Helena Pickard Movies

In this espionage drama, Soviet spies use a Cornish salmon poacher to ferry them across the English Channel. When the man realizes who they are, he maroons them. He becomes a hero. Then he finds himself up on poaching charges. ~ Sandra Brennan, All Movie Guide

British film-favorite Anna Neagle, having previously played such great historical personages as Queen Victoria and Edith Cavell, tackles the role of Florence Nightingale in Lady with the Lamp. Based on a play by Reginald Berkeley, the film traces the indefatigable Nightingale's efforts to minister to the thousands of casualties of the Crimean War. Opposed in the uppermost circles of British government because she is "merely" a woman, Nightingale is championed by the Hon. Sidney Herbert (Michael Wilding), minister of war. Herbert pulls strings to allow Nightingale and her nursing staff access to battlefield hospitals, and in so doing changes the course of medical history. Lady with the Lamp was, as usual, produced and directed by Anna Neagle's husband Herbert Wilcox. ~ Hal Erickson, All Movie Guide

In this comedy drama, a taxi driver finds an abandoned greyhound puppy and takes it home to his daughter who raises it and trains it to race. While at the track, a corrupt dog owner sees the dog as a threat to his champion and tries to buy it from her. She refuses, and so he tries to frame the taxi-driver on fake drunk-driving charges. Fortunately, the dog wins the Big Race and the cabby's good name is eventually cleared. ~ Sandra Brennan, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

Director Walter Forde, a past master at blending mystery, melodrama and comedy (vide The Ghost Train and Bulldog Jack), is at his best with Saloon Bar. Most of the action takes place during one busy evening in an English pub, with a rich variety of believable comic characters weaving in and out of the scene. A murder is committed, and everyone falls under suspicion. Hero and heroine Gordon Harker and Elizabeth Allen solve the mystery with becoming modesty (compare this to the wisecracking protagonists in similar American films). Saloon Bar was based on a long-running stage play by Frank Harvey. ~ Hal Erickson, All Movie Guide

Anna Neagle is every other inch a lady in the frolicsome costume epic Nell Gwyn. The star is of course cast as the title character, the lusty orange vendor-turned-actress who becomes the "great and good friend" of merry monarch King Charles II (Sir Cedric Hardwicke). This is not to the liking of the King's current favorite, the Duchess of Portsmouth (Jeanne De Casalis), who wastes no time plotting Nell Gwyn's downfall -- only to be banished from court herself. Meanwhile, essayist Samuel Pepys (Esme Percy), the Walter Winchell of his day, records every aspect of the scandalous romance between Nell and the King in colorful detail. Perhaps as a balm to the censors, the story is told in flashback form from the point of view of an aging, dissipated Nell, who has come to learn the terrible price of living life too fully. Despite this cautionary framing device, the film was never meant to be taken seriously: in the opening titles, the screenplay is credited to Miles Malleson, "in collaboration with King Charles II, Samuel Pepys and Nell Gwyn." The film was produced by Anna Neagle's future husband Herbert Wilcox, who'd made a silent version of the same story with Dorothy Gish. ~ Hal Erickson, All Movie Guide

Rugged seamen in drag provide the basis of this British comedy, an entry in the "Splinters" comedy series. The trouble begins when the Royal Navy's boxing champion steals the lover of another sailor. The jilted fellow decides to settle his beef with the boxer in the ring. It is a long and bloody bout but in the end, the Champ remains the champ. He also gets the girl. ~ Sandra Brennan, All Movie Guide