Frank Meredith Movies
Director Mervyn Leroy lends a burnished MGM gloss to this sordid tale of infidelity among rich New York East Siders. Barbara Stanwyck stars as Jessie Bourne, a charming society woman whose finds out that her husband Brandon (James Mason) is guiltily indulging in an illicit affair with the earthy Isobel Lorrison (Ava Gardner). Jessie bears her husband's indiscretion with a gallant dignity, and when Isabelle is killed, Jesse realizes that she doesn't care for Brandon anyway. Van Heflin is also on hand as ex-cop Mark Dwyer, who admires Jessie's stoic dignity. ~ Paul Brenner, All Movie Guide
- Starring:
- Barbara Stanwyck, James Mason, (more)
George Seaton's 1948 comedy Chicken Every Sunday was based on the play by Julius J. Epstein and Philip G. Epstein as well as the original memoirs of Rosemary Taylor. Set during the turn of the century on the American frontier, Emily Heffernan (eleste Holm) is the practical wife of foolish would-be businessman Jim Heffernan (Dan Dailey). While Emily struggles to keep the household together by renting out rooms to boarders, Jim wastes the family's earnings on get-rich-quick schemes. Told in flashback, Emily recalls her 20-year marriage before filing for divorce. Emily has had enough and wants to leave, but their friends try to get them back together. Also starring Colleen Townsend, Alan Young, and a ten-year-old Natalie Wood. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Dan Dailey, Celeste Holm, (more)
Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Paul Lukas, (more)
In this drama, three veteran pilots from WW II decide to start their own air freight business. In order to earn enough money, one of them takes a dangerous job as a test pilot. His very pregnant wife objects, but this does not stop him. Fortunately, another partner scams him and ends up doing the testing himself despite that fact that he was grounded during the war for a strange nerve ailment. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Crane, Faye Marlowe, (more)
Dick Tracy, Detective (originally just Dick Tracy) was the first of four RKO Radio B-pictures based on Chester Gould's classic comic strip. Though Ralph Byrd is most closely associated with the role of Tracy, the title character is played herein by Morgan Conway (Byrd would be seen as Tracy in the last two series entries). The jut-jawed detective takes on a vicious criminal named Splitface (Mike Mazurki), who upon escaping from jail vows to murder the jurors who found him guilty and their alternates. He manages to knock off three before the police force figures out what's happening. Galvanized into action, Dick Tracy and his partner Pat Patton (Lyle Latell) track Splitface to a deserted riverboat (a leftover set from the 1945 RKO feature Man Alive) where the villain is holding Tracy's girlfriend Tess Truehart (Anne Jeffreys) and adopted son Junior (Mickey Kuhn) captive. When asked about Dick Tracy Detective in 1990, Anne Jeffreys flatly denied she'd ever played Tess Trueheart until she caught up with the film on videotape. She'd completely forgotten the whole experience. ~ Hal Erickson, All Movie Guide
- Starring:
- Morgan Conway, Anne Jeffreys, (more)
The 1940 Warner Bros. quickie A Fugitive From Justice is based on Leonard Neubauer's short story "Million Dollar Fugitive." Roger Pryor plays insurance investigator Don Miller, who endeavors to hide Lee Leslie (Donald Douglas), holder of a million-dollar policy, from both the police and the underworld. Miller's efforts are frequently stymied by Mark Rogers (John Gallaudet), a Winchellesque radio reporter in cahoots with the G-Men. Our hero's allies include his wisecracking assistant Ziggy (Eddie Foy Jr., brother of Bryan Foy, the film's producer) and all-purpose heroine Janet Leslie (Lucille Fairbanks, niece of Douglas Fairbanks Sr.) A Fugitive from Justice sure looks like a remake, but a remake of what remains a mystery. ~ Hal Erickson, All Movie Guide
- Starring:
- Roger Pryor, Lucille Fairbanks, (more)
James Dunn and Frances Gifford were husband and wife when they costarred in PRC's Hold That Woman. Dunn plays Jimmy Parker, ace operative for Skip Tracers Ltd., a process-serving firm. Repossessing a radio from a recalcitrant debtor, Jimmy finds a fortune in stolen jewels hidden inside the box. Arrested for theft, Parker spends the rest of the picture trying to recover both the jewels and the radio, the better to clear his name and keep his job. Frances Gifford (evidently the "woman" of the title) plays Parker's business partner and erstwhile sweetheart Mary Mulvaney. ~ Hal Erickson, All Movie Guide
- Starring:
- James Dunn, Frances Gifford, (more)
