Grace Lenard Movies
- 1973
Now that he has been promoted to Engineer, Roy DeSoto (Kevin Tighe) is faced with the prospect of having to leave the Paramedics program. Meanwhile, a huge pileup on the fog-enshrouded San Diego Freeway results in dozens of seriously injured motorists. Other major crises arise when John (Randolph Mantooth) is trapped by a fire, and when the staff is called away from more pressing matters by a phony suicide alert. ~ Hal Erickson, All Movie Guide
- 1972
Donna Mills was still in her "imperiled heroine" career stage when she starred in the made-for-TV The Bait. Mills is a policewoman who goes incognito to solves a baffling series of rape-murders. Almost as deadly as the rapist is the sexism Mills must suffer from her superior officer (Michael Constantine)--which at times is played for laughs. Based on a novel by former policewoman Dorothy Uhnak, who must have been appalled at the liberties taken with her work by this film, The Bait was the pilot for an unlaunched weekly TV series. Sidenote (courtesy of TV-movie historian Lee Goldberg): Noam Pitlik, a guest star in The Bait, would later direct several episodes of the police sitcom Barney Miller. ~ Hal Erickson, All Movie Guide
- 1972
Jeannot Szwarc, the director responsible for so many episodes (both good and bad) of the Night Gallery TV series, was the helmsman of The Devil's Daughter. This small-screen Rosemary's Baby clone stars Belinda Montgomery as a young woman targeted by a group of Satanists. It seems that Belinda's soul was purchased from the Devil when the girl was born, with payment due when she reaches the age of 21. Shelley Winters is at her overbearing best as the head of the cultists, while horror-flick vets Joseph Cotten and Jonathan Frid do their utmost to create the proper demonic atmosphere. Colin Higgins, who moved on to such prestige projects as Silver Streak and Foul Play, conjured up the script for The Devil's Daughter. ~ Hal Erickson, All Movie Guide
- Starring:
- Belinda Montgomery, Shelley Winters, (more)
- 1967
Martha Hyer is appropriately cast as glamorous Hollywood movie star Carol Haven, who sweeps into the lives of Bill Davis (Brian Keith) and his family. Falling in love with Bill, Carol insists that she is willing to give up her career in order to assume the new roles of wife and mother. Bill of course is delighted--but it soon becomes obvious that Carol's heart is still firmly entrenched in the Hollywood Hills. ~ Hal Erickson, All Movie Guide
- 1962
Opie is made "Keeper of the Flame" for the Wildcats, a secret boy's club. Shortly thereafter, the club's meeting place, the barn of cantankerous Jubell Foster (Everett Sloane), burns to the ground. It takes the gentle prodding of Sheriff Andy-and an increasingly besotted Barney-to prove that Opie was not to blame. Best line: "He's not so dumb." Written by Jack Elinson and Charles Stewart, "Keeper of the Flame" first aired on January 8, 1962. ~ Hal Erickson, All Movie Guide
- 1955
For full appreciation of the culture-clash drama Foxfire, it is crucial that the viewer accept Jeff Chandler as a Native American--not much of a stretch, since he'd previously been thoroughly convincing as Cochise in Broken Arrow. Chandler plays Jonathan Dartland, a half-breed Apache mining engineer working in his native Arizona. On a whim, Eastern socialite Amanda (Jane Russell) marries Jonathan. Disdaining "society", Dartland insists that the flighty Amanda remain in Arizona as a "typical" housewife. The rest of the film deals with the problematic period of adjustment for the seemingly mismatched couple. Foxfire earned a footnote in history as the film which was being screened on the Andrea Doria on the day that the ill-fated luxury liner went down. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Jeff Chandler, (more)
- 1953
They don't really go to Mars, they go to Venus, but first they go to New Orleans. While working at a missile base, Bud Abbott and Lou Costello inadvertently launch a rocket ship with themselves aboard. After a wild ride around New York City (the Statue of Liberty ducks when the rocket heads her way), Bud and Lou land in the outskirts of New Orleans. The boys are convinced that they've reached Mars, and their faith in this supposition is affirmed when they come across several strangely costumed "creatures" (actually revellers at the Mardi Gras). Meanwhile, bank robbers Jack Kruschen and Horace McMahon stow away on A&C's rocketship. When Bud and Lou return, the crooks force them to make a quick getaway into outer space. After several days of weightlessness, the four space travellers land on Venus, a planet populated by the gorgeous winners of the Miss Universe contest (including Anita Ekberg). Venusian queen Mari Blanchard falls in love with Costello, only to order him and his companions to return to earth when Lou proves to be unfaithful. Reportedly, this bizarre melange of sci-fi and slapstick was based on a story by Charles Beaumont, who received no screen credit (it's worth noting that Beaumont's later Queen of Outer Space boasts a remarkably similar plotline). Long considered the team's worst film, Abbott and Costello Go to Mars ("and about time!" quipped the New York Times' TV-movie reviewer) is rather likeable in its own incoherent way. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
