Corbet Morris Movies

Olive Higgins Prouty's popular novel was transformed into nearly two hours of high-grade soap opera by several masters of the trade: Warner Bros., Bette Davis, Paul Henreid, director Irving Rapper, and screenwriter Casey Robinson. Davis plays repressed Charlotte Vale, dying on the vine thanks to her domineering mother (Gladys Cooper). All-knowing psychiatrist Dr. Jaquith (Claude Rains) urges Charlotte to make several radical changes in her life, quoting Walt Whitman: "Now voyager sail thou forth to seek and find." Slowly, Charlotte emerges from her cocoon of tight hairdos and severe clothing to blossom into a gorgeous fashion plate. While on a long ocean voyage, she falls in love with Jerry Durrance (Henreid), who is trapped in a loveless marriage. After kicking over the last of her traces at home, Charlotte selflessly becomes a surrogate mother to Jerry's emotionally disturbed daughter (a curiously uncredited Janis Wilson), who is on the verge of becoming the hysterical wallflower that Charlotte once was. An interim romance with another man (John Loder) fails to drive Jerry from Charlotte's mind. The film ends ambiguously; Jerry is still married, without much chance of being divorced from his troublesome wife, but the newly self-confident Charlotte is willing to wait forever if need be. "Don't ask for the moon," murmurs Charlotte as Max Steiner's romantic music reaches a crescendo, "we have the stars." In addition to this famous line, Now, Voyager also features the legendary "two cigarettes" bit, in which Jerry places two symbolic cigarettes between his lips, lights them both, and hands one to Charlotte. The routine would be endlessly lampooned in subsequent films, once by Henreid himself in the satirical sword-and-sandal epic Siren of Baghdad (1953). ~ Hal Erickson, Rovi

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, Rovi

While the "Tarzan" series was going full blast at MGM, several independent producers managed to secure the screen rights to Edgar Rice Burrough's Lord of the Jungle for their own low-budget adventure films. Taking into consideration the fact that MGM's Tarzan was Olympic swimming star Johnny Weissmuller, Sol Lesser managed to cast two Olympic athletes in 1938's Tarzan's Revenge: 1936 decathlon champion Glenn Morris as Tarzan and aquatic medal-winner Eleanor Holm as "Eleanor". The audience doesn't see much of old Tarz' during the first few reels, as Eleanor, her uncle (George Barbier), her sweetheart (George Meeker) and her aunt (Hedda Hopper) safari through the jungle in search of big game. But when Eleanor is kidnapped by lascivious jungle sultan Ben Alieu Bey (C. Henry Gordon), Tarzan comes swinging to the rescue. Though an irredeemably awful actor (his "jungle yell" is so ludicrous as to be laughable), Glenn Morris cuts quite a figure in his Tarzan loincloth, while the curvaceous Eleanor Holm demonstrates just what it was that attracted so many celebrity suitors on both sides of the Atlantic. ~ Hal Erickson, Rovi

In this adaptation of the operetta by Rudolf Friml, secret agent Nina Maria Azara (Jeannette MacDonald) is working undercover for the King of Spain as a singer known as the "Mosca del Fuego" or "Firefly." Her mission is to uncover Napoleon's plot to invade Spain before it is too late. This film features a variety of songs including "Donkey Serenade," "Love Is Like a Firefly," " and "When a Maid Comes Knocking At Your Heart." ~ Iotis Erlewine, Rovi

Previously filmed in 1928, the old Willard Mack stage melodrama The Noose was updated and streamlined in 1936 as I'd Give My Life. Hoping that his son Nick (Tom Brown) will follow in his footsteps, jaded gangster-gambler Buck Gordon (Robert Gleckler) arranges to have the boy thrown into reform school. The kid is saved from a life of crime when Buck's ex-wife (Janet Beecher) marries Governor Bancroft (Sir Guy Standing). Enraged that his plans have been thwarted, Buck blackmails his former wife, threatening to reveal her shady past to her present husband. Rushing to his mother's defense, Nick shoots and kills Buck then refuses to explain his motives -- even as he is sentenced to hang for his crime. Frances Drake co-stars as Nick's sweetheart Mary, the role played on Broadway by Barbara Stanwyck. ~ Hal Erickson, Rovi

A New York novelist (Henry Fonda) meets up with an actress (Margaret Sullavan), and the two date and later marry, though neither knows of the other's fame. The real adventure begins on the honeymoon, when this screwball comedy really heats up with insults and arguments. ~ John Bush, Rovi