Pascale Perry Movies

Few Roy Rogers westerns were as gratuitously violent as the 1948 release Eyes of Texas. This time, Rogers' principal antagonist is a woman lawyer named Hattie Waters (Nana Bryant). With a battalion of homicidal henchmen at her beck and call, Hattie attempts to grab up all the valuable ranch property in the territory by scaring off -- or killing off -- her competition. Hero Rogers doesn't buy the official party line that the killings have been perpetrated by wolves, especially after he befriends and tames one of the huge beasts, so he divides his time between singing his usual quota of songs and bringing the baddies to justice. So convincing was Nana Bryant's performance as the despicable Hattie Waters, that the actress' daughter-in-law stubbornly refused to watch Eyes of Texas whenever it popped up on TV in later years. ~ Hal Erickson, All Movie Guide

In his final starring Western for PRC, Bob Steele plays Jim Brandon who is imprisoned for a bank robbery and murder he didn't commit. Returning home on parole, Jim is ostracized by all and sundry, except Sheriff Warner (Steve Clark) and Betty Morgan (Ellen Hall), both of whom believe in his innocence. Aided by ranch cook Utah McGirk (Syd Saylor), Jim begins an investigation into the killing of his ranch partner and manages to find the murderer by using a new French discovery, ballistics. In between the fightin' and shootin', Don Weston performs his own "Trying to Forget" and "End of Rainbow Trail." ~ Hans J. Wollstein, All Movie Guide

A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own. After accidentally killing one of Martin's men, Taggart (I. Stanford Jolley), in a barroom fight, Jerry becomes a fugitive wanted for murder. He joins a gang led by Smoke (Stuart Hamblen), one of Martin's henchmen, hoping to obtain enough evidence to convict the crooked banker. Along with Tommy Holden Jr. (John James), who has replaced his late father as town marshal, Jerry sets a trap for Mason's weak-willed son, Phillip (Rand Brooks). In a desperate attempt to escape justice, Mason kills Phillip, but is arrested by Jerry. The latter is cleared of all charges and elected sheriff by a grateful citizenry. Country gospel songwriter Stuart Hamblen makes a fine villain in one of his infrequent screen appearances and blonde Lynn Merrick is, as always, an attractive adornment to any "Red" Barry vehicle. Merrick, whose contract was held jointly by Republic and Columbia Pictures, appeared in no less than 16 Barry Westerns, one of the longest runs of any sagebrush heroine. Her "leading man" this time around, however, is John James, not Barry. The Sombrero Kid was filmed at the Walker Ranch at Placerita Canyon, CA, a busy location for low-budget moviemaking from 1931-1955. ~ Hans J. Wollstein, All Movie Guide

Bantam-weight western star Don "Red" Barry certainly deserved his designation as "The Cowboy Cagney" in Republic's Desert Bandit. Barry is cast as two-fisted Texas Ranger Bob Crandall, who after being dishonorably discharged heads to the Mexican border to start life anew. He falls in with a gang of gun runners, headed by corrupt lawman Largo (William Haade). It turns out, of course, that Crandall's "disgrace" was merely a ruse to allow him to work undercover in bringing Largo and his minions to justice. More realistic than most Republic B oaters, Desert Bandit is climaxed by a tension-filled shootout between hero and villain. ~ Hal Erickson, All Movie Guide

Rodeo champ Gene Autry inherits half interest in both a ranch and a mine that provides steady employment for the surrounding rancheros. Unfortunately, the other half goes to Easterner Barbara Erwin (Carol Hughes), who is only interested in monetary remuneration. To convince Gene to buy her share, Barbara enters into an unholy alliance with unscrupulous attorneys Arnold (Ivan Miller) and Fry (Sam Flint), who, without their client's consent, hire a gang of thugs headed by Tommick (John Merton). When a ranchero (Elias Gamboa) is mortally wounded in the ensuing gun battle, Barbara sees the error of her way and switches sides. When not fighting for the rights of the common man, Gene Autry and sidekick Smiley Burnette perform "Under Fiesta Stars", "Purple Sage in the Twilight", "When You're Smiling" and "The Man in the Flying Trapeze". Under Fiesta Stars has been restored to its original length of 62 minutes by Gene Autry Entertainment. ~ Hans J. Wollstein, All Movie Guide

Roy Rogers is forced to chase down his own kid brother in this exemplary Republic Pictures oater produced and directed by Joseph Kane. Roy Rogers Sr. (Lane Chandler) is brutally murdered by nasty Ed Tasker (Frank M. Thomas), who takes off with the only witness to the killing, Rogers' youngest son, Tim (Buz Buckley). Years later, Roy Rogers Jr. returns to the family's Circle R ranch under the name of Roy Reynolds and quickly resumes a lost romance with the neighbor's now-grown granddaughter, Ann Meredith (Doris Day). Tasker is still around as well, alas, nastier than ever and extracting protection fees from the local farmers and ranchers. Although seemingly willing to pay his way out of trouble, Roy secretly organizes a vigilante committee to "protect the valley from protection" and ends up hunting down not only Tasker but his own brother, a now grown-up Tim (Don "Red" Barry). The Saga of Death Valley was filmed at Lone Pine, CA, rather than the arid location indicated by the title. Leading lady Doris Day is not the later singer-star but a brunette Republic starlet under contract to the studio from September 9, 1939 to January 28, 1940. ~ Hans J. Wollstein, All Movie Guide