A husband-and-wife scientist team (Peter Graves, Andrea King) are experimenting with a "hydrogen tube" invention (which he got from a missing German scientist, lost in the collapse of the Reich), when they get signals back from what appears to be Mars. The culture-shock of that event is serious enough, and the couple and their family are suddenly thrust into the spotlight. But then they begin to translate the increasingly complex messages (which started out as mathematical equations) that they receive back, and find that Mars is a perfect world, a true Utopia, and that the messages are quoting Scripture -- and the inevitable conclusion is that God is speaking from Mars. Soon a religious revival starts to spread across the globe. What they don't realize is that the messages are a very calculated fraud, being engineered by a Communist operative (Marvin Miller) and carried out by the scientist (Herbert Berghof) who invented the hydogen tube, and who now has an even more sinister agenda of his own. ~ Bruce Eder, All Movie Guide
- Starring:
- Peter Graves, Andrea King, (more)
- 1951
The genesis for Queen for a Day was the Dorothy Parker short story Horsie, all about a homely woman who takes a job as a nanny in the household of a selfish, insensitive couple. Months later, the husband receives a gift of an electric razor from "Horsie," out of gratitude for his kindnesses -- kindnesses which, of course, he never consciously extended. "Horsie" ended up as one of three short stories adapted to film by producer Robert Stillman in 1951. The unifying theme of the film was that each of the three female protagonists were contestants on the TV series Queen for a Day. You may remember that this long-running program was hosted by Jack Bailey, who on a daily basis selected one of three deserving women to be the recipient of fabulous prizes, the decision, which was made by the audience (there was an "applause meter" on the set), was predicated upon which of the three ladies had the saddest or most fascinating life story to tell. In addition to "Horsie," aka Miss Wilmarth (Edith Meiser), the other contestants in the film are Phyllis Avery and Kasia Orzazewski. Avery stars in the vignette titled "The Gossamer World," based on a John Answorth story, this episode concerns Avery's son Rudy Lee, a victim of polio. Orzazewski figures into the Faith Baldwyn story "High Diver," wherein she plays the immigrant mother of a college-bound boy (Adam Williams) who takes a job at a carnival to make ends meet. Queen for a Day was originally released as Horsie, until it was decided that the TV series' title was more saleable. (It wasn't, despite an aggressive ad campaign conducted on the Queen for a Day television program.) ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Avery, Darren McGavin, (more)
- 1951
The real Matt Cvetic was a borderline alcoholic with a nasty disposition (he once allegedly beat his sister-in-law so badly she required hospitalization). But Cvetic was also a fervent anti-communist, and so, for a brief period in the early 1950s, he was a folk hero. I Was a Communist for the F.B.I. is the semi-true story of how Cvetic (played by Frank Lovejoy) renounced his friends and family and embraced the Red cause--on behalf of the F.B.I., for whom he was a volunteer undercover agent. The film recounts how Cvetic used his job as a Pittsburgh steelworker to contact various American Communist cell leaders, and how he exposed their insidious plans to overthrow the American government. Since the script infers that among the Reds' "subversive" plans was the Civil Rights Movement, I Was a Communist for the FBI is an embarrassing experience when seen today. Cvetic's memoirs were better dramatized by a 1951 radio series of the same title, starring Dana Andrews. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Lovejoy, Dorothy Hart, (more)
- 1949
In Johnny Stool Pigeon, the title character's name is really Johnny Evans (Dan Duryea). Evans is an imprisoned crook whose wife died as a result of a vicious narcotics ring. Federal agent Howard Duff works out a deal with Evans, who agrees to help the agent infiltrate the gang. After making connections up and down the West Coast, the gang is brought to heel by the combined efforts of Evans, the agent, and a reformed gun moll (Shelley Winters). Johnny Stool Pigeon was one of a group of intriguing Universal second features directed by future horror-film maestro William Castle between 1948 and 1951. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Duff, Shelley Winters, (more)
Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Janet Blair, (more)
- 1944
This 91-minute Republic "special" stars Michael O'Shea as Matt Braddock, an aggressive Henry Kaiser-like shipbuilder operating in 1880s California Though his business innovations are brilliant, Braddock's pugnacious attitude loses him the support of the locals when he plans to build a big new shipyard in a small coastal community. Eventually he perseveres, bringing the story to a rousing conclusion. Along the way, however, there's a bit too much emphasis on the hot-and-cold romance between Braddock and the lovely Diana Kennedy (Anne Shirley). Tommy Bond, the former Butch in the "Our Gang" comedies, registers well in a sympathetic supporting role (Bond later noted that this was one of his favorite films). ~ Hal Erickson, All Movie Guide
- Starring:
- Michael O'Shea, Anne Shirley, (more)
- 1944
In this wartime western, an evil Nazi and his partner endeavor to sabotage a western gunsight plant. Unfortunately, the tough plant manager has plans of his own and action ensues until the villains are vanquished. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Starrett, Jeanne Bates, (more)
Thanks to its Jerome Kern/Ira Gershwin/Yip Harburg score and the luminescence of stars Rita Hayworth and Gene Kelly, Cover Girl has taken on a legendary status in recent years. In truth, the film has a banal and predictable premise: a chorus girl (Hayworth) is given a chance for stardom by a wealthy magazine editor (Otto Kruger), who years earlier had been in love with the girl's mother. Offered an opportunity to be a highly-paid cover girl, our heroine would faithfully remain with her tacky nightclub act if only the club manager (Kelly), whom she pines for, would ask her. He loves her too, but doesn't want to stand in her way, so he fakes an argument to send her packing. You don't need a crystal ball to known that the girl and her guy will be reunited for the finale. Phil Silvers, everybody's best friend, and Eve Arden, Kruger's acid-tongued assistant, provide comic relief. The story sags badly at times, but the fans went home happy thanks to the powerhouse musical numbers, including Long Ago and Far Away and Kelly's famous "alter-ego" dance. The film skyrocketed both Hayworth and Kelly to superstardom, and didn't do Silvers any harm, either. Cover Girl is an extraordinarily lavish Technicolor production from the usually parsimonious Columbia Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Rita Hayworth, Gene Kelly, (more)
- 1943
In this bit of WWII propaganda (designed to boost support of America's alliance with Russia against Germany), Kolya (Dana Andrews), Kurin (Walter Huston), Damian (Farley Granger), and Marina (Anne Baxter) are members of a farming collective in the Ukraine known as the North Star. The hard-working but happy members of the North Star find their way of life shattered when Germany, in defiance of previous treaties, storms the nation and begins a brutal occupation. Dr. Otto Von Harden (Erich Von Stroheim) begins gathering children -- who are to be used for blood transfusions and medical experiments. Many of the outraged farmers take to the hills to fight with the anti-Nazi resistance, while those who stay behind bravely destroy precious crops and materiel rather than turn them over to the Nazi war machine. Producer Samuel Goldwyn made The North Star at the request of President Franklin D. Roosevelt (whose son James was an executive at Goldwyn's studio). Ironically, several members of the film's creative team (including screenwriter Lilian Hellman) later found their motivations for making the film questioned by the House Un-American Activities Committee, who declared it Communist propaganda. ~ Mark Deming, All Movie Guide
- Starring:
- Anne Baxter, Dana Andrews, (more)
- 1942
Nurse Chapman begins to fall in love with a gangster and ends up entertaining miners until she manages to pull herself out of this bad situation. ~ All Movie Guide
- 1942
In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Pat O'Brien, (more)
- 1942
Despite its title and the fact that it was made by Universal Studios, 1942's The Silver Bullet has nothing to do with werewolves. This is a western, starring Johnny Mack Brown as the hero and Fuzzy Knight as his comical sidekick. Brown seeks to avenge the death of his father, who was shot in the back by an unknown assailant. The only clue Brown has to go by is that his dad was killed by a silver bullet. And, no, the Lone Ranger didn't do it. ~ Hal Erickson, All Movie Guide
- Starring:
- Johnny Mack Brown, Fuzzy Knight, (more)
- 1942