They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a young boxer who seems headed for a championship. When a reporter finds Bradfield drunk and carousing with women, and learns that the squeaky-clean image that he has cultivated is a complete lie, he threatens to blow the lid off the boxer's real life, and is beaten to death by Bradfield's manager. Bradfield, who was in a drunken stupor during the fight, is framed for the killing by his manager, who rolls him for his wallet, watch, and anything else of value, makes a run for it, and is killed in a fiery car accident. As far as the police are concerned, the case is closed, "Bradfield" having been identified in the wreck by the watch he was wearing. But Johnny Bradfield now has to disappear from New York and anyplace else he's ever been seen, in order to stay "dead." He is sent on his way by his crooked attorney with just a few dollars in his pocket, thumbing rides and walking west. Bradfield collapses one day from exhaustion and near starvation outside of a ranch in Arizona. The ranch is run by May Robson as part of a relief effort to help a group of boys from the New York slums -- Tommy (Billy Halop), Spit (Leo Gorcey), Dippy (Huntz Hall), T.B. (Gabriel Dell), Angel (Bobby Jordan), and Milty (Bernard Punsly) -- keep out of trouble. Identifying himself as "Jack Dorney," he first tries to see what he can get in the way of a free ride from the kids and Tommy's sister, Peggy (Gloria Dickson), who doesn't trust Dorney or his influence over the kids. Meanwhile, back in New York, one police detective, Phelan (Claude Rains), is convinced that the body found in the burned wreck of Johnny Bradfield's car wasn't Bradfield. Phelan is an outcast in his department for having once presented "conclusive" evidence in court against a man who was executed for murder, only to discover later that the man was innocent. He sees this as his chance to redeem himself and his career, and he is such a pariah that his chief gives him permission to follow up leads anywhere he needs to. At the ranch, Dorney takes a genuine liking to the kids, and sees Peggy as a kind of woman he's never known, who has no "angles" in her approach to life. The ranch may have to be sold, however, as there is no more money coming from the church in New York to keep it going. In order to save the ranch and set Peggy and the kids up in a roadside business pumping gas -- an idea of Tommy's -- Dorney decides to enter a prize fight for money against a barnstorming boxer. On the eve of the fight, however, Phelan shows up, drawn by a newspaper photo of Dorney, his face obscured but using the same unusual left-handed boxing stance he used as Johnny Bradfield. Dorney goes into the ring, and finds himself up against a brute who has already flattened two opponents in less than one round each, trying to hide his identity by fighting right-handed. He gets savaged, round after round, until Phelan tells him from ringside that he knows who he is. Free to use his left, Dorney saves himself. Phelan confronts him in the dressing room, and Johnny tells him he'll give him no trouble -- they're about to head back east, with Peggy and the kids trying to thank him, and it dawns on Phelan that possibly this is one case that might better be left "solved" officially the way it is already, even though it means the detective going back to his job as a laughing stock. ~ Bruce Eder, All Movie Guide
- Starring:
- John Garfield, Gloria Dickson, (more)
Penitentiary was the first of two remakes of Howard Hawks' 1931 prison flick The Criminal Code (the second remake was 1950's Convicted). Sent to prison on a manslaughter charge, young William Jordan (John Howard) is befriended by the man who sent him up, Judge Mathews (Walter Connolly). The judge sees to it that Jordan is given every opportunity to rehabilitate himself, though he's a bit uncomfortable when his own daughter Elizabeth (Jean Parker) falls in love with the young convict. All of this extra effort goes out the window when Jordan, adhering to the "criminal code" of never snitching on a fellow con, allows himself to be implicated in the murder of a stoolie. Jordan is saved from the hot seat by the last-minute confession from the real killer, a hard-bitten but honorable "lifer" named Finch (Arthur Hohl). In the original Criminal Code, Walter Huston, Philips Holmes, Constance Cummings and Boris Karloff essayed the roles played in Penitentiary by Connolly, Howard, Parker and Hohl. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Connolly, John Howard, (more)
Italian immigrant George Raft uses his wits and his fists to rise to prominence in a local political machine. He falls in love with Rosalind Russell, the wife of a prominent banker, but discreetly hides his feelings even as he and Russell are thrust together by social circumstances. The banker turns out to be an embezzler, but Raft comes to the rescue by replacing the stolen funds. Accused of conspiring with the banker because he'd failed to make the original embezzlement public, Raft is grilled by a grand jury. Once cleared, Raft is finally able to wed the divorced banker's wife, who it turns out had always had a crush on him. It Had to Happen is most entertaining in its early scenes wherein we see George Raft strongarming his way to success. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Rosalind Russell, (more)
Columbia Pictures workhorse Lambert Hillyer was both writer and director of Men of the Night. Bruce Cabot plays Kelly, a Hollywood detective, assigned to capture a holdup gang. While dallying with carhop Mary (Judith Allen), Kelly jumps to the hasty conclusion that the girl is somehow tied in with the crooks. Acting on this misapprehension, he nearly gets both Mary and himself killed by the villains (headed by Charles Sabin, a stage actor who never quite clicked in films). Ward Bond, a mere supporting player in 1934, goes into his comedy-relief mode as Cabot's dimwitted partner. Men of the Night ran 58 minutes, just long enough to fit comfortably on the bottom half of a Columbia double bill. ~ Hal Erickson, All Movie Guide
- Starring:
- Bruce Cabot, Judith Allen, (more)