The Three Mesquiteers take on a group of frontier fascists in the zippy series entry Roarin' Lead. This being Season One of the "Mesquiteers" series, the heroic threesome is played by Ray "Crash" Corrigan (as Tucson Smith), Robert Livingston (Stony Brooke), and Max Terhune (Lullaby Joslin). Appointed trustees of an estate, the Mesquiteers are assigned to turn over part of the legacy to a trustee of an orphanage. Said trustee is a member of a cattlemen's protective association, run along the lines of a brown-shirted private army by corrupt politico Hackett (Hooper Atchley). To save the orphanage from being closed down by Hackett and his minions, the Mesquiteers ride hard, fight harder, and shoot hardest. Best moment: Upon being confronted by Hackett henchman Canary (Yakima Canutt) and a group of cowboy storm troopers, our three heroes burst out laughing. ~ Hal Erickson, All Movie Guide

Ken Maynard saves Geneva Mitchell from a runaway coach in the opening of this so-so Columbia western. The victim of a stage hold-up, Geneva is mighty grateful but her banker father (John Ince) is only too willing to believe uncouth Charles "Slim" Whitaker when he fingers Ken as the master-mind behind the latest outrage, a bank heist. Geneva, meanwhile, has recognized nasty Harry Woods) as the real culprit of both stage holdup and bank robbery and promptly gets herself kidnapped. With Ken behind bars, help is a bit slow in coming but the bad guys are corralled in due time and peace is finally restored to the town of Santana. Sidekick Guy Wilkerson takes time out to serenade a winsome Indian maiden -- three times! -- and even Maynard is allowed to warble a campfire tune or two, more's the pity. ~ Hans J. Wollstein, All Movie Guide

Yet another Zorro imitation, this adventure serial starred Robert Livingston as Don Loring, whose father and brother are killed by the evil General Burr (Fred Kohler). Seeking revenge, Loring dons a black cape and mask, calls himself "The Eagle," and goes about bringing Burr and his men to justice. As a daytime cover, the hero assumes the role of a kind, simple-minded church organist, a disguise that manages to fool Burr and his collaborator, the nasty Russian Count Raspinoff (Robert Warwick), for the serial's 12 installments. Guinn "Big Boy" Williams co-starred as Salvation, the leader of a motley gang of outlaws who assist Loring in his quest, while brunette Kay Hughes added much needed feminine touch to the proceedings. Produced for Republic Pictures by genre specialist Nat Levine, the serial was co-directed by former actor Mack V. Wright and Ray Taylor. ~ Hans J. Wollstein, All Movie Guide

In the first of two proposed serials for Mascot Pictures, Western hero Ken Maynard goes up against a murderous fiend known as "the Rattler." Wearing a strange disguise consisting of eye glasses, a fake nose, and crepe-hair mustache, the Rattler, aka "the Menace of the Mountain," attempts to control the mountain -- and its hidden gold -- from a secret cave filled with strange electronic gadgets. Maynard is Ken Williams, a young cowboy coming to the aid of Jane Corwin (Verna Hillie), whose railroad worker father (Lafe McKee) was the Rattler's first victim. Just as in a previous Mascot serial, The Hurricane Express (1932), the masked villain of Mystery Mountain uses a seemingly endless supply of rubber masks that enables him to perform his skullduggery disguised as almost every member of the cast. He is finally brought to ground in chapter 12, "The Judgment of Tarzan" ("Tarzan" being Maynard's faithful steed), and is revealed to be supposedly solid citizen Edward Earle. The denouement, of course, was a typical Mascot "cheat," the masked villain having up to that point been played by Edmund Cobb. Maynard, whom Mascot producer Nat Levine had gotten on the cheap at 10,000 dollars a week, proved almost not worth the trouble he created. The difficult star demanded that the serial be filmed at his old stomping grounds, Universal City, and kept changing the script and direction to suit himself. Although Mystery Mountain proved the most successful Mascot serial up to that time, Levine had had enough of the obstinate Maynard and replaced him with newcomer Gene Autry in The Phantom Empire (1935). ~ Hans J. Wollstein, All Movie Guide

A good idea never really gets off the ground in this circus melodrama/western starring Bob Steele. The bantamweight cowboy plays Kit Denton, whose father, Charles (George Hayes), the owner of a traveling circus, is forced to admit that he is unwanted in the western town of Big Ben. As Charles explains, he has been on the run for 18 years after being falsely accused of a murder he didn't commit. To elude the law in general and Big Ben politico Chris McDonald (John Elliott) in particular, Charles must wear his clown makeup at all times. McDonald, however, takes umbrage to any circus visiting his town, especially since his wife, Martha (Vane Calvert), ran off to join one 18 years earlier. Is Kit actually Martha's son and will the Flying Dantons get through their act without interference from McDonald and his lackeys? Like most of Bob Steele's early talkie western melodramas, The Gallant Fool was directed by his real-life father, Robert North Bradbury. ~ Hans J. Wollstein, All Movie Guide

In this western, the locals are being plagued by "Black Death" an evil outlaw who shoots victims with chemical bullets that turn them black. He is pursued by a brave Texas Ranger. When the ranger learns that the killer is following a wild West show --the one the ranger used to work in--the hero rejoins. He soon catches up to the crook and ends up following him to Mexico. A deadly gunfight ensues and the Black Death finally dies. ~ Sandra Brennan, All Movie Guide