A college student's passion for swinging music leads him to found his own band. When he starts spending more time playing music than studying, his father, a prominent hotelier, steps in and sends the lad to a dude ranch in Arizona. Undeterred, the boy brings the band with him. Once there, he encounters a pretty girl. Unfortunately, her father owns a rival hotel chain. Fortunately, after much singing, dancing and misunderstanding, the two young people finally manage to fall in love. Though only an hour long, the film is packed with 16 popular songs. ~ Sandra Brennan, All Movie Guide
- Starring:
- Mary Healy, Richard Davies, (more)
- 1941
Made just before America's entry into World War II, Paris Calling is one of the earliest French Underground adventures. When the German march into Paris, a polyglot of French patriots organize to undermine the Nazi occupation troops (represented by Lee J. Cobb, who plays his character with a surprising amount of depth). Elizabeth Bergner plays a French aristocrat who learns that her ex-fiance (Basil Rathbone) is a collaborator; she agrees to help the Underground, even unto killing her former lover. Gale Sondergaard, normally a villain, is sympathetically cast as a blowsy waterfront entertainer whose waterfront dive serves as Resistance headquarters. And how do the neutral Americans figure into all of this? Yankee-doodle-dandy Randolph Scott parachutes into view as a pilot for the RAF. ~ Hal Erickson, All Movie Guide
- Starring:
- Elisabeth Bergner, Randolph Scott, (more)
- 1941
While in Hawaii, Velez begins the film as a risque nightclub act and due to her involvement with a group of sailors becomes a beauty queen. ~ All Movie Guide
- 1941
The much-maligned Playmates callously offers the appalling spectacle of a thoroughly dissolute John Barrymore in his final screen performance, but the film isn't quite as bad as it's supposed to be. Barrymore plays himself, a washed-up ham actor up to his ears in debts. When the IRS demands payment for back taxes, Barrymore's press agent Pete Lindsey (Peter Lynd Hayes) and manager Lulu Monohan (Patsy Kelly) suggest a sure-fire moneymaking scheme: the venerable thespian will transform bucolic bandleader Kay Kyser (also playing himself) into a Shakespearean actor, in exchange for a fat radio contract. Neither Kyser nor Barrymore are keen on this set-up, but while Kyser is willing to go through with the plan, Barrymore seeks various devious methods of wriggling out of the committment. Barrymore goes so far as to sic his peppery girlfriend Carmen del Toro (Lupe Velez) on poor Kyser, hoping to dissuade the bandleader from showing up at the climactic Long Island Shakespeare Festival peformance. When this fails, Barrymore spikes Kyser's throat spray with alum, only to be rendered speechless himself when the spray bottles are switched. Suffice to say that all ends happily, with Kay Kyser and his aggregation (Ginny Simms, Harry Babbitt, Ish Kabibble et. al.) performing a rather pleasant "swing" version of Romeo and Juliet. Admittedly, it's rather hard to watch Playmates knowing that John Barrymore had once been regarded as the greatest actor of his generation. Even so, a few bright moments shrine through, notably a poignant scene in which Barrymore briefly recaptures the old magic by reciting a few passages from Hamlet's soliloquy. ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Lupe Velez, (more)
- 1940
The lives of female hoboes in the Great Depression are chronicled in this interesting drama. In order to fully understand the travails of their existence, the governor's daughter dresses down and joins them. There in the hobo camps she experiences their aimless unlucky lives as they hitchhike across the country, and live out of doors. The women are hindered by a pesky sheriff who constantly harasses them. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Dvorak, Helen Mack, (more)
- 1940
Like its predecessors, this third cinema version of Sidney Hoiward's Pulitzer Prize-winning play They Knew What They Wanted suffers from Hollywood censorship. Still, this story of the grim consequence of a misbegotten mail-order marriage has much to offer. Carole Lombard is superb as the waitress who lies about herself while carrying on a romance by correspondence with the Italian-born owner of a Napa Valley vineyard. Equally fine (if a shade too effusively hammy) is Charles Laughton as the grape grower, who also misrepresents himself in his letters, going so far as to pass off a photograph of handsome hired hand William Gargan as a picture of himself. Vowing to be loyal to her new husband Laughton, despite her distaste for him, Lombard nonetheless enters into an affair with Gargan. For the most part, the film moves along harmoniously. It falters only in the censor-dictated alterations (why is Lombard crying at the end?) and the horrendous performance by Frank Fay as a sanctimonious priest. Keep an eye peeled during the engagement party for a young, unbilled Karl Malden and Tom Ewell. Previous versions of They Knew What They Wanted included The Secret Hour (1928) and A Lady in Love (1930). ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Charles Laughton, (more)
