Marjorie Liszt Movies

One of Hollywood's great directors, Vincente Minnelli, turns a jaundiced eye towards the film industry in this drama about the inner workings of the movie business. Jack Andrus (Kirk Douglas) is an actor whose career has gone into a tailspin along with his personal life; after a severe bout with alcoholism, a messy break-up with his wife, a life-threatening auto accident, and a nervous breakdown, Andrus has spent three years in a private mental hospital in Connecticut. Andrus is approached by Maurice Kruger (Edward G. Robinson), a noted filmmaker who worked many times with Andrus in the past, offering him a small role in his next picture, and with the blessings of his doctors, the actor flies to Rome to return to work. However, once he arrives, Andrus finds the project is in chaos -- his role has been recast, Kruger is constantly battling with producer Tucino (Mino Doro), leading man Davie Drew (George Hamilton) is squabbling with both %Kruger and his girlfriend Veronica (Daliah Lavi), and the female lead (Rosanna Schiaffino) can't recite her dialogue in English. With the shooting in shambles, Kruger asks Andrus to take over the dubbing work in hopes of bringing the film in on schedule, and against his better judgement Andrus agrees. As Andrus tries to rise to this new challenge -- made all the more trying by the arrival of his ex-wife Carlotta (Cyd Charisse) -- the production receives its biggest setback when Kruger suffers a heart attack after a bitter argument with his wife (Claire Trevor). Andrus takes over the direction of the picture, and proves a capable hand for the job, bringing in the project on time and on budget. However, Kruger expresses resentment rather than gratitude, claiming that Andrus is trying to put an end to his career. Two Weeks In Another Town was adapted from a novel by Irwin Shaw. ~ Mark Deming, All Movie Guide

Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, All Movie Guide

Valley of Fire is a fairly gutsy title for this formula Gene Autry western. This time, Autry plays the reform-minded mayor of a wide-open western town. The villain of the piece, Tod Rawlings (Harry Lauter), decides to undermine Gene by convincing a band of disreputable miners to hijack a wagon train which is bringing mail-order brides into the community. Fortunately, the community's "good" miners thwart Rawling's plan and claim the brides for themselves (fear not: the ladies are more than willing to be claimed). One of Rawling's partners in crime is played by Russell Hayden, who only a few months earlier had been the clean-cut hero of Lippert's "Four Star Western" series. Once again, Gene Autry's feminine vis-a-vis in Valley of Fire is Gail Davis, who went on to star in TV's Annie Oakley. ~ Hal Erickson, All Movie Guide