Norman Mitchell Movies

This appalling British horror comedy from director Jim Groom deals with the results of bestiality. Island farmer Gyles MacDonald (Michael Balfour) has carnal knowledge of a goat, which then gives birth to a mutant dwarf with a goat's head. The creature ends up growing to monstrous size and murdering people. Crude and slow, this film is for acquired tastes only, but horror fans may be surprised to see Hammer Films veteran Michael Ripper among the cast. Groom returned with Beyond Bedlam (1994). ~ Robert Firsching, All Movie Guide

Faye Dunaway stars in Michael Winner's labored re-make of the 1945 swashbuckler, which was co-scripted by Leslie Arliss, the original director of the 1945 film. Dunaway is Lady Barbara Skelton, a lady of the royal class, who becomes a highway robber, taking up with Captain Jerry Jackson (Alan Bates), a highwayman and her lover. Because of a notorious whiping scene in which Lady Barbara and Jackson's girlfriend (Marina Sirtis) take horsewhips to one another, tearing their clothing to strategically-placed ribbons, the film was held back from release because Winner refused to cut the salacious footage. After corralling author Kingsley Amis, and directors John Schlesinger, Karel Reisz, and Lindsay Anderson to attest to the redeeming social value of the scene, the scene stayed in the film. ~ Paul Brenner, All Movie Guide

In this made-for-television mystery (adapted from a novel by Agatha Christie) a man dying on a beach utters the question "Why didn't they ask Evans?" Amateur detectives Frankie and Bobby subsequently begin digging for an explanation for the enigmatic query, which leads them to an utterly surprising conclusion. ~ Sandra Brennan, All Movie Guide

The Carry On series is living on fumes in this late entry. An unofficial burlesque of the Emmanuelle series (albeit with a single modification: the spelling of the name was changed to 'Emmannuelle' to avoid legal complications), the film centers upon Emmannuelle Prevert (Suzanne Danielle) and her unsuccessful attempts to make love to her husband Emile (Kenneth Williams), a French ambassador. Emile grants Emmannuelle permission to bed down with anyone she likes and her prodigious intercourse rate turns her into a celebrity and a frequent talk show guest. Meanwhile, Theodore Valentine (Larry Dann) is hopelessly in love with her and wants to marry her. Emmannuelle, however, is obsessed with arousing her husband Emile's sexual desire at almost any cost. ~ Paul Brenner, All Movie Guide

Peter Cushing stars as a police investigator whose search into a series of murders--committed during the full moon--leads him to a French zoo run by a strange keeper. ~ Jason Ankeny, All Movie Guide

Bless This House is a feature-length spinoff of the British TV sitcom of the same name. The episodic nature of the film suggests that it was cobbled together from various half hours of the original series. Sidney James and Diana Coupland play the nonplussed owners of a "money pit" new home. Their misadventures involve fire, water, homemade booze, and angry neighbors. Most American viewers got their first chance to savor Bless This House when the featurized version was made available to cable TV in the early 1980s. ~ Hal Erickson, All Movie Guide

Rat-pack pals Sammy Davis Jr. and Peter Lawford reprise their roles of Charlie Salt and Chris Pepper, respectively, in this film that marks the directorial debut of comedian/writer Jerry Lewis. Lawford also plays Lord Sydney Pepper, the twin brother of Charlie who is a murder victim. Salt and Pepper investigate the crime in this uneven comedy feature. Pepper takes the place of his dead brother and winds up involved in a diamond-smuggling operation. The duo is chased through the bucolic English countryside by Interpol agents and crooks after the stolen gems. Like many sequels, it fails to be as amusing as the original, which wasn't that great in the first place. ~ Dan Pavlides, All Movie Guide

