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George Navarro Movies

1958  
 
Maracaibo was actor Cornel Wilde's second directorial effort. Wilde casts himself as troubleshooting oil man Vic Scott, who has arrived in Venezuela to help put out a fire at an offshore well. It's a ticklish situation: if Scott fails, not only will he die in the blaze, but all of Maracaibo will likely be destroyed. When he isn't risking his life, Scott romantically pursues ice-princess journalist Laura Kingsley (played by Jean Wallace, at the time Mrs. Cornel Wilde). Joe E. Ross of Car 54 Where are You fame provides a few welcome laughs as a Brooklynese oil rigger. Filmed partially on location, Maracaibo was based on a novel by Stirling Silliphant. ~ Hal Erickson, Rovi

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Starring:
Cornel WildeJean Wallace, (more)
 
1958  
 
War of the Colossal Beast picks up a year after the end of The Amazing Colossal Man -- Joyce Manning (Sally Fraser), sister to the first film's 70-foot-tall Colossal Man, Lt. Col. Glenn Manning (Glenn Langan), believes that her brother is still alive, despite his fall off of Boulder Dam at the denouement of the first movie.Her hope is based on reports out of Mexico about a "very big man" attacking truckers and other passersby in a remote part of the country. As it turns out, Manning (played here by Dean Parkin, since Langan turned down the request to star in a sequel) is alive and hiding somewhere in the mountains, bigger than ever and suffering from serious brain damage, with a hideously deformed face that is covered in scar tissue and missing an eye. Every effort at communicating with the giant fails, and as things always transpire in movies of this sort (at least since the silent version of The Lost World), he breaks out of the place where he is being held and goes on a rampage. ~ Bruce Eder, Rovi

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Starring:
Sally FraserDean Parkin, (more)
 
1958  
 
Iris Teleton (Margaret Leighton) is invited to tea by Blanche Herbert (Marsha Hunt), who is carrying on an affair with Iris' husband, Oliver (Murray Matheson). When Blanche asks Iris to give Oliver a divorce, Iris turns her down -- thus setting in motion a chain of events leading to murder. In the end, Iris' fate rests in the hands of her husband...and one might conclude that he knew all along what the outcome of the story would be. ~ Hal Erickson, Rovi

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1957  
 
While on vacation in Mexico, a wealthy woman dies in the back seat of the car owned by her daughter Janet (Mary Scott) and son-in-law Evan (George Peppard). Reporting the woman's demise, the couple returns to find that the car has been stolen -- and with no corpse, they will be unable to claim Janet's inheritance. In desperation, Janet and Evan hire a sleazy private eye named Tomas Salgado (a role made to order for Peter Lorre), who agrees to locate the body and ship it back to Los Angeles...but only for a hefty price. ~ Hal Erickson, Rovi

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1957  
 
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Les Girls is the Rashomon of MGM musicals. The film is told in flashback, as Mitzi Gaynor and Taina Elg, two-thirds of a popular cabaret trio, attempt to legally block the third, Kay Kendall, from writing her memoirs. Each of "Les Girls" has her own interpretation of the group's previous professional and amorous escapades. To make sense of these wildly diverse recollections, the court must rely upon a fourth party to straighten things out. Enter Gene Kelly, the dancing star who organized "Les Girls" in the first place. But can Kelly be believed? The "truth" of the many reminiscences in Les Girls is secondary to the dazzling beauty of its female stars, and to the delightful musical numbers, the best of which is an extended Marlon Brando parody titled "Why Am I So Gone About That Gal?" This was Gene Kelly's last musical effort for MGM, the studio he joined way back in 1943; the film was the inspiration for the short-lived 1963 TV series Harry's Girls, which starred Larry Blyden, Susan Silo, Dawn Nickerson and Diahn Williams. ~ Hal Erickson, Rovi

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Starring:
Gene KellyMitzi Gaynor, (more)
 
1954  
 
The Americano is Glenn Ford, a north-of-the-border cowboy working in Brazil. Ford has been assigned to deliver a cargo of Brahma bulls to a South American ranch. His progress is impeded by homicidal land-grabber Frank Lovejoy and jovial bandido Cesar Romero. Those are merely the human obstacles; there are also piranhas and jungle predators to contend with. Ford also finds tie to romance Ursula Theiss and Abbe Lane. Luxuriously location-photographed in Technicolor, The Americano was one of the larger-budgeted directorial efforts of exploitation king William Castle. ~ Hal Erickson, Rovi

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Starring:
Glenn FordFrank Lovejoy, (more)
 
