Jack Pepper Movies
- 1965
Lately, everything Uncle Joe (Edgar Buchanan) does is wrong, and everything he touches has a tendency to break. Word spreads that Joe is a jinx, and as a result he is treated like a leper by the rest of the community. Kate (Bea Benadaret) takes it upon herself to prove that Joe is not a walking "disaster waiting to happen"--but it isn't easy. ~ Hal Erickson, All Movie Guide
- 1964
Slim and svelte Dianne Adler (Mary Ann Mobley), a hometown girlfriend of Della Street (Barbara Hale), has launched a career as a model. Harrison Boring (Paul Gilbert) hands Dianne the most unusual assignment of her career: For 200 dollars per week, she is to gain a great deal of weight! It seems that Boring is promoting a line of clothes for full-figured women, and he needs a hefty model with "name" value. What Della can't understand is why Dianne would have signed a contract which forfeits 50% of everything she makes over her regular salary to the enterprising Boring. It's a good thing that Della brings this to the attention of her boss Perry Mason (Raymond Burr)--who ends up defending Dianne on a murder charge when Boring is killed. This episode is based on a 1962 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide
- 1956
For reasons unknown, the change-of-pace Bob Hope vehicle That Certain Feeling is out of favor with many Hope buffs. Bob plays Francis X. Dignan, the overly neurotic "ghost" for popular comic-strip artist Larry Larkin (George Sanders). When Larkin's syndicate complains that his work isn't as amusing as it once was, he anxiously tries to hire back Dignan, who walked out on his boss over a petty disagreement. Dignan needs the money, but he'd rather do without the aggravation; this won't be easy, since Larkin is on the verge of marrying Dunreath Henry (Eva Marie Saint), Dignan's ex-wife. Enusing complications include the pompous Larkin's efforts to adopt a troublesome young boy (played by future "Beaver" Jerry Mathers) as a publicity stunt, and a wild night of drunken revelry which leads to the rekindling of Dunreath's affection for Dignan. The story comes to a raucous conclusion during a chaotic "Person to Person"-style interview show. Pearl Bailey adds spice to the program as a musical maidservant, while real-life cartoonist Al Capp (no stranger to "ghosts" himself) appears as himself. That Certain Feeling was based on The King of Hearts, a play by Jean Kerr and Eleanor Brooke. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Eva Marie Saint, (more)
With his movie career fading in 1955, Bob Hope was amenable to writer/director Mel Shavelson's suggestion that Hope try something different. The Seven Little Foys was the first of Hope's two "straight" biopics (the second was 1956's Beau James). Though not completely abandoning his patented persona, Hope does an admirable job of impersonating legendary Broadway song-and-dance man Eddie Foy, right down to the soft-shoe shuffle and affected lisp. A successful "single" in vaudeville, Foy meets and marries lovely Italian songstress Madeleine Morando (Milly Vitale). The union results in seven children, moving the Foys' priest to comment "we're running out of Holy water" after the seventh baptism. Hardly an ideal family man, Foy leaves Madeleine and her sister Clara (Angela Clarke) behind in their Connecticut home to raise the kids, while he rises to spectacular career height. Returning home after attending a testimonial for George M. Cohan (James Cagney, who played this unbilled cameo on the proviso that Hope turn over Cagney's salary to charity), Foy discovers that his wife has died of pneumonia. Months pass: Foy sulks in his rambling house, while his seven kids run roughshod. Foy's manager (George Tobias) suggests that the entire family be assembled into a vaudeville troupe called The Seven Little Foys. Though the kids are profoundly bereft of talent, the act gets by on its charm, and before long Foy is a bigger success than ever. But when Foy and the kids are booked into the Palace on Christmas Day, Aunt Clara decides that the kids are being cruelly exploited, and arranges for the authorities to arrest the act on charges of violating a state law barring children from singing and dancing. The authorities decide to drop the charges when the kids rally around their father, declaring their genuine love for him--but the deciding factor is a quick demonstration that the kids can't sing or dance to save their lives! The Seven Little Foys is a standard Hollywood whitewash job, emphasizing Eddie Foy's virtues (including his on-stage heroism during the infamous Iroquois Theatre fire of 1903) and soft-pedaling or ignoring his faults (e.g. his capacity for alcohol). Wisely, the scenes between Bob Hope and the seven children playing the Little Foys (including Father Knows Best's Billy Gray, The Real McCoys' Lydia Reed and Leave It to Beaver's Jerry Mathers) are refreshingly free of cloying sentiment. Also, Hope is a good enough natural actor to convince us that he deeply cares for his children without gooey effusions of emotion. The film's hands-down highlight is the "challenge dance" between Foy (Bob Hope) and Cohan (James Cagney)--a lasting testament of the superb terpsichorean talents of both men. The Seven Little Foys was narrated by Eddie's son Charley Foy, a fine comedian in his own right. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, James Cagney, (more)
- 1955
An unusually matronly Jane Wyman plays the title character in Lucy Gallant. Adapted from a novel by Margaret Cousins, the story concerns the efforts by Lucy Gallant to make the wide-open spaces of Texas a mecca for High Fashion. Jilted at the altar, Lucy retreats to a booming oil town, where she courageously opens up a gown shop. Rancher Casey Cole (Charlton Heston) is disdainful of "working women", but he never hides the fact that he's madly in love with Lucy. As the film progresses, Lucy nearly loses her business due to financial reverses, but Casey secretly pumps money into her operation, all the while declaring publicly that she's doomed to failure. Lucy's gowns were actually designed by Edith Head, who makes an appearance towards the end of the film, as does the then-governor of Texas, Allan Shivers. Lucy Gallant was the last of the incredibly successful Pine-Thomas productions for Paramount Pictures; there might have been more had not William H. Pine died shortly after completing the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Wyman, Charlton Heston, (more)
