heroines: pert stenographer Mary (Marilyn-later Lynn Merrick) and cowgirl Helen (played by Nell O'Day, one of the best horsewomen in the movies). ~ Hal Erickson, Rovi

The Three Mesqueteers attempt to prevent wholesale slaughter in this fine Republic Western starring John Wayne, Ray "Crash" Corrigan, and Raymond Hatton. Planning to build a reservoir on the site, the state government has condemned the town of New Hope and surrounding ranches. Construction chief M.C. Gilbert (LeRoy Mason) arrives with a clear mandate to buy off both the townsfolk and the ranchers but receives unwanted resistance from old Major Braddock (Eddy Waller) and his grandchildren (Jennifer Jones, Dave O'Brien, and Sammy McKim), who are ready to take up arms against the intrusion. When Gilbert and his cohort, Proctor (Harrison Greene), resort to ungentlemanly methods, including bringing in a crooked real-estate developer (Wilbur Mack), the Mesqueteers ride into action. Jennifer Jones, in her screen debut, is billed under her real name of Phyllis Isley. ~ Hans J. Wollstein, Rovi

Robert Allen isn't particularly "reckless" in this rather pedestrian Western, which had the gall to cast the non-actor in dual roles. When Jim Allen (Allen number one) is lynched, his identical twin brother Bob (Allen number two), a Texas Ranger, takes his place in an attempt to flush out the man responsible. He proves to be one Barlowe (Harry Woods), a cattle baron who has hired a gang of ruffians to intimidate the local sheepherders. But when one of the gang members, Mort (Jack Rockwell), escapes from the law, the game is up and Bob's real identity is revealed. Attempting to warn her beau, pretty Mildred Newton (Louise Small) is abducted along with the late Jim Allen's young son, Jimmy (Buddy Cox). The latter, however, manages to free himself and while Bob hunts down the evil Barlowe. The sheep men, lead by Mildred's brother, Chet (Jack Perrin), bring the rest of the gang to justice. ~ Hans J. Wollstein, Rovi

A courageous Texas Ranger leaves his job to mediate a violent, long-standing dispute between his family and that of his sweetheart. When, his investigations reveal that there is a third party of troublemakers involved, he gallops off to stop them and restore the peace. ~ Sandra Brennan, Rovi

Hit the Saddle has enjoyed more latter-day attention than most of Republic's "Three Mesquiteers" western films thanks to the presence of young Rita Hayworth. Billed under her given name of Cansino, Rita plays a seductive saloon thrush who breaks the heart of Mesquiteer Stony Brook (Robert Livingston). Her role in the proceedings is secondary to the main thrust of the plot: Evil cattle rancher J.P. McGowan has been stealing wild horses from government-owned territory. McGowan murders a local sheriff and pins the blame on a wild stallion. The Mesquiteers (Livingston, Ray "Crash" Corrigan and Max Terhune) prove the nag's innocence, but not before McGowan is hoist on his own petard. ~ Hal Erickson, Rovi

Guns and Guitars could have served as the title of any Gene Autry picture released in 1937. In this one, medicine-show entertainer Gene runs afoul of a crooked town boss who moonlights as an outlaw. The villain murders the local sheriff and pins the blame on poor Gene. With the help of comical sidekick Smiley Burnette, our hero breaks out of jail to clear his name. Though Guns and Guitars contains more action than usual for an Gene Autry picture, it pales in comparison to such superior 1937 Autry vehicles as Rootin' Tootin Rhythm and Boots and Saddles. ~ Hal Erickson, Rovi