1954  
 
Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, Rovi

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Starring:
Vera RalstonJoan Leslie, (more)
 
1953  
PG13  
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Daniel Mainwaring took this story right out of the headlines of the day, penning this true story of a mass murderer who was eventually executed in San Quentin's gas chamber. Released during McCarthy's witch-hunt, Mainwaring was not given credit because Howard R. Hughes, who produced it under RKO, refused to give credit to any "radicals." The story is that of two men on a fishing trip who pick up a hitchhiker. He turns out to be a sadistic psychopath who has committed multiple murders, a sociopath who hates humanity because of his own abuse as a child. He also has an affliction which terrifies these two men: an eye which is permanently open, thereby never allowing them to know if he is really asleep or just faking it--something which he does with regularity to scare them...letting them take off and then meeting up with them just as they feel they have escaped from him. A tense thriller skillfully directed by the only female director of the time, Ida Lupino, it is a suspenseful tale of terror on the highways. ~ Tana Hobart, Rovi

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Starring:
Edmond O'BrienFrank Lovejoy, (more)
 
1953  
 
The answer is: A turgid melodrama. The question: What is Jeopardy? Barbara Stanwyck stars as a suburbanite on a Mexican vacation with her husband (Barry Sullivan) and son (Lee Aaker). The threesome runs afoul of escape convict Ralph Meeker. Stanwyck's dilemma: Attempting to rescue her husband from drowning, while staving off the carnal demands of Meeker, who holds Stanwyck and her son at gunpoint. Jeopardy is on and off in only 69 minutes, but 64 of those minutes seem far longer. Trivia note: When dramatized on Lux Radio Theater, Jeopardy costarred child actor Harry Shearer, later a comic regular on Saturday Night Live. ~ Hal Erickson, Rovi

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Starring:
Barbara StanwyckBarry Sullivan, (more)
 
1953  
 
Even without its 3D/stereophonic sound gimmickry, Second Chance is a crackling good suspenser. Robert Mitchum plays Russ Lambert, a prizefighter who heads to South America to forget a recent tragedy in the ring. Here he meets Clare Shepard (Linda Darnell), who is likewise running away -- not from her bitter memories, but from her boyfriend, a vicious gangster. Also newly arrived in South America is Cappy Gordon (Jack Palance), the cold-blooded triggerman for Clare's ex-beau. After several close calls and near-misses, the three main characters converge in a disabled cable car, high above a deep abyss. Filmed on location at RKO Radio's Mexican facilities, Second Chance takes a while getting started, then rapidly builds to a heart-pounding finale. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumLinda Darnell, (more)
 
1952  
G  
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Ernest Hemingway could never come to terms with Hollywood's preoccupation with The Happy Ending: he accepted the money for the screen rights to his short story The Snows of Kilimanjaro, but he could never bring himself to watch it. Gregory Peck plays a character based, in decidedly unflattering fashion, on Hemingway crony F. Scott Fitzgerald. While hunting in the African mountains in the company of his faithful lady friend Susan Hayward, Peck is seriously wounded; in fact, it doesn't look as though he'll survive the night. In the few hours he has left, Peck reflects upon what he considers a wasted life. Having aspired to be the Great American Novelist, Peck has only turned out money-making drivel. The only time that he truly felt as though he'd made a contribution to the world was when he fought on the Loyalist side in Spain (this element isn't in the short story, but is drawn from Hemingway's own experiences). As for his lost romance with his late wife Ava Gardner, Peck still cannot figure out what went wrong. The Hemingway original ended with the Peck character dying from his wounds; producer Darryl F. Zanuck wouldn't hear of this, preferring that Peck survive with the resolve to write something of lasting value. The Technicolor location photography of Leon Shamroy and the rumbling musical score of Bernard Herrmann are the main attractions of The Snows of Kilimanjaro. ~ Hal Erickson, Rovi

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Starring:
Gregory PeckSusan Hayward, (more)
 
1947  
 
Pirates of Monterey is set during the early 19th century, at a time when California was asserting its independence from Mexico. Rod Cameron plays Phillip Kent, a devil-may-care mercenary hired to transport a shipment of rifles to the American army detachment at Monterey. Along the way, he is forced to do battle with Mexicans, Indians and various and assorted thieves. Somehow, he finds time to pitch woo with the tempestuous Marguerita (Maria Montez), whose fiery Mexican dance routines are something to behold. Less exciting to watch than it is to read about, Pirates of Monterey at least has the advantage of Technicolor. ~ Hal Erickson, Rovi

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Starring:
Rod Cameron