- 1954
After a troubled, seemingly sleepless night, Perry White (John Hamilton) arrives at work at the offices of the Metropolis Daily Planet, only to find that -- as part of a civic program that he himself approved -- his job, like that of the mayor, chief of police, and every other important figure in Metropolis, has been given over for one day to the most junior male employee on the staff, part of what is called "Boys' Day." As a result, cub reporter Jimmy Olsen (Jack Larson) is now editor-in-chief of the newspaper, and vows to make an impact in his one day on the job by breaking the Legs Lemmy case -- seven years earlier, Legs Lemmy (Herb Vigran) pulled off a major armored car robbery, but the police were never able to find enough evidence to arrest him, and the statute of limitations for prosecuting the crime is set to run out in 24 hours. Olsen prints a front-page story about having new evidence in the case, which shakes up the mobster enough so that he and his two henchmen arrive at the Planet offices and take Olsen and Lois Lane (Noel Neill) hostage. Clark Kent (George Reeves) and Perry White discover what is happening in White's office, but are helpless to do anything about it, for fear of Lois and Jimmy getting hurt -- even Superman breaking in might cause the hoods to open fire. ~ Bruce Eder, All Movie Guide
A sequel to Bob Hope's 1948 box-office success The Paleface, 1952's Son of Paleface is a superior product in every way, thanks largely to the spirited, creative direction of Frank Tashlin. Hope is cast as Junior Potter, a Harvard-educated dude who heads West to claim the inheritance left him by his gunslinger father. Much to his chagrin, Junior discovers that his dad has left him nothing but debts. To stave off Potter Sr.'s angry creditors, Junior pretends that his father has salted away a fortune somewhere in the hills. This arouses the attention of curvaceous saloon owner Mike (Jane Russell), who doubles as a mysterious masked bandit known as The Torch. Meanwhile, Roy Rogers (playing a federal agent named Roy Rogers) keeps tabs on Junior, hoping that he'll lead him to The Torch and her gang. True to form, ex-cartoonist Tashlin fills the screen with a wealth of inventive sight gags and inside jokes: Cecil B. DeMille shows up as a photographer in one scene, while in another, Hope, about to embark on the film's wild climactic chase sequence, shoos away a couple of vultures wearing bibs, warning them that "You'll make the whole thing look impossible." Our favorite scenes: Hope's Wile E. Coyote-like reaction to a particularly potent drink, and his bedroom scene with Roy Rogers' wonder horse Trigger. And don't forget the film's slightly risque punch line "Let's see them top that on television," (you have to be there). Songs in Son of Paleface include "You Are My Valley of Sunshine," "Four-Legged Friend," "Wing Ding Tonight," "What A Dirty Shame," and a reprise of The Paleface's Oscar-winning "Buttons and Bows," performed by Hope, Russell and Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Jane Russell, (more)
- 1952
Previously filmed in 1938 with Edward G. Robinson in the lead, the Damon Runyon-Howard Lindsay stage farce A Slight Case of Murder was musicalized in 1952 as Stop, You're Killing Me. Broderick Crawford stars as Remy Marko, a soft-hearted Prohibition beer baron who turns honest when the 18th amendment is repealed in 1933. Trouble is, Marko's beer tastes awful and his business plummets. Compounding this headache, Marko's daughter Mary (Virginia Gibson) intends to wed Chance Whitelaw (Billy Hayes), a police officer from a wealthy family. Hoping to put up a respectable front for their prospective in-laws, Marko and his wife Nora (Claire Trevor) rent a fancy mansion-spa in Saratoga -- where, unbeknownst to the ex-bootlegger, four gangster types have been shot to death by a desperado named Innocent (Harry Morgan). The rest of the film finds Remy trying to dispose of the cumbersome corpses while avoiding the baleful stares of both his future in-laws and the police. Not quite as good as its 1938 predecessor, Stop You're Killing Me at least affords viewers the rare opportunity of hearing Broderick Crawford sing! ~ Hal Erickson, All Movie Guide
- Starring:
- Broderick Crawford, Claire Trevor, (more)
This 1951 Gene Autry vehicle is based on a supposedly true incident. At the close of the Civil War, a band of Southern guerillas disguised themselves as Union soldiers, the better to perform acts of sabotage in Utah. Autry plays a cavalry scout who goes after guerilla leader McQuarrie (Jim Davis). Though heavily outnumbered, Gene manages to come out on top. Hardly plausible, Silver Canyon is enhanced by an excellent supporting cast, including Pat Buttram as Autry's sidekick, Bob Steele as an all-around louse, and perennial Autry leading lady Gail Davis as the spunky heroine. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Autry, Pat Buttram, (more)
- 1951
Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide
- Starring:
- Bob Hope, Hedy Lamarr, (more)
The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
- 1938
Upon learning that Darla Hood's father (Jack Pepper) owns a circus, Our Gang members Spanky McFarland and Carl "Alfalfa" Switzer try their best to impress Darla, hoping to land circus jobs. Never letting the facts get in the way of a good story, Alfalfa claims that he is an expert bear tamer, who uses his "magnetic personality" to hypnotize wild bears into submission. Overhearing this, Darla's dad decides to teach Alfie and Spanky a lesson, and to that end he disguises himself as a bear. Best line: "Alfalfa never turns back!" The one-reel "Our Gang" comedy Bear Facts was originally released on March 5, 1938. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Carl "Alfalfa" Switzer, (more)