Jamie Hopkins (Cliff Richard) is a wayward young man who lives with his mother and steals drugs from the doctor's office where she works. His similarly unscrupulous girlfriend Carol (Ann Holloway) lives gleefully in her similarly amoral life until she is converted to Christianity when she attends a traveling religious crusade led by evangelist Billy Graham (himself). Carol's life is changed as a result of her conversion, and she attempts to show her wayward boyfriend the light. Jamie is eventually prepared to change his lowdown ways in this predictable, overly simple story of spiritual redemption and religious piety. Pop singer Richard delivers three songs as well as starring as the principle character in the film. ~ Dan Pavlides, All Movie Guide

Inspired by Charles Dickens' novel Oliver Twist, Lionel Bart's 1961 London and Broadway musical hit glossed over some of Dickens' more graphic passages but managed to retain a strong subtext to what was essentially light entertainment. For its first half-hour or so, Carol Reed's Oscar-winning 1968 film version does a masterful job of telling its story almost exclusively through song and dance. Once nine-year-old orphan Oliver Twist (Mark Lester) falls in with such underworld types as pickpocket Fagin (Ron Moody) and murderous thief Bill Sykes (Oliver Reed), it becomes necessary to inject more and more dialogue, and the film loses some of its momentum. But not to worry; despite such brutal moments as Sikes' murder of Nancy (Shani Wallis), the film gets back on the right musical track, thanks in great part to Onna White's exuberant choreography and the faultless performances by Moody and by Jack Wild as the Artful Dodger. The supporting cast includes Harry Secombe as the self-righteous Mr. Bumble and Joseph O'Conor as Mr. Brownlow, the man who (through a series of typically Dickensian coincidences) rescues Oliver from the streets. Oliver! won six Oscars, including Best Picture, Best Director, and a special award to choreographer Onna White. ~ Hal Erickson, All Movie Guide

British musical star Tommy Steele had starred in Half a Sixpence in London and on Broadway, thus he was first choice for this garish film version. Based on the H.G. Wells story Kipps (previously filmed in 1941 with Michael Redgrave), Half a Sixpence tells the tale of a humble London drapery clerk (Steele) who inherits a fortune. He briefly forgets his old mates and his faithful girl friend (Julia Foster), but soon discovers that High Society isn't his cup of tea. Filmed during the "monster musical" cycle fostered by The Sound of Music, Half a Sixpence isn't really suited for the spectacular approach dictated by co-producer Charles H. Schneer. Fortunately, the guiding directorial hand is the film's other producer: George Sidney, a veteran of MGM's Arthur Freed unit, who knew how to successfully weld music with story. Thanks to Sidney and star Steele, Half a Sixpence never gets too out of hand, though we'd argue with some of the eyestrain-inducing color choices in the bigger numbers. The film might have done better at the box office had the score yielded a few hit songs. ~ Hal Erickson, All Movie Guide

In this drama, two boys from London--one an abused child, and the other, the son of a neglectful hooker--attempt to board a Jamaica bound ship in order to escape their miserable lives. It is on the exotic island that one of the boys' father is said to live. They get passage by stealing a suitcase from a nearby Rolls belonging to a shipping magnate. They are unfortunately, caught, lectured and sent home. Their one hope is that the fellow informed them that there are many ships leaving from Jamaica. ~ Sandra Brennan, All Movie Guide

In this youthful drama, based on a true story, a group of boarding school girls who have lost their virginity begin to proudly wear yellow teddy bear pins to show that they are now worldly women. One of them, a troubled 16-year old who has been ignored by her parents, is quite pleased when she finally gets her pin. Unfortunately she also gets pregnant. Her impregnator is a window washer and aspiring pop singer. She needs an abortion and is assisted by a helpful hooker who also helps her become a streetwalker so she can raise the cash for the operation. The girls father is outraged when he learns the truth, but he blames the school's biology teacher, not his daughter. He is angry with the educator because she knew all about the teddy bear club and was the one who talked about sex with them. The teacher resigns after being reprimanded. Before she does though, she gives an emotional speech to the school board. Meanwhile the troubled girl, runs away to London. ~ Sandra Brennan, All Movie Guide